【導(dǎo)讀】電視劇作為一種綜合的藝術(shù)表現(xiàn)形式，反映了一個(gè)。國(guó)家或地區(qū)的文化，歷史，社會(huì)，可以促進(jìn)人們對(duì)文化的更深層次理解。視展現(xiàn)了劇英國(guó)人獨(dú)特的幽默感以及當(dāng)今社會(huì)英國(guó)人的生活百態(tài)。究，作者將給出一個(gè)關(guān)于英劇的清晰印象。流行英國(guó)電視劇做文獻(xiàn)綜述，這些英國(guó)電視劇包括古典劇、懸疑劇、情景喜劇等。來對(duì)英國(guó)文化的理解的一個(gè)結(jié)論，旨在加深對(duì)英國(guó)文化的了解。甚至，作者還希望本文會(huì)對(duì)中國(guó)的電視劇工作者在促進(jìn)中國(guó)電視劇的發(fā)

　　

【正文】 the control and thrift is not only for our IQ respect but also praise to our experience. In this side, Downton’s writers is really 重慶科技學(xué)院本科生畢業(yè)論文 Chapter Two Literature Review 7 smart. They want us to love the people that must be the most control over the camera man. Zeng Lan(20xx) says situation edies can attract a lot of people because it catch the audiences’ receptive psychology. At the some time the drama’ s narrative structure is attractive. Medium With the development of Inter and Globalization, people can see thousands of TVseries of different countries. Nowadays, the British TVseries could be seen are mostly on the Inter. There are British TVseries on the main video website of China, such as Sou Hu、 Tu Dou、 You Ku、 PPTV、 Qi Yi and so on. Anywhere you can surf the Inter then you could watch the British TVseries both on puter and mobile phone. Zeng lu(20xx) believes that subtitle groups is a very important reason of the popular British TVseries. She thinks for subtitle group, choose the repertoire is one of the basic skills, hit series must follow. Under normal circumstances, group members have overseas background, love and understand British culture are needed. koala Zhao Xiaopang a known subtitle group member has been involved in the first season of Downton Abbey translation, “we translate Downton because we found of the previous works of dramatist Mr. Julian Feroz. And the Downton’s cast are also very much looked forward to. At the same time, ITV classical drama production is also very hopeful.” A excellent subtitle group’s hard working is another important reason of the popular of the British TVseries. 重慶科技學(xué)院本科生畢業(yè)論文 Conclusion 8 Chapter Three Conclusion This paper is a literature of the popular British TVseries in recent 10 years. It offers a relatively prehensive content about a review of popular British TVseries in Recent 10 years, including a lot of popular British TVseries, and the reason of popular. TVseries as a prehensive form of art, reflects a country or a region of cultural, history, and society. Therefore, the different culture leads to the different kins of TVseries. The author concludes the reason behind this phenomenon by a review of popular British TVseries in recent 10 years in some aspects home and abroad. By summing up the literature review, the author draws a conclusion: the British culture in different periods, the British’s unique sense of humor and livings in today39。s society life, by means of studying popular British TVseries in recent 10 years. As more and more people pay close attention to British TVseries. Of course, there is much excellent aspects which is absent for us. There are also so many classic masterpiece in China, what we can learn form British TVseries is to adapt seriously and perfectly without just seeking quantities. Creating new story is necessary instead of copying the old story again and again. 重慶科技學(xué)院本科生畢業(yè)論文 Biblography 9 Bibliography [1] Huntley, Dana. DOWNTON ABBEY[J]. British Heritage, 20xx,(9):2631. [2] Weinman, Jaime J. A Holmes for Our Time [J]. Maclean39。s, 20xx(45):104104. [3] 陳火 火 .《黑鏡子》：將政治惡搞到底 [J]. 看世界 , 20xx(9) [4] 劉一鳴 . 從關(guān)聯(lián)理論看英式幽默話語的翻譯 —— 以英劇《神探夏洛克》為例 [J]. 北方文學(xué) , 20xx(5) [5] 毛尖 . 向英劇學(xué)什么 [J]. 精品閱讀 , 20xx(8) [6] 牛奶 . 英劇來了 解讀 20 部強(qiáng)檔英劇 [J]. 大眾電影 , 20xx(1) [7] 曲輝 . 《黑鏡子》科技釀造感傷 [J]. 三月風(fēng) , 20xx(4) [8] 喬瑞華 .媒體的 “狂歡 ”與 “被祭祀的羔羊 ”— 從英劇《黑鏡》首集《國(guó)歌》說起 [J]. 青年記者 , 20xx(23). [9] 申琳 .于流行中尋覓經(jīng)典 —— 論《唐頓莊園》和《傲慢與偏見》的相似性 [J]. 時(shí)代文學(xué) , 20xx(4) [10] 孫驍驥 . 從《唐頓莊園》看貴族精 神 [J]. 學(xué)習(xí)博覽 , 20xx(4) [11] 吳輝 . 說不盡的莎士比亞 — 評(píng) BBC 的莎劇改編及啟示 [J]. 現(xiàn)在傳播 , 20xx(3):7476. [12] 王雋 . 英劇告訴你真正的英國(guó)人是鄉(xiāng)下人 [J]. 經(jīng)濟(jì)觀察報(bào) , 20xx [13] 王瓊 . 完美的風(fēng)情再現(xiàn) —— 談 BBC 名著改編劇的改編思路 [J]. 貴州大學(xué)學(xué)報(bào) .藝術(shù)版 , 211(4) [14] 許建 , 劉暢 . 人生 ,命運(yùn)透過唐頓莊園看去 [J]. 世界文化 , 20xx(9) [15] 曾璐 . 英劇的逆襲 [J]. 南都周刊 , 20xx(18) [16] 曾瀾 . 意義是敘述生成的 —— 對(duì)當(dāng)代英國(guó)電視情景劇的一種文化解讀 [J]. 江西社會(huì)科學(xué) , 20xx(12) [17] 趙萌 . BBC 式名著翻拍 [J]. 世界博覽 , 20xx(4) [18] 張曉君 . 挑戰(zhàn)傳統(tǒng)喜劇樣式 — 簡(jiǎn)析英國(guó)電視劇《辦公室》 [J]. 中國(guó)電視 , 20xx(5):7780. [19] 張?jiān)?. 20 世紀(jì)初的英國(guó)風(fēng)情畫 — 英劇《唐頓莊園》時(shí)代主題之研究 [J]. 華中師范大學(xué)學(xué)報(bào) , 20xx(1):156158.