【正文】 行與公司產(chǎn)品、生產(chǎn)線及市場相關(guān)的講座，一般一周一次，使大部分員工能夠了解產(chǎn)品及新型生產(chǎn)線的基本情況，增強(qiáng)對新環(huán)境的適應(yīng)能力。 流動資金來源 流動資金300萬元，由企業(yè)自籌。五、項(xiàng)目總投資、資金來源和資金構(gòu)成 項(xiàng)目總投資 本項(xiàng)目總投資3000萬元，其中固定資產(chǎn)投資2700，流動資金300萬元。本項(xiàng)目無生產(chǎn)用水。 生產(chǎn)技術(shù)路線圖一 工藝流程圖主要生產(chǎn)設(shè)備明細(xì)表序號設(shè)備名稱數(shù)量（臺）序號設(shè)備名稱數(shù)量（臺）1壓縮機(jī)37砂輪機(jī)12沖床28車床33銑床39線切割機(jī)34液壓機(jī)810五色彩印機(jī)25鋸床111平面磨床26雕刻機(jī)212塑封機(jī)2本項(xiàng)目利用的主要為電能，不設(shè)鍋爐。4. 固體廢料分離、回收及處理附屬工程建設(shè)完成后，可以實(shí)現(xiàn)可回收固定廢料和不可回收固體廢料的自動篩選、回收以及廢棄處理等措施，廢棄物排放標(biāo)準(zhǔn)遵循國家相關(guān)標(biāo)準(zhǔn)。2. 工藝品制造精度在線檢測及控制系統(tǒng)建設(shè)完成后，可以實(shí)現(xiàn)在制產(chǎn)品的加工精度在線檢測和加工誤差的控制及調(diào)整。達(dá)到年產(chǎn)紀(jì)念章300萬枚、年產(chǎn)紀(jì)念幣300萬枚，年產(chǎn)值14000萬元的目標(biāo)。四、改造的主要內(nèi)容和目標(biāo) 改造主要內(nèi)容本項(xiàng)目主要針對金屬紀(jì)念章、紀(jì)念幣的新型高效雕刻工藝及制造系統(tǒng)進(jìn)行技術(shù)改造。5）全封閉的加工環(huán)境降低了加工時的噪聲及污染物的飛濺。3）自動化雕刻設(shè)備只要更換一個程序，就可實(shí)現(xiàn)另一工件加工的自動化，從而使單件和小批生產(chǎn)得以自動化，實(shí)現(xiàn)“柔性化生產(chǎn)”。2）可以實(shí)現(xiàn)加工的自動化，而且是柔性自動化，從而效率可比傳統(tǒng)制造系統(tǒng)提高3～7倍。將計(jì)算機(jī)及信息技術(shù)引入現(xiàn)有金屬工藝品加工過程，對加工設(shè)備和加工過程進(jìn)行在線檢測和控制，可以有效提高整個生產(chǎn)的效率，減少加工過程對環(huán)境的污染，提高材料的利用率和再制造能力，其主要優(yōu)點(diǎn)可以歸納如下：1）可以雕刻出傳統(tǒng)設(shè)備加工不出來的曲線、曲面等復(fù)雜工藝品。從目前我國的金屬工藝品加工工藝來看，整體效率低下，加工自動化控制手段和設(shè)備落后，加工過程中有害物質(zhì)或噪音對環(huán)境污染嚴(yán)重，嚴(yán)重制約著整個行業(yè)的可持續(xù)發(fā)展。 無論國際國內(nèi)，目前都沒有本項(xiàng)目所提出的新型高效雕刻制造系統(tǒng)。中國的工藝品具有歷史悠久、舉世聞名的特點(diǎn)，有機(jī)會購買自己中意的具有濃厚中國特色的各類工藝品不失為一大樂事。中國旅游業(yè)在未來10年中，是僅次于IT產(chǎn)業(yè)的強(qiáng)勢增長產(chǎn)業(yè)。據(jù)世界旅游旅行理事會（WTTC）向中國政府遞交的最新研究預(yù)測報(bào)告，預(yù)計(jì)2015年，即未來的十年間將增至8152億美元（約合人民幣67823億元），%。進(jìn)入九十年代以來，世界旅游產(chǎn)業(yè)發(fā)展迅猛，每年以兩位數(shù)增長。（詳見后附的《2009年企業(yè)財(cái)務(wù)審計(jì)報(bào)告》）。我公司截止2009年12月31日的賬面實(shí)收資本為 萬元，資產(chǎn)總額 元，負(fù)債 元，凈資產(chǎn)總額 元。公司一直堅(jiān)持“以質(zhì)取勝，信譽(yù)為先”的經(jīng)營理念，產(chǎn)品不斷創(chuàng)新，主要面向國內(nèi)大中型企業(yè)級及個人訂制產(chǎn)品，并與日本、英國、美國、澳大利亞以及港臺澳等多個國家和地區(qū)建立了長期、穩(wěn)定的業(yè)務(wù)關(guān)系。公司通過了IS09001：2000國際質(zhì)量管理體系的認(rèn)證，產(chǎn)品種類主要有專各類材質(zhì)的工藝品紀(jì)念章，紀(jì)念卡，金屬郵票，徽章等。公司于1997年注冊成立，注冊資本600萬元，現(xiàn)有職工40人，現(xiàn)有自創(chuàng)建以來始終堅(jiān)持以生產(chǎn)時尚、精致的工藝品作為企業(yè)的發(fā)展方向。本項(xiàng)目周圍主要為工業(yè)企業(yè)，無環(huán)境敏感目標(biāo)，項(xiàng)目生產(chǎn)產(chǎn)品質(zhì)量穩(wěn)定，工藝先進(jìn)，項(xiàng)目生產(chǎn)過程中實(shí)現(xiàn)了各產(chǎn)污環(huán)節(jié)的污染控制，基本符合清潔生產(chǎn)要求。項(xiàng)目達(dá)產(chǎn)后，紀(jì)念幣年產(chǎn)量可達(dá)300萬枚，紀(jì)念章300萬枚，年產(chǎn)值14000萬元，可年新增銷售收入4000萬元，利潤400萬元，利稅100萬元。并與簽訂了115萬的高效雕刻生產(chǎn)線建設(shè)協(xié)議。為了縮短項(xiàng)目建設(shè)工期，公司投資250萬元租賃了建筑面積為3000m2的標(biāo)準(zhǔn)廠房并進(jìn)行了技術(shù)改造。該技術(shù)不僅國內(nèi)領(lǐng)先，而且填補(bǔ)了目前工藝品高效節(jié)能加工領(lǐng)域的空白。我公司新上了《新型高效雕刻加工工藝及制造系統(tǒng)建設(shè)項(xiàng)目》。我公司新上項(xiàng)目投資全部為企業(yè)自籌，企業(yè)資金比較緊張，而且中小企業(yè)銀行貸款舉步維艱，為了更好的促進(jìn)企業(yè)發(fā)展，盡快使項(xiàng)目投產(chǎn)達(dá)效，特申請國家中小企業(yè)技術(shù)改造項(xiàng)目資金，請予以批準(zhǔn)為盼。二、我公司擬定方案：先占領(lǐng)上海市場，分階段逐步實(shí)施，計(jì)劃西出、東進(jìn)、南下，同時著手南方幾個省市大市場，這個如此龐大宏偉的計(jì)劃，不是欠的能力所決定，而是市場需求迫使我們?nèi)?shí)現(xiàn)。又能一邊實(shí)施新建項(xiàng)目，建成高效率、高起點(diǎn)的規(guī)?；a(chǎn)，使科技成果盡快轉(zhuǎn)化為生產(chǎn)力，實(shí)現(xiàn)商品化，生產(chǎn)設(shè)備建成微機(jī)控制，生產(chǎn)規(guī)模即可達(dá)到的生產(chǎn)能力。現(xiàn)在只需部分流動資金就能生產(chǎn)。The main or major characters are those in close and dynamic relation with the hero or heroine. Close relation does not mean good relation. Pablo in For Whom the Bell Tolls is constantly finding中小企業(yè)技術(shù)改造項(xiàng)目資金申請報(bào)告企業(yè)名稱：項(xiàng)目名稱：新型高效雕刻加工工藝及制造系統(tǒng)建設(shè)項(xiàng)目申報(bào)時間：產(chǎn) 品 方 案一、我公司經(jīng)過周密細(xì)致的前期準(zhǔn)備工作，前幾年已經(jīng)投入大量的廣告費(fèi)，項(xiàng)目前期費(fèi)用為我們發(fā)展奠定了堅(jiān)實(shí)的基礎(chǔ)。