【正文】 ling of constriction. design of lightIn the Lord of the Rings, light is endowed with the meaning of hope. we can easily find that whenever there is always a beam cut the black scene in order to bring people fort, and to reduce the atmosphere of despair, people can see hope in the end. use of montageGroom⑧ is the heart and soul of Lord of the Rings, in order to show his split personality that under the control of rings, the director use a set of montage to display Groom’s heart dialogue between good and evil. Good Groom appears on the left side of the screen, evil Groom appears on the right of the screen. Then, the lens turn to closeup, after the good Groom finished on the left screen, the lens immediately jump to the right side of evil Groom. As if there is a conversation between two people, in fact, based on the former performance, we know that two people actually are one. This approach greatly enhances Groom’s two opposing personalities in human nature so that we deeply appreciate the struggle of the soul of Groom, one hope to take a new lease of life, the other can not escape the great temptation of the ring. The audiences even have mercy on him, it enhances the character tension.Lord of the Ring’s the success proves at least three things, a magnificent film not just rely on the scenes and excellent puter graphics, but also depends on whether the director prehends the theme of the play and whether he has the flexibility to show the essence by using the technology. The future development of the film is how to turn hightech affects into new elements of audiovisual language, so that more talented directors will have a stage to show 顯示對應(yīng)的拉丁字符的拼音字典 查看字典詳細內(nèi)容Lord of the Rings，the bination of hightech with plex plots and characters show us an unique and beautiful world, Middleearth, it also awakens a missing part in our consciousness, so that we can not help throwing ourselves into the virtual world. Its unprecedented popularity confirms the existence of void, we know that witch, magic are not credible, yet, on the contrary, they are so attractive that fill or awaken some missing parts in our consciousness. The beautiful wilderness of New Zealand and close relationship between hobbit and nature suggest that the harmony between man and nature in the preindustrial century. Those pictures that not exist in real world fulfill our imagination on the passing world. By virtue of the nostalgia director and contemporary highend technology, those visual views on the film temporarily leave people away from the noisy society, back to nature, insight into the inner depths of the most heated desire.4. Development Trend in the 21st CenturyHarry ? Potter and Lord of the Rings, after all, will be the past, the successor39。s responsibility is particularly important. Thirst for human imagination never passes。 magic films are to meet audience’s curiosity for human development of ancient civilizations and mystery. All art forms at any time in response to the situation of contemporary human society, even if it is a civilization based on a past reference, but as long as its reasonable integration into the present, passing out in the 21st century human emotion. The magic movie will be quite a bit of brilliance to being written.\朗讀顯示對應(yīng)的拉丁字符的拼音字典 查看字典詳細內(nèi)容5 Conclusion 169。2010商務(wù)工具譯者工具包關(guān)于 Google 翻譯博客隱私權(quán)政策幫助朗讀顯示對應(yīng)的拉丁字符的拼音字典 查看字典詳細內(nèi)容British author JRR Tolkien39。s literary masterpiece, Lord of the Rings, has influenced many readers in the world. Director Peter Jackson takes Lord of the Rings series on the screen, and wins the Oscar for the best picture, best director and many other awards. Overall, the Lord of the Rings reflects the Western view of life and world outlook. The real visual magic es from its plentiful motions, for instance, the desire for hope gathers different races get together to fight with forces of darkness. In this film, although many people are tempted down, the journey bees more difficult than before, but hope remains the constant theme. Love and friendship are the themes of all movies, which inspire heroes to reach the success and never give up until, acplish their missions. Humanism in this film draws audience’s attention for our contemporary environment. In fact, the Lord of the Rings expresses a firm belief to us, as long as walk with the direction of reason and justice, a miracle will e true. From beginning to end, hobbit, human, witch and elves…their friendship and braves stir magnificent symphony throughout our heart. With the end of the third part, elves gradually faded out from the stage of history, it’s time for human to rule the world. The story of expedition has bee a legend in middleearth, but forever in our hearts.Works Cited[1]郭少波.《譯序》見 托爾金《魔戒》[M].南京:譯林出版社,2001年.[2]托爾金.《魔戒2雙塔奇兵》姚錦榕譯[M].南京:譯林出版社,2001年. [3]——《魔戒》的文化解讀[J].重慶師范大學(xué)文學(xué)與新聞學(xué)院報,2009年[4]《指環(huán)王》三部曲看商業(yè)電影[J].北京電影學(xué)院報,2004年.[5]邢亦平 傅超波.《指環(huán)王》中的宗教隱喻探析[J].莆田學(xué)院學(xué)報,2009年. [6]《指環(huán)王》三部曲的主題[J].環(huán)球縱橫,2010年. [7]《指環(huán)王》中人與自然的生態(tài)主題[J].南方論刊,2006年. [8]—《指環(huán)王》小說中的哥特因素探析[D].福建師范大學(xué)，2007年[9]托爾金.《世紀之書指環(huán)王與托爾金》[J].《中華讀書報》,2003.[10][J]. 湖北師范學(xué)院學(xué)報哲學(xué)社會科學(xué)版,2005年.[11]“魔幻電影”看當(dāng)代“新神話主義”現(xiàn)象[D]. 華東師范大學(xué),2007.[12]康春杰. 文化在電影中的積發(fā)——對魔幻電影創(chuàng)作的研究[D].河北大學(xué),2007年.[13] 王一鐳. 從美國電影看其英雄主義文化[D].東北大學(xué),2006年.[14]——2000年以來好萊塢魔幻片研究.[D]南京師范大學(xué),2008年.[15] to . Tolkien39。s World—Analysis of The Lord of the Rings from the Point of View of Reception Aesthetics [D]復(fù)旦大學(xué), 2007年.[11]BBC Radio4. The last interview w hich Tolkien accept bef ore death[J/OL] :/ / w w w . daisy . f reeserve. co. uk/ j rrt int . htm .Appendix① Nakasu :It also means a secondary world，Middleearth, which is imagined byJRR Tolkien in his novel. Many different races live their own parts, such as human beings, witches, elves and halfrocs.② Norse mythology: It has its roots in ProtoNorse Nordic prehistory. It flourished during and after the Christianization of S