【正文】 function of your personality than is happiness in general. Harter estimates that individual disposition accounts for onl y about 30% of the difference between employees who are highly engaged and those who are not. The rest of it is shaped by the hundreds of interactions that employees have every day with coworkers, supervisors and customers.事實(shí)上, 對(duì)工作的投入與其說(shuō)是人的個(gè)性使然, 不如說(shuō)是源于人們?cè)诠ぷ髦锌傮w上感到的快樂(lè)。哈特認(rèn)為, 對(duì)工作高度投入與并不投入的員工之間之所以存在差異, 員工的個(gè)性只起30%的作用, 其他的取決于員工每天與同事、主管以及客戶的頻繁交往。. Until recently, businesspeople would dismiss employee wellbeing as outside their domain and kind of fringeish”, says Thomas Wright, a professor of organizational behavior at the University of Nevada, Reno.內(nèi)華達(dá)大學(xué)里諾分校的組織行為學(xué)教授托馬斯賴特說(shuō), 直到不久前, 企業(yè)家們還不愿考慮員工是否工作心情舒暢的問(wèn)題, 認(rèn)為這“不屬于他們關(guān)心的范圍, 和他們的職責(zé)范圍相去甚遠(yuǎn)”. But later studies that looked at jobsatisfaction ratings were inconsistent. Broader measures of happiness, it turns out, are better predictors of productivity.但后來(lái)對(duì)工作滿意度的許多研究結(jié)果卻前后矛盾?，F(xiàn)在看來(lái), 用更廣泛的衡量標(biāo)準(zhǔn)來(lái)評(píng)估快樂(lè)感受, 能更有效地預(yù)測(cè)生產(chǎn)率。. But at the very least, businesses could do better just by paying attention to what their employees want and need. Then more of us could find a measure of fulfillment in what we do. And once in a while, we might hope to transcend it all. It c an happen on the basketball court, in front of a roaring crowd, or in a classroom, in front of just one grateful student.但通過(guò)關(guān)心員工的需求, 至少企業(yè)可能發(fā)展得更好。那樣, 我們更多的人就會(huì)在工作中找到一定程度的滿足感。而且偶爾我們可能還希望獲得最大程度的滿足。這種情況可能發(fā)生在籃球場(chǎng)上喧鬧歡呼的人群前, 也可能發(fā)生在教室里, 在僅僅一個(gè)充滿感激的學(xué)生面前。 surprise, I thought, tossing the balledup clipping over my shoulder. That39。s up there with money eases stress, liars make good writers and philanderers make even better liars. 大驚喜,我以為,棉布將里頭的卷成球的剪裁在我的肩膀上,與“金錢減輕壓力”,“騙子好作家”和“花花公子做更好的騙子”。 year, she sadly got her wish, far too soon, living just over half as long as the woman who bore her.去年,她不幸的是她的愿望,太很快,生活超過(guò)一半,只要生了她的女人。 main character, Enid Lambert, suffers from a depression that acts as a kind of invisible force field, unconsciously repelling everyone away from her fragile core. Enid plains and sulks, manipulates and cajoles, in order to assuage her fundamental dissatisfaction.他的主要人物,伊妮德蘭伯特,患上了抑郁癥,作為一種無(wú)形的力場(chǎng),無(wú)意識(shí)地排斥每個(gè)人都遠(yuǎn)離她脆弱的核心。伊妮德抱怨和摔東西、操縱和勸誘,為了減輕她基本的不滿。 remains intact because her depression protects her from ever truly suffering, the way those around her must. What doesn39。t kill you, it seems, moves on to more stubborn quarry. 她仍保持完整,因?yàn)橐钟舭Y保護(hù)真正的痛苦,她周圍的人必須的方式。什么不殺了你,看來(lái),移動(dòng)更頑固的采石場(chǎng)。 , hit the snooze, the bottle or the skids. Resume bitching, chin down, carry the hatchet, under rug nothing. Life is hard and then you... sigh. Heavily.睡,瓶子或打滑。簡(jiǎn)歷牢騷,下巴,把短柄小斧,在地毯。生活是困難的,然后你 嘆氣。. Every war has had its songs that whipped up patriotic fervor or, in the case of the Vietnam War that encouraged protest against it.每場(chǎng)戰(zhàn)爭(zhēng)都有自己的歌曲來(lái)喚起人們的愛(ài)國(guó)熱情或者如在越南戰(zhàn)爭(zhēng)中鼓勵(lì)人們反戰(zhàn)。. The idea is to take a song that people like or that has particular meaning or emotional association for them and use it with new words, hoping that some of the liking, meaning, or emotional associations will transfer to the new ideas being municated. And it often works.改詞是把一首人們喜愛(ài)或者對(duì)他們具有特殊意義或感情色彩的歌曲填上新詞，希望把這種喜愛(ài)、意義或感情色彩帶到正在傳播的新觀念中。通常這種方法很奏效。 As a result, a number of munity and national groups have applied pressure on stations to keep these songs and performers off the air. These cha rges also stimulated investigations by the Federal Communications Commission, the regulatory agency charged with overseeing broadcast practices.結(jié)果一些社團(tuán)和全國(guó)性團(tuán)體向電臺(tái)或電視臺(tái)施加壓力讓他們禁播這些演員的節(jié)目。這些 指控也促使負(fù)責(zé)廣播業(yè)的監(jiān)管機(jī)構(gòu)聯(lián)邦通訊委員會(huì)開(kāi)始進(jìn)行調(diào)查。. Does it mean a station should permit no language or ideas in a song that it would not permit on the news or in a sports program? Or does it mean the station should recognize that different forms of munication or entertainment, or programs designed for different kinds of audiences, should have different standards concerning language and ideas?這是否意味著在廣播電臺(tái)或電視臺(tái)播放的歌曲中不允許出現(xiàn)那些在新聞或體育節(jié)目中禁止出現(xiàn)的語(yǔ)言和觀念？或者這是否意味著電臺(tái)或電視臺(tái)應(yīng)該承認(rèn)不同的交流或娛樂(lè)形式，或是為不同聽(tīng)眾設(shè)計(jì)的節(jié)目，在語(yǔ)言和觀念上應(yīng)該具有不同的標(biāo)準(zhǔn)？. One author has suggested that popular music also serves a rite of passage function for young girls. The teenage singing idols may serve as nonthreatening substitutes for actual boys until boys39。 maturation catches up with that of girls and some semblance of easy boygirl relationships can be established.一位作者指出流行音樂(lè)也成了女孩子們成熟的標(biāo)志。在同齡男孩子成長(zhǎng)為像女孩子那樣 成熟并能較容易地與女孩子建立朋友關(guān)系之前，少年歌星可能會(huì)成為不會(huì)對(duì)女孩子形成威脅的男友的替身。