The character on whom a novel is called the hero or heroine when it is a female Usually, a novel has more than one character. They interact with each other and make up the however ingenious. Compare the physical life and spiritual life of the characters and ours. We have to answer the nature’s call several times a day, but characters seldom do this, even in the most realistic or naturalistic novels. We have to live our life hour by hour and day by day, but characters never do this. They choose to live some time more fully than others, and are able to skip over periods on ten months or twenty years without seeming weird, a feat which we can never attempt. In our life, our minds are a gray matter even to scientists. We can not know what is going on in other’s mind. But in novels, the minds of the characters are open or can be made open to the reader if the novelist so chooses. The reader does not only see their clothes, but also see their minds. One character may be enemy to other characters, but he is friend to the reader, before whom he can think aloud, to borrow Emerson’s words. Characters do not live, but act. When we watch actors speak aloud to themselves on the stage as if they were alone, we know they are acting and they are different from what they represent in real life. The characters in novels exist in a similar manner.They have names used in the same way ours are used, they have hatred and love, and they have desires and fears. Above all, they act the way we act or the way we can understand (like or dislike).he is a translator between animals and humans. No sensible reader, after reading Orwell’s Animal Farm, would go to the pigsty to look for a talking boar. This proves the agreedon fictionality of characters in novels. So broadly, a character is an invented personality to resemble but never to equal a real person in life. determination of incident? What is incident but the illustration of character?” (The Art of Fiction”) When we read a novel, we read about our fellow beings, and that is one of the motives in reading at all. The “fellow beings” in the novel is termed characters. By “fellow beings” is meant not only “human beings” but also “other beings,” such as animals. George Orwell uses animals to represent human beings in his novel Animal Farm. Lewis Carrol creates many lovely animals in his Alice’s Adventures in Wonderland that appeal to both children and adults.I. What is Character?In the introduction we have said that fiction is an image of people in action, moving towards an undeclared end. Thus character is always involved in fiction, even in the story of the simplest action. Sometimes character is at the center of our interest because in character we may see many facets of the people we meet in our daily life and even of ourselves. Fictional character is always character in action and the character gets into action because it is caught in a situation of conflict and he/she is always provided with motivation: he/she has sufficient reasons to act or behave as he /she does. The character is doing something and the reader while reading fiction wants to know the “why” as well as the “what” of the affairs. (Sometimes a character’s motive for an action is not explained on acceptable grounds, for example, the villain in Adgar Allan Poe’story “The TellTale Heart,” and thus the reader feels cheated. In this case, the writer of detective fiction who makes the criminal a mere lunatic has cheated the reader by avoiding the problem of motive.) And generally, the action itself is humanly significant and it ends usually in a shift in or