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the160causes160of160the160tragedy160160tess160of160d’urberville_英語(yǔ)畢業(yè)論文(參考版)

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【正文】 Urbervilles[M]. Washington University, 1996. 8. 馬新國(guó)主編, 2020,西方文論史 [M],北京:高等教育出版社 9. 顏學(xué)軍,論哈代悲劇小說(shuō)的現(xiàn)代主題 [J],四川外語(yǔ)學(xué)院學(xué)報(bào), 2020( 3) 10. 張谷若譯本, 1990,德伯家的苔絲 [M],北京:人民文學(xué)出版社 11. 朱立元, 1997,當(dāng)代西方文藝?yán)碚?[M],上海:華東師大出版社 12. 陳燾宇編選:《哈代創(chuàng)作論集》,北京, 中國(guó) 社會(huì) 科學(xué) 出版社, 1982. 13. 張中載,《托馬斯哈代 ―― 思想和創(chuàng)作》, 外語(yǔ)教學(xué)與研究出版社 , 1987. 14 霍恩比著 .李北達(dá)譯:《牛津高階漢英雙解詞典》,北京:商務(wù)出版社, 2020. 15. 張世君,《 德伯家的苔絲 鑒賞》 ,重慶出版社 , 1986. 16. 蘇聯(lián)科學(xué)院高爾基世界文學(xué)研究所編 . 英國(guó)文學(xué)史 18701955. 北京:人民文學(xué)出版社 . 1983. 17. 歐美古典作家論現(xiàn)實(shí)主義和浪漫主義 . 中國(guó)社會(huì)科學(xué)出版社 . 1980 年 . 18. 秦玲 . 苔絲悲劇的形成原因 . 南陽(yáng)師范學(xué)院 . 2020. 19. 姚佩芝,董俊峰 .《德伯家的苔絲》 ——哈代綜合悲劇觀的完美體現(xiàn) . 湖南師范大學(xué)社會(huì)科學(xué)學(xué)報(bào) . 2020. 20. 楊周翰、吳達(dá)之、趙蘿蕤,《歐洲文學(xué)史》,人民文學(xué)出版社, 1979 年 10 月 . 21. 陳志云, 淺析苔絲悲劇命運(yùn)的根源 , 山西廣播電視大學(xué)學(xué)報(bào) Journal of Shanxi Radio amp。 Translation Press,2020. 2. Chenxia.. Analysis of the Tragic Mood in “Tess of the D?Urbervilles” [ J] .Journal of Renmin University of China (social societies), 1998. 3. Li Jian, Yuanjing. The Reasons of the Tragedy of Tess[ J] . Journal of Daqing Teachers? College, 2020. 4. Zhang Xiaodong. Talk about tongue silk tragic certainty and meaning[ J] . Journal of Chaohu College, 2020. 5. YuYang. From the Spirit of Revolt of the Tragic View Tess. Beijing: ShangWu Press, 1971. 6. Abcarian, Richard. Marvin Klotz: Literature—The Human Experience[M]. New York: St. Martin?s Press, 2020 7. .Force, . Cliffs Notes on Hardy39。 and then there came into her head her mother?s ballad of the mystic robe—— ?That never would bee that wife That once done amiss,? which Mrs. Durbeyfield had used to sing to her as a child, so blithely and so archly, her foot on the cradle, which she rocked to the tune.” And when she saw the picture of ancestors, there was a feeling of ill omen well up in her heart with the words of priest Laurence which hints that her wedding would have with an unhappy ending. All the upper connection in the mind misleads Tess to a feeling of unluckinessapproaching and weakens her courage to contend with fate. Another is her dual personality which contains one side of brevity and the other of feebleness. When we were reading those words that she was so frank to her love to Angel and her hatred to Alec, we admired how brave she was to resist traditional morality and run after her happiness. After the running into Angel, Tess became hopeful to see him again, singing: “O ye Sun and Moon… O ye Stars… ye Green Things upon the Earth… ye Fowls of the Air Beasts and Cattle… Children oh men… bless ye the Lord, praise Him and magnify Him for ever!” —— While in Victorian Times, women of good manner should be docile and timid, behave a fit and proper way and regard professing a religion as a virtue. Even on aspect of marriage, women of good manner take principles that they should follow the standards of Christianity. However, she is brave enough to think: If Providence would not ratify such an act of approximation she, for one, did not value the kind of heaven lost by the irregularity—— either for herself or for her child when her illegitimate child was dead. Then, after the priest refused to give the child a Christian burial, she behaved plaintive and was boiling with rage: “Then, I don?t like you! And I will never e to your church!” Even, she showed her extraordinary nerve while she killed Alec having realized that it was Alec actually totally ruined her life. After the punishment of devil Alec, she unhurriedly went to the execution ground. That is why to some degree。 but—— However, I am no man to reproach you, and I will not.?” Angel, the man whose mind is deeply ingrained in the traditionally moral conception, makes a judgment that a woman is pure or not with traditional conception of chastity and pushes Tess to desperation with not any sympathy. From the upper words we could find that he is not only a scholar rigidly adhering to principles, but also a poor snob whose love to Tess is founded on the tower of purity. Once the pedestal is taken out, his building of love will totally collapse. He functions just as Alec does to push Tess to death. Thirdly, some vice in Tess?s characters indirectly to guide her to the entrance of hell. One is called shadow of fatalism caused by the traditional conception. This is one of the contributing factors le
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