【文章內(nèi)容簡介】 進(jìn)的管理體系不走樣地移植到華為，公司下了死命令:“5年之內(nèi)不許任何改良，不允許適應(yīng)本地特色，即使不合理也不許動。5年之后把國際上的系統(tǒng)用慣了，再進(jìn)行局部改動；至于結(jié)構(gòu)性改動，那是10年之后的事情?！边@就是任正非著名的“三化”理論:先僵化接受，再固化運用，后優(yōu)化改良。這種辦法看起來很笨拙，但促進(jìn)了流程改善和制度建立，保證了華為在超常規(guī)持續(xù)發(fā)展中不出現(xiàn)大的管理失誤。中國的大企業(yè)要在全面競爭時代成功，企業(yè)真正需要的是”大拙”，而非巧妙運作的花拳繡腿，那樣只會欲速而不達(dá)。因此企業(yè)需要逐步積累自己的能力，下大力氣培養(yǎng)自己的持續(xù)競爭能力，雖然可能會讓人覺得“愚笨”，但事實上卻有事半功倍之效。結(jié)語：企業(yè)的競爭歸根結(jié)底是運營效率與管理能力的競爭。運營經(jīng)理不僅要將最高決策層的理念和戰(zhàn)略意圖落實到運營平臺當(dāng)中去，而且要策劃推進(jìn)公司的業(yè)務(wù)運營戰(zhàn)略，打造高效的企業(yè)價值鏈，并組織協(xié)調(diào)公司各部門執(zhí)行、實現(xiàn)公司的運營目標(biāo)。 面臨日益激烈的競爭與多變的市場環(huán)境，系統(tǒng)的學(xué)習(xí)現(xiàn)代運營管理知識；掌握先進(jìn)的管理思維和方法；借鑒國際企業(yè)的運營戰(zhàn)略規(guī)劃的先進(jìn)經(jīng)驗，已是勢在必行。根據(jù)企業(yè)自身的特點找到切實可行的方法，分析、變革和持續(xù)改進(jìn)自己的企業(yè)，有效實現(xiàn)企業(yè)的戰(zhàn)略目標(biāo)。參考文獻(xiàn)：　[1]徐峰。企業(yè)人力資源開發(fā)與管理[J]企業(yè)經(jīng)濟(jì)2007(11) [2]謝柯凌。我國人力資源管理發(fā)展趨勢及對策思考[J]中國人力資源開發(fā)[3]2006年張忠壽。我國中小企業(yè)財務(wù)戰(zhàn)略研究[D]。蘇州大學(xué)[4]劉世錦，楊建龍．核心競爭力：企業(yè)重組中的一個新概念[J]中國工業(yè)經(jīng)濟(jì)，1999(2)。[5]劉述意,:經(jīng)濟(jì)管理出版社,1988.[6]曹興,李佳。高科技企業(yè)發(fā)展特征、影響因素及其環(huán)境分析[J]。 2003年07期您好，為你提供優(yōu)秀的畢業(yè)論文參考資料，請您刪除以下內(nèi)容，O(∩_∩)O謝謝?。?！A large group of tea merchants on camels and horses from Northwest China39。s Shaanxi province pass through a stop on the ancient Silk Road, Gansu39。s Zhangye city during their journey to Kazakhstan, May 5, 2015. The caravan, consisting of more than 100 camels, three horsedrawn carriages and four support vehicles, started the trip from Jingyang county in Shaanxi on Sept 19, 2014. It will pass through Gansu province and Xinjiang Uygur autonomous region, and finally arrive in Almaty, formerly known as AlmaAta, the largest city in Kazakhstan, and Dungan in Zhambyl province. The trip will cover about 15,000 kilometers and take the caravan more than one year to plete. The caravan is expected to return to Jingyang in March 2016. Then they will e back, carrying specialty products from Kazakhstan A small art troupe founded six decades ago has grown into a household name in the Inner Mongolia autonomous region. In the 1950s, Ulan Muqir Art Troupe was created by nine young musicians, who toured remote villages on horses and performed traditional Mongolian music and dances for nomadic families. The 54yearold was born in Tongliao, in eastern Inner Mongolia and joined the troupe in says there are 74 branch troupes across Inner Mongolia and actors give around 100 shows every year to local nomadic people. I can still recall the days when I toured with the troupe in the early 39。80s. We sat on the back of pickup trucks for hours. The sky was blue, and we couldn39。t help but sing the folk songs, Nasun says. The vastness of Inner Mongolia and the lack of entertainment options for people living there, made their lives lonely. The nomadic people were very excited about our visits, Nasun recalls. We didn39。t have a formal stage. The audience just sat on the grass. Usually, the performances became a big party with local people joining in. For him, the rewarding part about touring isn39。t just about sharing art with nomadic families but also about gaining inspiration for the music and dance. Ulan Muqir literally translates as red burgeon, and today39。s performers of the troupe still tour the region39。s villages and entertain nomadic families, but their fame has spread around the world. On May 16 and 17, nearly 100 singers and dancers from the troupe performed at Beijing39。s Poly Theater. Their show, titled Ulan Muqir on the Grassland, depicted the history and development of the art troupe. Being from the region allowed me to embrace the culture of Inner Mongolia and being a member of the troupe showed me where I belonged, Nasun, the art troupe39。s president, who is also a renowned tenor, tells China Daily. During a tour in 1985, he went to a village and met an elderly local man, who told him a story about his friendship with a solider from Shenyang, capital of Northeast China39。s Liaoning province, decades ago. The solider gave the old man a handmade saddle when they bid farewell. The story inspired Nasun to write Carved Saddle, a song that later became one of his most popular numbers. Now, every year, Nasun recruits young singers and dancers for the troupe. The troupe has also designed a new repertoire, which is mostly based on the daily lives of Mongolian people, especially the lives of nomadic families, and has bined contemporary musical elements with folk songs of the region. Haimu, a 25yearold khoomei (a local variant of overtone singing) singer, joined the troupe three years ago. Along with a sixmember band, he performs fast songs and soft ones that he writes－all while playing the horsehead fiddle.Although I learned the piano since childhood and grew up listening to various kinds of music,