【導(dǎo)讀】翻譯更是重中之重。在進(jìn)行電影片名翻譯時(shí)，不僅要遵循翻譯的一般規(guī)律，還要。差異等方面來進(jìn)一步對(duì)比分析了中西方文化的差異。命名樸實(shí)淡雅，西方電影則以人物命名，本文結(jié)合實(shí)例進(jìn)行了對(duì)比?？茖W(xué)文化，對(duì)比與中國同類電影命名原則。整體與抽象，西方思維方式則側(cè)重于部分和具體。把握好文化差異才能更加精確的翻譯出片名，讓觀眾在接觸到片。名的同時(shí)就立刻體會(huì)到影片的內(nèi)容，這才是電影片名翻譯的意義所在。

　　

【正文】 tural to the carving, beauty with. “This verse is to describe the beauty of Chinese history, Yang. Video “Bathing Beauty” Translated “Water lilies “Natural appropriate, fully demonstrated formerly of cultural significance, but also cater to the cultural psychology of the Chinese people, so that the contents of the original movie on the faithful and cultural functions on the other. A New Year film by director Feng Xiaogang called “big names”, the main international story of a film director Taylor arrived in China, shooting, and he laidoff workers with the movie studios Ge familiar with Taylor39。s heart attack was in critical condition, in his deathbed, asked Ge You to do him a favor as he mentioned before “White funeral,” a farce, the Taylor got his wish. Movie “biggest names” in English titled “Big Shot’s Funeral”, antitranslation over is “biggest names in the funeral.” “Big names” the term is subsumed and implied the film’s protagonist and theme, and translated into English, added the “funeral” is more a Western audience can understand the film’s content. The . animated “Shrek” movies were the Chinese version was translated into the “Shrek” can be seen in the translation of the Chinese people prefer to use things when the image of concrete. Lang Yongqiang that “Cultural Differences in the mode of thinking led to the two sides also differ on the traditional Chinese way of thinking and abstract as a whole, while the western part of the thinking is manifested and concrete.” The following translation of film titles are indeed taking into account differences in mode of thinking adopted a flexible translation methods: Movies You can’t Take It with You to Chinese title is paraphrased into “Take It”: the film was the Fugitive translated as “The Fugitive”: Rebecca were translated into film, “Butterfly Dream”, to better express the theme of the film of the original title. Due to different living habits and values in Western culture and things have their own different meaning. Chinese “Dragon” culture and the West “dragon” a great cultural differences, it has long been the Chinese “dragon” translated into English “dragon”, has led to exchanges between Chinese and Western cultures unnecessary misunderstanding. Life ethic film “Dragon Officers” translated as “Police Officer in 1988” to just right, not only in the context of Western cultural tradition is not Zodiac, and the “dragon” is able to spit fire as huge and mysterious will crawl monster. Is the symbol of evil? Similarly, the movie Dragon Heart is simply not translated into “Dragon Heart”, and should be replaced by “Tiamat Legend”, which is more appropriate. Chapter 3 Conclusion In summary, from a cultural perspective with the English translation of film titles will not only translate the general rules to follow, but also respect for the special film culture propagation. Exchange of different ethnic groups is essentially the language of different ethnic and cultural exchanges. The merit of the film title translation, the translator is actually a prehensive reflection of the skill and literacy. In the process of translation, the translator often cannot realize the source language and target language full of such can only form of tradeoff between Italy and the tradeoffs. Only the translator is not confined to theory, chew, weighing every word, can the translation and circumstances of each other, so a few words to bee the crowning touch to give the film a real charm and verve. First, fully aware of the Western languages, values and ways of thinking of the difference in order to grasp the essence when making title translation, so that finishing touch to play the role of title。 second, must also be out of the shackles of language level, to convey the film spiritual meaning and cultural content。 again, the right to be taken in translation, the translation method, so as to translate the language and culture is in line to meet the munication requirements and the demands of film translation, set up between different cultures “bridge.” Bibliography [1] of Translation[A]. Routlege Encyclopedia of Translation Studies [M]. Baker, Mamp。Mlmkj London and New York:Routledge,2020 [2] 徐建國 . 英漢翻譯中文化差異及其超越 —— 以中英文電影片名翻譯為例 [N]. 黔西南民族師范高等?？茖W(xué)校學(xué)報(bào) .2020(9)： 141142 [3] 虞惠紅 . 從中西方文化差異看電影片名翻譯的創(chuàng)造性叛逆 [N]. 淮北職業(yè)技術(shù)學(xué)院學(xué)報(bào) .2020(2)： 8890 [4] 傅雷 . 翻譯經(jīng)驗(yàn)點(diǎn)滴談 [C]翻譯研究論文集 . 上海 ： 外語教學(xué)與研究出版社 .1989 [5] 郎永強(qiáng) . 從電影片名翻譯看中美文化差異 [J]. 電影文學(xué) .2020(19)： 15115