【正文】 □ 不及格II評(píng)定成績：□ 優(yōu) □ 良 □ 中 □ 及格 □ 不及格（在所選等級(jí)前的□內(nèi)畫“√”）教研室主任（或答辯小組組長）： （簽名）年 月 日教學(xué)系意見：系主任： （簽名）年 月 日III中國科學(xué)技術(shù)大學(xué)學(xué)位論文原創(chuàng)性聲明本人聲明所呈交的學(xué)位論文,是本人在導(dǎo)師指導(dǎo)下進(jìn)行研究工作所取得的成果。與我一同工作的同志對(duì)本研究所做的貢獻(xiàn)均已在論文中作了明確的說明。本人提交的電子文檔的內(nèi)容和紙質(zhì)論文的內(nèi)容相一致?！豕_ □保密（____年）作者簽名：_______________ 導(dǎo)師簽名：_______________簽字日期：_______________ 簽字日期：_______________IV摘 要文化產(chǎn)業(yè)，是近幾十年來在我國蒸蒸日上的新興行業(yè)，它在我們?nèi)粘Ｉ詈凸ぷ鲗W(xué)習(xí)乃至社會(huì)進(jìn)步方面成為一個(gè)新鮮的事物。隨著社會(huì)科學(xué)技術(shù)的進(jìn)步和世界經(jīng)濟(jì)一體化的日益形成，大多數(shù)國家的文化產(chǎn)業(yè)被快速挖掘并成長壯大，做大做強(qiáng)文化產(chǎn)業(yè)成為國際共識(shí)，也成為綜合國力競爭的基礎(chǔ)條件之一。本文通過對(duì)國內(nèi)國外文化產(chǎn)業(yè)發(fā)展現(xiàn)狀趨勢的分析，指出了文化產(chǎn)業(yè)在經(jīng)濟(jì)社會(huì)發(fā)展中的重要作用。同時(shí)，提出了實(shí)現(xiàn)這個(gè)戰(zhàn)略發(fā)展目標(biāo)的具體措施。關(guān)鍵詞：文化產(chǎn)業(yè) 發(fā)展提升 模式VAbstractLocal cultural is new term of in cultural and economical areas recent years, as well as new thing in human history. Once it turns up, being a new thing, new life, showing great energetic and vibrant. With the progress of science and technology and economics globalized, the local culture is being sprung up rapidly in major nations in the world, it is tendency that the local cultural are on the way. as the crucial fundaments for one part of prehensive national power in petition. in this case, we should further perceptual pattern for local culture, meanwhile, further study and investigate local culture nowadays, taking a road which is suitable for local cultural development with unique traits, bining the theory with the practice. The article is based on the analysis on both home and abroad, stressing the domination position in local culture in economics in the society. for the sake of the realistic situation of Sunning. and revealing two options as the strategies: one is “the strategy of appointed festival”, the other is “the strategy of the unique culture” at the same time, telling the measure of how to put several aspects in two strategies into reality.Key words: Cultural industry。 ModelVI目 錄第 1 章 緒論 ..................................................................9 選題背景及意義. ...............................................................................................................9 研究內(nèi)容 ...........................................................................................................................10 研究方法 ...........................................................................................................................10 邏輯框架 ...........................................................................................................................11第 2 章 文化產(chǎn)業(yè)基本理論概要 .................................................12 文化及文化的產(chǎn)業(yè)化 .......................................................................................................12 文化與文化消費(fèi) .......................................................................................................12 文化產(chǎn)品的產(chǎn)業(yè)化 ...................................................................................................13 產(chǎn)業(yè)發(fā)展理論在文化產(chǎn)業(yè)發(fā)展中的應(yīng)用 ..............................................................14 區(qū)域文化與區(qū)域經(jīng)濟(jì)的關(guān)系 ...........................................................................................14 文化是經(jīng)濟(jì)增長的助推器 ........................................................................................15 文化影響經(jīng)濟(jì)增長的機(jī)理 ........................................................................................16 文化產(chǎn)業(yè)的概念 ...............................................................................................................18 文化產(chǎn)業(yè)的概念的內(nèi)涵 ............................................................................................19 文化產(chǎn)業(yè)的主要分類 ................................................................................................19 文化產(chǎn)業(yè)的主要特點(diǎn) .................................................................................................20第 3 章 睢寧縣文化產(chǎn)業(yè)發(fā)展的環(huán)境分析 .........................................21 睢寧縣文化產(chǎn)業(yè)發(fā)展的整體環(huán)境分析 ...........................................................................21 中國文化產(chǎn)業(yè)的發(fā)展及其社會(huì)影響 ......................................................................21 中國文化產(chǎn)業(yè)未來發(fā)展的態(tài)勢 ..............................................................................22 新興文化產(chǎn)業(yè)的主體地位日漸凸顯 .......................................................................23 睢寧縣文化產(chǎn)業(yè)發(fā)展的局部環(huán)境分析 ...........................................................................24VII 兩漢文化是徐州文化的首要品牌 ........................................................................24 徐州市文化產(chǎn)業(yè)發(fā)展源頭的優(yōu)勢 ........................................................................25 徐州市文化產(chǎn)業(yè)發(fā)展的未來趨勢 .........................................................................26 睢寧縣文化產(chǎn)業(yè)發(fā)展的政策優(yōu)勢 .........................................................................27 睢寧文化產(chǎn)業(yè)內(nèi)部資源及發(fā)展問題分析 .........................................................................27 睢寧縣文化產(chǎn)業(yè)發(fā)展?fàn)顩r的調(diào)研 ........................................................................27 睢寧縣文化產(chǎn)業(yè)的歷史基礎(chǔ)與發(fā)展概況 .............................................................29 睢寧縣發(fā)展文化產(chǎn)業(yè)的現(xiàn)實(shí)基礎(chǔ) .........................................................................30 睢寧縣文化產(chǎn)業(yè)發(fā)展面臨的問題 ........................................................................31 睢寧縣文化產(chǎn)業(yè)發(fā)展面臨問題的原因分析 .........................................................32第 4 章 睢寧縣發(fā)展文化產(chǎn)業(yè)的模式選擇 ..........................................34 其他縣級(jí)區(qū)域發(fā)展文化產(chǎn)業(yè)的模式借鑒 ........................................................................34 以句容茅山為代表的宗教文化理念發(fā)展模式 ..................................................34 以涇縣為代表的歷史文化產(chǎn)品生產(chǎn)發(fā)展模式 ..................................................34 以武強(qiáng)為代表的音樂文化傳播發(fā)展模式 ..........................................................35 以威寧為代表的民族特色文化發(fā)展模式 ............................................................35 睢寧文化產(chǎn)業(yè)選擇評(píng)價(jià)模型 ..........................................................................................36 文化產(chǎn)業(yè)發(fā)展的模式選擇評(píng)價(jià)方法 ....................................................................36 文化產(chǎn)業(yè)發(fā)展的指標(biāo)體系的建立 .............................................................