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中國陶瓷藝術(shù)起源的研究畢業(yè)論文(編輯修改稿)

2024-07-19 06:11 本頁面
 

【文章內(nèi)容簡介】 te porcelain workshop baking at a very high temperature, porcelain is the key of its purity kaolin soil. In the Ming Dynasty (13681644) blue and white porcelain pottery, get perfect development, it has bee one of the Chinese ceramic art representatives. China Jiangxi province Jingdezhen, as has bee not only produced a large number of porcelain kiln industry center, but also bee the focus of export products output. Shape style and enhance the decorative pattern and the container with the blue and white porcelain, thanks to each new emperor of the Ming Dynasty and the production process of the new requirements. The glaze color and quality than any other time periods of blue and white porcelain, it is inparable in the Qing Dynasty (16441911), ceramic innovation is rich in colors. Application of various glaze, flower decoration scheme, landscape pattern and visualize the scene, makes these products enjoy a high reputation in the west. Almost every major European museums, you39。ll find out a lot of color or monochrome ceramics (blue, red, yellow or pink) Unfortunately, begins to decline in quality China porcelain in this period, this is due to political instability, and therefore to the art development produced a lot of obstacles. However, in Renaissance Italy, China ceramic culture makes China culture to obtain greater recognition in the west. In addition to the kiln in some small scale production, a lot of kiln center has established a more traditional style. 2 Ceramic art developmentsCeramics is one of the most ancient industries on the planet. Once humans discovered that clay could be dug up and formed into objects by first mixing with water and then firing, the industry was born. As early as 24,000 BC, animal and human figurines were made from clay and other materials, and then fired in kilns partially dug into the ground. Almost 10,000 years later, as settled munities were established, tiles were manufactured in Mesopotamia and India. The first use of functional pottery vessels for storing water and food is thought to be around 9000 or 10,000 BC. Clay bricks were also made around the same time. Glass was believed to be discovered in Egypt around 8000 BC, when overheating of kilns produced a colored glaze on the pottery. Experts estimate that it was not until 1500 BC that glass was produced independently of ceramics and fashioned into separate forward to the middle Ages, when the metal industry was in its infancy. Furnaces at that time for melting the metal were constructed of natural materials. When synthetic materials with better resistance to high temperatures (called refractoriness) were developed in the 16th century, the industrial revolution was born. These refractory created the necessary conditions for melting metals and glass on an industrial scale, as well as for the manufacture of coke, cement, chemicals, and ceramics.Another major development occurred in the second half of the 19th century, when ceramic materials for electrical insulation were developed. As other inventions came on the sceneincluding automobiles, radios, televisions, putersceramic and glass materials were needed to help these bee a reality.3 The intersection China ceramic art and Western cultureCeramic artists began to ceramics as an art of munication media, but in the traditional inheritance, there is a large part of the basic thought of predecessors. In Jingdezhen, to continue the traditional ceramic creation holds the very great proportion, can be said to have a lot of is pletely in accordance with the traditional form and decoration, especially handpainted porcelain, is a further development of the traditional. Traditional ceramic art represented the basic appearance of China ceramic art, Jingdezhen porcelain and painted walked out from the decline of Qing Dynasty, inherited the Millennium porcelain style. From an objective point of view, can be said to be a good thing, but for the needs of the times still has its one sidedness. To the seventy or eighty39。s, Jingdezhen ceramic artists began to explore new ideas. Cultural openness, there has been a great development for their creative space, artistic creation, continue to carry forward the traditional advantage of ceramic, and learn from other folk arts, created a number of exquisite artistic charm with modern art ceramic art, the shape is also basically is to improve the traditional modeling so, more adapted to the new requirements of the times Chinese。 decoration is the re creation of the traditional, continue to carry forward the unique charm of China traditional ceramics, the China ceramic further to the peak. But the study of its development, which is mainly to the traditional continue, in art is still not fully developed or universal updates to the needs of the times of the ceramic art language西方學(xué)院派的美術(shù)教學(xué)及現(xiàn)代藝術(shù)理念對中國形成了新的影響,陶瓷藝術(shù)的創(chuàng)作開始了現(xiàn)代陶藝的新天地。隨著西方藝術(shù)思潮和陶藝觀念的進入國內(nèi),這一時期的陶瓷創(chuàng)作不免有追隨西方形式的創(chuàng)作形式,引發(fā)了中國陶瓷藝術(shù)創(chuàng)作的方向出現(xiàn)了很大的改變。但是在當(dāng)時對西方陶藝思想的形式追求,也為中國傳統(tǒng)陶瓷藝術(shù)注入了新元素,使中國傳統(tǒng)陶瓷開始進入創(chuàng)作轉(zhuǎn)型期。在繼續(xù)純粹中國風(fēng)格的陶藝創(chuàng)作下,如果沒有全新的元素注入,勢必會導(dǎo)致陶瓷的發(fā)展單一化,而阻礙陶瓷藝術(shù)的前進。在新時期,繼續(xù)發(fā)展傳統(tǒng)陶瓷,必然是不適應(yīng)時代需求的,對中國陶瓷可以說是一種致命性的打擊。而在新元素的注入前期中,必然會有一個初期的過渡階段,這也是在所難免的。因此,西方觀念形式進軍中國大陸,對陶瓷藝術(shù)界來說,不能說不是一件好事。而這一時期可以被看作是中國未來陶藝進一步發(fā)展的鋪路時代。Along with the western art and art concept into China, this period of ceramic creation not follow the western form creation form, caused Chinese ceramic art relation direction appeared very big change. But at the time of the western art form to pursue, also injected new elements for China traditional ceramic art, the China traditional ceramics began to enter the creative transition. On pure China style pottery creation, if not inject new elements, it will lead to development of single ceramics, ceramic art and hinder the advance. In the new period, the continued development of the traditional ceramics, is not necessarily to meet the needs of the age, the China ceramics can be said to be a fatal blow. In the pre injection elements, there will be a transition stage early, it is can hardly be avoided. There
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