【導(dǎo)讀】小說(shuō),也是一則被賦予了深刻含義,充滿譬喻和警句的語(yǔ)言。本文從蓋茨比之夢(mèng)的實(shí)質(zhì)、蓋茨。比性格中的不足以及社會(huì)歷史原因等多方面探討了導(dǎo)致蓋茨比夢(mèng)毀人亡這一悲劇必然因素。菲茨杰拉德曾這樣總結(jié)那個(gè)時(shí)代的特點(diǎn)：一切神明都統(tǒng)統(tǒng)死光，所有戰(zhàn)爭(zhēng)都已經(jīng)統(tǒng)統(tǒng)打完，所有信念都已經(jīng)統(tǒng)統(tǒng)完蛋。爵士樂時(shí)代的人蔑視一切傳統(tǒng)的價(jià)值觀念，反叛老一輩人所遵從。小說(shuō)結(jié)尾，作者更是以人們的冷漠和蓋茨比葬禮的冷冷清清徹底反映了20世。紀(jì)20年代美國(guó)社會(huì)人性的冷酷與丑惡。在這樣的社會(huì)，蓋茨比從一開始就注定是孤立無(wú)助，

　　

【正文】 en he was died. D. Innocence The most obvious destructiveness in his characters is that Gatsby was very innocent. It is a poetic and romantic scene that hid serious facts. Under the wasted and luxurious surface hidden, Gatsby‘s inner heart went by cruelty—he must think and build desire for reality of ideals in the fantasy and impractical scene, and finally find someplace beneficial for him to bee practical possibility. It was the focus of the question that all his efforts were to attract a his original lover Daisy‘s attention and to make her return to his body, but Gatsby made an ostentations show of one‘s wealth with beyond words describing and the ostentation contained fatal factors, so luxurious party made the focus of the question ambiguous. ―There was music from my neighbor‘s house through the summer nights. In blue gardens men and girls came and went like moths among the whisperings and the champagne and the stars. At night tide in the afternoon I watched guests diving from the tower of his raft, or taking the sun on the hot sand of his beach while his two motor cars slit the waters of sound, drawing aquaplanes over cataracts of foam. On weekends his RollRoyce became an omnibus bearing parties to and from the city between mine in the morning and ling past night. While his station wagon scampered like a brisk yellow bug to meet all trains. And on Mondays eight servants, including an extra gardener, toiled all day with mops and scrubbingbrushes and hammers and gardenshears, repairing the ravages of the night before.‖ (Fitzgerald, 2021: 47) The possibility of realistic life was based on materials, and the ideals fell to the second place, however, in the extremely luxurious world of materials—personal beach, mansion, RollRoyce, etc.—Gatsby went into a marvelous state which was out of practice. His magnificent cocktail party attracted innumerable celebrities ing from upper class society. Some people were envious ones, others were visitors‘ guests, but they had the same motive for showing off their noble status, sharing luxurious material life, hardly making them drop out of the day. They could be proud of attending the noble cocktail party. This kind of servile and worldly psychology made them spend weekends in a continuous, made Gatsby certainly exhaust lots of money to express his generosity and hospitality, with a result, on Mondays eight servants, including an extra gardener, toiled all day with mops and scrubbing –brushes and hammers and gardenshears, repairing the ravages of the night before. These are key important words in this part. Though it could made people produce the association of fairy tale, yet it possesses deep sarcastic meaning and innuendo function, which buried a foreshadowing for Gatsby‘s tragic consequence。 in addition, it is more wonderful to casually add ―extra gardeners, as if his guests had broken the harmony of original natural beautiful view,‖ and made the original poetic and drawing scene badly messy. In this novel, using a superb metaphor, the author shows to readers that the most suitable place to record these guests‘ names was on the empty spaces of an old and broken timetable, because these guests the world their embodying were fantasizing as short as time, a flash in the pan, and they would never came back with time passing at last, as a piece of overdue train timetable left people a little dim memory. What they represented was only some misshapen scraps crushed by reality of American Dream, and these guests came to visit Gatsby in a continuous stream, because he had motorboats, personal beach, luxurious cars, as well as various cocktails and balls‘ parties. More importantly, they all followed blindly impractical reality with their illusion and showed off themselves and their own values, while Gatsby was willing to invite them to take his party. Because of his inplete American Dream, without seeing and touching the realistic hope, he used the form of material to create the ideal world and practice his life dream. It was a fact that Gatsby needed them to decorate mansion for his face and in turn they needed Gatsby‘s hospitality to raise their status. So their mutual needs made them go together, nevertheless, their own goals were pletely different, and their life experiences were also more different. No matter how dazzling and luxurious the parties were, no matter how hospitality Gatsby powered, the gat between Gatsby and them always existed for ever, in that fantasy and reality acted in direct contradiction as two trains in same direction could not merged together. Followings indicate it: ―The caterwauling horns had reached a crescendo and turned away and cut across the lawn toward home. I glanced back once. A wafer of a moon was shining over Gatsby‘s house, making the night fine as before, and surviving the laughter and the sound his still glowing garden. A sudden emptiness seemed to flow now from the windows and the great doors, endowing with plete isolation the figure of the host, who stood on the porch, his hand in a formal gesture of farewell.‖ (Fitzgerald, 2021: 66) The phrase is a description with profound meaning. It makes people to e to realize the fickleness of human relationships and to feel the desolation and depression, and makes people feel his endurance of desire for ideals and inner pain. He lonely stood on the porch, his hand up in formal gesture of farewell, which made his figure outstanding protrusion and conspicuousness. Therefore, the obstinate, foolish, ignorant and innocent characters are destructive characters, and they make Gatsby‘s tragedy bee more possible. IV. The Decadent and Ruthless Social Reality Superficially, Gatsby was only the sacrifice of a triangle love, noheless, the author did not only describe fate that a young and penniless man spent all his energy earning en