【正文】 eater mutuality of way to think of this emergent synthesis is to substitute the triad of “architecture, interior design, and decoration” with “modernity, technology, and history.” One of the hallmarks of the postmodern era is a heightened awareness of the role of the past in shaping the the interior, this manifests itself in a renewed interest in ornament, in evidence of craft and materiality, and in spatial plexities, all running parallel to the ongoing project of more significantly, there is a new elasticity in , the traditional typologies of the interior—house, loft, office, restaurant, and so on—strain to control their of programmatic convergences can clearly be seen in public and mercial spaces that aspire to be both more userfriendly and numbers of private hospitals(in petition for patients)employ amenities and form languages inspired by luxury spas。第一篇：室內(nèi)設(shè)計(jì)中英文翻譯【適用于畢業(yè)論文外文翻譯】畢業(yè)設(shè)計(jì)英文資料翻譯Translation of the English Documents for Graduation Design課題名稱院（系）專 業(yè) 姓 名 學(xué) 號(hào) 起訖日期 指導(dǎo)教師2011 年 02 月 20 日Interior DesignSusan YelavichInterior design embraces not only the decoration and furnishing of space, but also considerations of space planning, lighting, and programmatic issues pertaining to user behaviors, ranging from specific issues of accessibility to the nature of the activities to be conducted in the hallmark of interior design today is a new elasticity in typologies, seen most dramatically in the domestication of mercial and public design enpasses both the programmatic planning and physical treatment of interior space: the projection of its use and the nature of its furnishings and surfaces, that is, walls, floors, and design is distinguished from interior decoration in the scope of its are primarily concerned with the selection of furnishings, while designers integrate the discrete elements of d233。at the same time, many gyms and health clubs are adopting the clinical mien of medical facilities to convince their clients of the value of their same relaxation of interior protocols can be seen in offices that coopt the informal, livework ethic of the artist39。s Walker Art Center(2005)in Minneapolis, Minnesota(where stylized acanthusleaf patterns are used to mark gallery entrances).These interiors make an art out of do not simply mix and match period furnishings and styles, but refilter them through a contemporary hallmark of the contemporary interior is the overt incorporation of themed environments persist in retail spaces such as Ralph Lauren39。s reading such as the acmodation of personal accessories in the work space, the use of color in hospitals, and the provision of couches in libraries are increasingly mon, to cite just three domestication of such environments(with curtains and wallpaper, among other residential elements)provides more fort, more reassurance, and more pleasure to domains formerly defined by institutional prohibitions and social , these changes in public and mercial spaces are indebted to the liberation movements of the late battles fought against barriers of race, class, gender, and physical ability laid the groundwork for a larger climate of hospitality and is also possible to detect a wholly other agenda in the popularity of the residential introduction of domestic amenities into mercial spaces, such as recreation spaces in office interiors, can also be construed as part of a wider attempt to put a more acceptable face on the workings of freemarket this view, interior design dons the mask of is nothing new about the interior is fundamentally a stage is it particularly insidious—as long as the conceit is surfaces，however, when illusion bees delusion—when design overpensates for the realities of illness with patronizing sentiment, or when offices bee surrogate apartments because of the relentless demands of a roundtheclock these instances, design relinquishes its potential to transform daily life in favor of what amounts to little more than a facile rebranding of force is driving the domestication of the interior and that is the enlarged public awareness of design and is a growing popular demand for design as amenity and status symbol, stimulated by the proliferation of shelter magazines, television shows devoted to home decorating, and the advertising campaigns of mercial entities such as Target and the Western world, prosperity, bined with the appetite of the media, has all but fetishized the interior, yielding yet another reflection of the narcissism of a consumerdriven the one hand, there are positive, democratic outes of the growing public profile of design that can be seen in the rise of doityourself web sites and enterprises like Home Depot that emphasize can also be argued, more generally, that the reconsideration of beauty implicit in the valorization of design is an ameliorating social phenomenon by virtue of its propensity to inspire the other hand, the popularization of interior design through personas such as Philippe Starck, Martha Stewart, and Barbara Barry has encouraged a superficial understanding of the interior that is more focused on objects than it is on behaviors and interactions among all the recent explosion of interest in interior design, it remains, however, a fundamentally conservative arena of design, rooted as it is in notions of enclosure, security, and perception has been exacerbated by the growth of specialized practices focused, for example, on healthcare and such firms offer deep knowledge of the psychology, mechanics, and economies of particular environments, they also perpetuate distinctions that hinder a more integral approach to the interior as an extension of architecture and even the landscape notable exception is the growth of design and architecture firms accruing expertise in sustainable materials and their applications to the the same time that design firms are identifying themselves with sustainability and promoting themselves as environmentalists, a movement is building t