【正文】 he wondered how in the world he came to belong there. Indeed his penning and publishing this essay caused his exmunication from high society and also caused him a lot of legal trouble. The legal 。ve not yet read it, I strongly encourage you to do so. In this essay, the venerable Emerson talks about eschewing the trappings of society and finding one39。s to e and recapping the key points. This device, not used in the original, is culturally understandable but artistically mediocre. What puzzles me is the two new songs for the opening and end credits. They were written in English, but sung by Chinese with an unfortable accent. They were obviously designed to appeal to an Englishspeaking base, but do not jibe with the Chinese dialogue. Speaking of the dialogue, the English translation, picked apart by some Chinese, is too literal for my taste. I can imagine a typical American hit by a flurry of royal ranks, addresses and greetings, even multiple names and titles for the same person. The first half hour must be a swamp to wade through, very much like my experience of getting through a Tolstoy tome with its endless inflections of names transliterated into lengthy Chinese. I see the choice of verbatim translation as an effort for conveying exotica. It is fairly petent, with no error that I could detect, but fails to rise above words or capture the essence of the language. A cultural product usually crosses over to a foreign territory first by an emphasis on the monalities. But whether inside or outside China, the temptation to sell it for the differences is just too great. Sure, the sumptuous sets and costumes are a big attraction, but the narrative technique has bee－ how shall I put it?－ a bit anglicized, which is necessary for cultural export. Judging by the responses, this legend, which, contrary to the claim of the English trailer, is totally fictitious, has departed from China but not yet landed on American shores. I am a big fan of Ralph Waldo Emerson39。s cultural foray overseas, has been widely panned by its home audience. Retitled Empresses in the Palace, the American version has been shortened from its original 76 episodes at 45 minutes each, to six 90minute episodes. The quick pacing threw off many native viewers, who are accustomed to a more leisurely daytimesoapstyle narrative rhythm. (Chinese TV stations would run two or three episodes every day.) I did not finish the fulllength version and found the truncated one not difficult to follow. What39。s president, who is also a renowned tenor, tells China Daily. During a tour in 1985, he went to a village and met an elderly local man, who told him a story about his friendship with a solider from Shenyang, capital of Northeast China39。s villages and entertain nomadic families, but their fame has spread around the world. On May 16 and 17, nearly 100 singers and dancers from the troupe performed at Beijing39。t just about sharing art with nomadic families but also about gaining inspiration for the music and dance. Ulan Muqir literally translates as red burgeon, and today39。