【正文】 se changes in public and mercial spaces are indebted to the liberation movements of the late battles fought against barriers of race, class, gender, and physical ability laid the groundwork for a larger climate of hospitality and is also possible to detect a wholly other agenda in the popularity of the residential introduction of domestic amenities into mercial spaces, such as recreation spaces in office interiors, can also be construed as part of a wider attempt to put a more acceptable face on the workings of freemarket this view, interior design dons the mask of is nothing new about the interior is fundamentally a stage is it particularly insidious—as long as the conceit is surfaces，however, when illusion bees delusion—when design overpensates for the realities of illness with patronizing sentiment, or when offices bee surrogate apartments because of the relentless demands of a roundtheclock these instances, design relinquishes its potential to transform daily life in favor of what amounts to little more than a facile rebranding of force is driving the domestication of the interior and that is the enlarged public awareness of design and is a growing popular demand for design as amenity and status symbol, stimulated by the proliferation of shelter magazines, television shows devoted to home decorating, and the advertising campaigns of mercial entities such as Target and the Western world, prosperity, bined with the appetite of the media, has all but fetishized the interior, yielding yet another reflection of the narcissism of a consumerdriven the one hand, there are positive, democratic outes of the growing public profile of design that can be seen in the rise of doityourself web sites and enterprises like Home Depot that emphasize can also be argued, more generally, that the reconsideration of beauty implicit in the valorization of design is an ameliorating social phenomenon by virtue of its propensity to inspire the other hand, the popularization of interior design through personas such as Philippe Starck, Martha Stewart, and Barbara Barry has encouraged a superficial understanding of the interior that is more focused on objects than it is on behaviors and interactions among all the recent explosion of interest in interior design, it remains, however, a fundamentally conservative arena of design, rooted as it is in notions of enclosure, security, and perception has been exacerbated by the growth of specialized practices focused, for example, on healthcare and such firms offer deep knowledge of the psychology, mechanics, and economies of particular environments, they also perpetuate distinctions that hinder a more integral approach to the interior as an extension of architecture and even the landscape notable exception is the growth of design and architecture firms accruing expertise in sustainable materials and their applications to the the same time that design firms are identifying themselves with sustainability and promoting themselves as environmentalists, a movement is building to incorporate environmental responsibility within normative the past four decades, efforts have intensified to professionalize the field of interior design and to accord it a status equal to that of the US and Canada the Council for Interior Design Accreditation, formerly known as FIDER, reviews interior design education programs at colleges and universities to regulate standards of , the International Council of Societies of Industrial Design(ICSID)embraces interior design within its purview, defining it as part of “intellectual profession, and not simply a trade or a service for enterprises.”Yet, the education of interior designers remains tremendously variable, with no uniformity of , interior design continues to be perceived as an arena open to the specialist and the perception is indicative of both the relatively short history of the profession itself and the broader cultural forces of inclusion and interactivity that mark a global ：Board of International Research in Design，Design Dictionary Perspectives on Design Terminology，Birkh228。s cubicle, to the nurse39。s Walker Art Center(2005)in Minneapolis, Minnesota(where stylized acanthusleaf patterns are used to mark gallery entrances).These interiors make an art out of do not simply mix and match period furnishings and styles, but refilter them through a contemporary hallmark of the contemporary interior is the overt incorporation of themed environments persist in retail spaces such as Ralph Lauren39。 Casa da Musica(2005)in Porto, Portugal(with its inventive use of traditional Portuguese tiles), and Herzog amp。at the same time, many gyms and health clubs are adopting the clinical mien of medical facilities to convince their clients of the value of their same relaxation of interior protocols can be seen in offices that coopt the informal, livework ethic of the artist39。 Crafts movement of the late nineteenth and early twentieth is no accident that its strongest proponents(from Frank Lloyd Wright to Mies van der Rohe)extended their practices to include the realm of interiors during the nascency of the interiordesign , it was a defensive measure taken by architects who viewed formal intervention by an interior decorator or designer as a threat to the integrity of their , apart from strict modernists like Richard Meier who place a premium on homogeneity, architects who take on the role of interior designer(and their numbers are growing)are more likely to be eclectic in philosophy and practice, paralleling the twentyfirst century39。第一篇：室內(nèi)設(shè)計中英文翻譯【適用于畢業(yè)論文外文翻譯】畢業(yè)設(shè)計英文資料翻譯Translation of the English Documents for Graduation Design課題名稱院（系）專 業(yè) 姓 名 學(xué) 號 起訖日期 指導(dǎo)教師2011 年 02 月 20 日Interior DesignSusan YelavichInterior design embraces not only the decoration and furnishing of space, but also considerations of space planning, lighting, and programmatic issues pertaining to user behaviors, ranging from specific issues of