【正文】 ve not yet read it, I strongly encourage you to do so. In this essay, the venerable Emerson talks about eschewing the trappings of society and finding one39。s to e and recapping the key points. This device, not used in the original, is culturally understandable but artistically mediocre. What puzzles me is the two new songs for the opening and end credits. They were written in English, but sung by Chinese with an unfortable accent. They were obviously designed to appeal to an Englishspeaking base, but do not jibe with the Chinese dialogue. Speaking of the dialogue, the English translation, picked apart by some Chinese, is too literal for my taste. I can imagine a typical American hit by a flurry of royal ranks, addresses and greetings, even multiple names and titles for the same person. The first half hour must be a swamp to wade through, very much like my experience of getting through a Tolstoy tome with its endless inflections of names transliterated into lengthy Chinese. I see the choice of verbatim translation as an effort for conveying exotica. It is fairly petent, with no error that I could detect, but fails to rise above words or capture the essence of the language. A cultural product usually crosses over to a foreign territory first by an emphasis on the monalities. But whether inside or outside China, the temptation to sell it for the differences is just too great. Sure, the sumptuous sets and costumes are a big attraction, but the narrative technique has bee－h(huán)ow shall I put it?－a bit anglicized, which is necessary for cultural export. Judging by the responses, this legend, which, contrary to the claim of the English trailer, is totally fictitious, has departed from China but not yet landed on American shores. I am a big fan of Ralph Waldo Emerson39。s cultural foray overseas, has been widely panned by its home audience. Retitled Empresses in the Palace, the American version has been shortened from its original 76 episodes at 45 minutes each, to six 90minute episodes. The quick pacing threw off many native viewers, who are accustomed to a more leisurely daytimesoapstyle narrative rhythm. (Chinese TV stations would run two or three episodes every day.) I did not finish the fulllength version and found the truncated one not difficult to follow. What39。s president, who is also a renowned tenor, tells China Daily. During a tour in 1985, he went to a village and met an elderly local man, who told him a story about his friendship with a solider from Shenyang, capital of Northeast China39。s villages and entertain nomadic families, but their fame has spread around the world. On May 16 and 17, nearly 100 singers and dancers from the troupe performed at Beijing39。t just about sharing art with nomadic families but also about gaining inspiration for the music and dance. Ulan Muqir literally translates as red burgeon, and today39。t help but sing the folk songs, Nasun says. The vastness of Inner Mongolia and the lack of entertainment options for people living there, made their lives lonely. The nomadic people were very excited about our visits, Nasun recalls. We didn39。s Zhangye city during their journey to Kazakhstan, May 5, 2015. The caravan, consisting of more than 100 camels, three horsedrawn carriages and four support vehicles, started the trip from Jingyang county in Shaanxi on Sept 19, 2014. It will pass through Gansu province and Xinjiang Uygur autonomous region, and finally arrive in Almaty, formerly known as AlmaAta, the largest city in Kazakhstan, and Dungan in Zhambyl province. The trip will cover about 15,000 kilometers and take the caravan more than one year to plete. The caravan is expected to return to Jingyang in March 2016. Then they will e back, carrying specialty products from Kazakhstan A small art troupe founded six decades ago has grown into a household name in the Inner Mongolia autonomous region. In the 1950s, Ulan Muqir Art Troupe was created by nine young musicians, who toured remote villages on horses and performed traditional Mongolian music and dances for nomadic families. The 54yearold was born in Tongliao, in eastern Inner Mongolia and joined the troupe in says there are 74 branch troupes across Inner Mongolia and actors give around 100 shows every year to local nomadic people. I can still recall the days when I toured with the troupe in the early 39。10合計100意見及建議：評閱人簽名： 年 月 日天津工業(yè)大學(xué)畢業(yè)論文成績考核表學(xué)生姓名學(xué)院名稱管理學(xué)院專業(yè)班級人力11雙題目天海凈化有限公司招聘問題分析及對策研究1．畢業(yè)設(shè)計（論文）指導(dǎo)教師評語及成績：成績： 指導(dǎo)教師簽字： 年 月 日2．畢業(yè)設(shè)計（論文）答辯委員會評語及成績：成績：答辯主席（或組長）簽字： 年 月 日3．畢業(yè)設(shè)計（論文）總成績：給定成績給定成績總成績(a+b+c)為你提供優(yōu)秀的畢業(yè)論文參考資料，請您刪除以下內(nèi)容，O(∩_∩)O謝謝?。。 large group of tea merchants on camels and horses from Northwest China39。15有必要的數(shù)據(jù)、資料支持，數(shù)據(jù)、資料翔實可靠，得出的結(jié)論有可驗性。10外文應(yīng)用能正確引用外文文獻，翻譯準(zhǔn)確，文字流暢。15論文撰寫結(jié)構(gòu)嚴(yán)謹(jǐn)，理論、觀點、概念表達準(zhǔn)確、清晰。10題目與生產(chǎn)、科研等實際問題結(jié)合緊密。審查意見指導(dǎo)教師： 年 月 日學(xué)院意見主管領(lǐng)導(dǎo)： 年 月 日天津工業(yè)大學(xué)本科畢業(yè)論文評閱表（論文類）題目天海凈化有限公司招聘問題分析及對策研究學(xué)生姓名學(xué)生班級人力11雙指導(dǎo)教師姓名王大海評審項目指標(biāo)滿分評分選題能體現(xiàn)本專業(yè)培養(yǎng)目標(biāo)，使學(xué)生得到較全面訓(xùn)練。，查找。二、進度及預(yù)期結(jié)果 起止日期主要內(nèi)容預(yù)期結(jié)果學(xué)生查閱資料，與指導(dǎo)教師商議，確定選題；學(xué)生撰寫開題報告，由指導(dǎo)教師組織開題撰寫畢業(yè)論文定稿畢業(yè)論文答辯提交開題報告按進度要求完成參加學(xué)院論文答辯完成課題的現(xiàn)有條件。因此招聘人員要清晰的知道企業(yè)需要哪些人才并且明白去哪找這些人才，同時還要考慮怎樣降低招聘成本，提高招聘的工作效率。課題研究的主要內(nèi)容：本文擬通過對天海凈化公司招聘過程中遇到的問題進行分析研究，并通過對國內(nèi)外招聘的相關(guān)文獻的研究，找出影響招聘的因素，結(jié)合天海凈化公司的實際情況，找出其招聘的問題并提出對策和建議。由于受網(wǎng)絡(luò)發(fā)展和普及程度的影響，國內(nèi)的網(wǎng)絡(luò)招聘還處于起步階段。主要參考文獻人才招聘問題與對策分析企業(yè)招聘策劃實施探討企業(yè)招聘的未來發(fā)展趨勢——從說到做中小企業(yè)工作分析實踐現(xiàn)狀及對策分析招聘與錄用企業(yè)人才招聘面試標(biāo)準(zhǔn)的設(shè)計起止日期——備注院長 教研室主任 指導(dǎo)教師 畢業(yè)論文開題報告表 2014年11月9日姓名學(xué)院管理學(xué)院專業(yè)人力資源管理班級人力11雙題目天海凈化有限公司招聘問題分析及對策研究指導(dǎo)教師王大海一、與本課題有關(guān)的國內(nèi)外研究情況、課題研究的主要內(nèi)容、目的和意義：與本課題有關(guān)的國內(nèi)外研究情況：隨著社會和科技的進步，現(xiàn)代招聘與傳統(tǒng)的招聘區(qū)別很大，網(wǎng)絡(luò)招聘即為現(xiàn)