t help but sing the folk songs, Nasun says. The vastness of Inner Mongolia and the lack of entertainment options for people living there, made their lives lonely. The nomadic people were very excited about our visits, Nasun recalls. We didn39。s Zhangye city during their journey to Kazakhstan, May 5, 2022. The caravan, consisting of more than 100 camels, three horsedrawn carriages and four support vehicles, started the trip from Jingyang county in Shaanxi on Sept 19, 2022. It will pass through Gansu province and Xinjiang Uygur autonomous region, and finally arrive in Almaty, formerly known as AlmaAta, the largest city in Kazakhstan, and Dungan in Zhambyl province. The trip will cover about 15,000 kilometers and take the caravan more than one year to plete. The caravan is expected to return to Jingyang in March 2022. Then they will e back, carrying specialty products from Kazakhstan A small art troupe founded six decades ago has grown into a household name in the Inner Mongolia autonomous region. In the 1950s, Ulan Muqir Art Troupe was created by nine young musicians, who toured remote villages on horses and performed traditional Mongolian music and dances for nomadic families. The 54yearold was born in Tongliao, in eastern Inner Mongolia and joined the troupe in says there are 74 branch troupes across Inner Mongolia and actors give around 100 shows every year to local nomadic people. I can still recall the days when I toured with the troupe in the early 39。 [10] 蔣繼宏 .注 射模具典型結(jié)構(gòu) 100例 .北京：中國輕工業(yè)出版社， 2022 [11] 申開智 .塑料成型模具（第二版） .北京：中國輕工業(yè)出版社， 2022 [12] 王忠銀 .型腔模具結(jié)構(gòu)圖冊(cè) .長沙：湖南科學(xué)技術(shù)出版社， 1988 [13] 許發(fā)樾 .模具標(biāo)準(zhǔn)應(yīng)用手冊(cè) .北京：機(jī)械工業(yè)出版社， 1994 [14] 馮炳堯 .模具設(shè)計(jì)與制造簡明手冊(cè) .上海：上?？萍汲霭嫔?， 1985 ` 45 您好，為你提供優(yōu)秀的畢業(yè)論文參考資料，請(qǐng)您刪除以下內(nèi)容， O(∩ _∩ )O 謝謝?。?！ A large group of tea merchants on camels and horses from Northwest China39。 [8] 成都科技大學(xué) .塑料成形模具 .北京：中國輕工業(yè)出版社， 1994。 [6] 塑料模具設(shè)計(jì)手冊(cè)編寫組編著 .北京：機(jī)械工業(yè)出版社， 1985。 [4] 閻亞林 .塑料模具圖冊(cè)閻亞林 .北京：高等教育出版社， 2022。 [2] 王永平 .注塑模具設(shè)計(jì)經(jīng)驗(yàn)點(diǎn)評(píng)王永平 .北京：機(jī)械工業(yè)出版社， 2022。 致 謝 不知不覺間 ，大學(xué)四年學(xué)習(xí)時(shí)光已經(jīng)接近了尾聲，在此我想對(duì)我的母校煙臺(tái)大學(xué) 、教過我的老師以及幫助過我的同學(xué)表示感謝。因?yàn)檫@樣，印象特別深刻，掌握得很牢固。 [8] 圖 18 模具脫模運(yùn)動(dòng)示意圖 ` 42 圖 19 模具 3D 結(jié)構(gòu) 示意圖 ` 43 第十章 設(shè)計(jì)中存在的問題以及解決方案 結(jié)論 由于自己在選修模塊時(shí)沒有選修模具，所以注塑模具對(duì)我來說是一個(gè)新的知識(shí)，在本次的畢業(yè)設(shè)計(jì)中，首先大量的查找資料和文獻(xiàn)，了解模具設(shè)計(jì)的一般流程，然后根據(jù)流程設(shè)計(jì)了一個(gè)生活中比較常見的手機(jī)后支撐座注塑模具，并對(duì)所設(shè)計(jì)的模具進(jìn)行了各中數(shù)據(jù)的計(jì)算，盡可能的達(dá)到最好，在產(chǎn)品的設(shè)計(jì)過程中，利用了 PROE、 UG、 CAD 制圖軟件。當(dāng)開模完全后，動(dòng)模停在遠(yuǎn)處不動(dòng)，注塑機(jī)推桿推動(dòng)頂針板往左走，頂針板及頂針固定板帶動(dòng)頂針往左頂出塑件產(chǎn)品，隨后塑件及凝料自動(dòng)脫落，澆口部分自動(dòng)斷開。 冷卻水管的結(jié)構(gòu)設(shè)計(jì) 冷卻水管分布在型腔和型芯上，直徑是 8mm。 c 冷卻水比熱容， ? ?KKgJ ? 。 M 單位時(shí)間注射入模具內(nèi)的樹脂質(zhì)量， hkg 。 冷卻水體積流量的計(jì)算 塑料樹脂傳給模具的熱量與自然對(duì)流散發(fā)到空氣中的模具熱量、輻射散發(fā)到空氣中的模具熱量及模具傳給注射機(jī) 熱量的差值，即為用冷卻水?dāng)U散的模具熱量。一般水孔的直徑可根據(jù)塑件的平均壁厚來確定。 d 冷卻水孔直徑， mm 。 ` 39