【文章內(nèi)容簡介】 ution Movement. The famous article “on Chinese New Poetry cited the Imagist manifesto and put out one idea that writing the “specific,” could cause a sharp attack human imaging, form of free verse poetry. In 1920s, Wen Yiduo went to America for study so had the opportunity to direct and intimate contact with American new poet, so that Wen’s works evidently influenced by the Imagist poet.Chinese modernism poet consciously emulated the image poets, created many novel, unique images. Images aesthetic way not only role in image, color, movement, in a word is visual beauty. Xu Chi in the translation of the Imagist understand the image of the facial features, color, smell, taste, touch , sound and feel things. The Imagist advocate the poem presents the image。 do not reveal emotion, not involving the concept, emphasizing the aesthetic intuition. In the understanding of the nature of poetry and imagery aesthetic value , the Western Imagism poetry to convey the aesthetic experience of the poet to resort to feeling imagery intuitive sensitivity greater than the subjective metaphor . The image of America is an important part of the aesthetic character of the poetry. Imagist advocate Free verse poetry, emphasis on poetry to objective image showing, at the same time to abandon the direct expression of the poet , opposed to made poetry as the mood jet, Imagist poetics is simply the right medicine for the flaws to correct China39。s poetry is very timely and necessary.1920s, Hu Shi, Kang Baiqing are representative of vernacular poet put their views on Modern Poetry Circles in the West. Hu Shi published EnglishChinese poetry over the roofs on The Renaissance showed Chinese people’s first time attention to Pound as well as Imagism. Ye Weilian of Chinese scholar pleted a book named Ezra Pound’s Cathay , it said although translation has some loopholes, Pound “always as if got the God’s help, with his special insight directly caught the main idea of original poem even achieved harmony with original poet on spirits”(Ye,2002:6970).26Part Three Theoretical FrameworkPart Three Theoretical Framework ImagismImagism is a movement set off in the early 20th century English and American poetry session, this campaign to promote poetry should follow the image accuracy, clear and precise language. The formation process of Imagism was influenced by many parts, in addition to Eastern classical poetry also Symbolism and Intuitionism. French symbolism be spread in the United Kingdom by Arthur Symons and Ye Zhi, and then their successors Hume and Pound criticized it, absorbed it even used it in the Imagism. It supports have to fight with mon language this kind of popular things by the means that using fresh metaphor or fantasy to “Describe the exact curve of what you really want to express.”The Imagism emphasized a return to a more classical style, such as the direct expression of the intuitive language advocates to try nontraditional poetry format. They believe that the object is an object。 this view reveals the development of the contemporary avantgarde art, especially Cubism later. This literary movement initiated by the Pound, his friends and him thought the poetry of the nineteenth century has the disadvantage of: a pile of vocabulary, language obsolete, language repeated, form plicated, especially the chapter and audio step. The Imagist poet advocates that direct reflection of things, and rhyme by the sense of music. Pound and his followers believe that emotions should be generated by the image rather than the author tells the reader should have what kind of feelings. Ezra Pound with Imagism In all ages many Chinese and foreign poets and literary critics defined “Image” in different meanings. Pound held that Image is a kind of plex that can present sense and sensibility in a moment。 a popular poet Yu Guangzhong of Tai Wan thought Image is a loop that poet with Image instead of his idea, and reader to restore the Image into poet’s idea. From these definition we can see that the image is the poet put rational thoughts expressed emotional material, and then, Readers according to the emotional material to understand the rational thinking of the poet39。s（Xie,2006(1):53）.Pound made the poem as a means of beautifying reality, enhancing men’s inner feelings, and realizing a poetic soul, he still thought poet can sublimate reader’s spirit. In his view, the Image of poem could bring poet, reader, and the object created by poem these three parts into a poetic cumstance: “The presentation of this ‘plex’ make people have three sense: a sudden liberation feeling, a feeling of freedom from the constraints of time, and a kind of abrupt feeling of growing up when we face a great artwork”. In a word, his view of Imagism poetry is “ Describing a perfect image is better than writing lots of poetry works”（Zhang,2001(1):43）.Part Four The Relations between Pound’s Imagism and Classic Chinese PoetryPart Four the Relations between Pound’s imagism and classic Chinese poetry The influences of classic Chinese poetry to Ezra PoundPound first met classic Chinese poetry was benefited from an orientalist and poet Ernest Fenollosa who translated a large quantity Japanese translation of Chinese poetry into English but died before he had edited and published his works. Fenollosa’s manuscripts surprising Pound that Chinese people’s pioneering work also claimed he found “new Greece” from Chinese culture, thus, Pound launched a new “cultural renaissance”. Pound considered that Chinese characters have specific accuracy, and when he read Chinese characters felt not only read but also skimmed the specific evolution of things. He depended on using Chinese character to write poem of Fenollosa have translated a lot of Chinese poetry. In his Cathay has eighteen poem are translations, including one poem of the book of odes, two poems of old Yue Fu poem, a poem of Tao Yuanming o