【正文】 ve not yet read it, I strongly encourage you to do so. In this essay, the venerable Emerson talks about eschewing the trappings of soc。s to e and recapping the key points. This device, not used in the original, is culturally understandable but artistically mediocre. What puzzles me is the two new songs for the opening and end credits. They were written in English, but sung by Chinese with an unfortable accent. They were obviously designed to appeal to an Englishspeaking base, but do not jibe with the Chinese dialogue. Speaking of the dialogue, the English translation, picked apart by some Chinese, is too literal for my taste. I can imagine a typical American hit by a flurry of royal ranks, addresses and greetings, even multiple names and titles for the same person. The first half hour must be a swamp to wade through, very much like my experience of getting through a Tolstoy tome with its endless inflections of names transliterated into lengthy Chinese. I see the choice of verbatim translation as an effort for conveying exotica. It is fairly petent, with no error that I could detect, but fails to rise above words or capture the essence of the language. A cultural product usually crosses over to a foreign territory first by an emphasis on the monalities. But whether inside or outside China, the temptation to sell it for the differences is just too great. Sure, the sumptuous sets and costumes are a big attraction, but the narrative technique has bee－ how shall I put it?－ a bit anglicized, which is necessary for cultural export. Judging by the responses, this legend, which, contrary to the claim of the English trailer, is totally fictitious, has departed from China but not yet landed on American shores. I am a big fan of Ralph Waldo Emerson39。s cultural foray overseas, has been widely panned by its home audience. Retitled Empresses in the Palace, the American version has been shortened from its original 76 episodes at 45 minutes each, to six 90minute episodes. The quick pacing threw off many native viewers, who are accustomed to a more leisurely daytimesoapstyle narrative rhythm. (Chinese TV stations would run two or three episodes every day.) I did not finish the fulllength version and found the truncated one not difficult to follow. What39。s president, who is also a renowned tenor, tells China Daily. During a tour in 1985, he went to a village and met an elderly local man, who told him a story about his friendship with a solider from Shenyang, capital of Northeast China39。s villages and entertain nomadic families, but their fame has spread around the world. On May 16 and 17, nearly 100 singers and dancers from the troupe performed at Beijing39。t just about sharing art with nomadic families but also about gaining inspiration for the music and dance. Ulan Muqir literally translates as red burgeon, and today39。t help but sing the folk songs, Nasun says. The vastness of Inner Mongolia and the lack of entertainment options for people living there, made their lives lonely. The nomadic people were very excited about our visits, Nasun recalls. We didn39。s Zhangye city during their journey to Kazakhstan, May 5, 2022. The caravan, consisting of more than 100 camels, three horsedrawn carriages and four support vehicles, started the trip from Jingyang county in Shaanxi on Sept 19, 2022. It will pass through Gansu province and Xinjiang Uygur autonomous region, and finally arrive in Almaty, formerly known as AlmaAta, the largest city in Kazakhstan, and Dungan in Zhambyl province. The trip will cover about 15,000 kilometers and take the caravan more than one year to plete. The caravan is expected to return to Jingyang in March 2022. Then they will e back, carrying specialty products from Kazakhstan A small art troupe founded six decades ago has grown into a household name in the Inner Mongolia autonomous region. In the 1950s, Ulan Muqir Art Troupe was created by nine young musicians, who toured remote villages on horses and performed traditional Mongolian music and dances for nomadic families. The 54yearold was born in Tongliao, in eastern Inner Mongolia and joined the troupe in says there are 74 branch troupes across Inner Mongolia and actors give around 100 shows every year to local nomadic people. I can still recall the days when I toured with the troupe in the early 39。 塔里木大學(xué)畢業(yè)設(shè)計(jì) 15 參考文獻(xiàn) 1 韓雄南 . 滾動(dòng)軸承在微機(jī)皮帶秤秤架各鉸接處的應(yīng)用 [J].云南冶金 ,2022,(01). 2 陶瑞星 . 電子稱(chēng)重技術(shù)發(fā)展的若干探討 [J].自動(dòng)化儀表 ,1998,(01). 3 何立民 . 單片機(jī)應(yīng)用系統(tǒng)設(shè)計(jì) [M].北京 :北京航空航天大學(xué)出版社 ,1989. 4《煙機(jī)設(shè)備修理工（制絲）專(zhuān)業(yè)知識(shí)》編寫(xiě)組編 . 煙機(jī)設(shè)備修理工（制絲）專(zhuān)業(yè)知識(shí) 下 . 鄭州：河南科學(xué)技術(shù)出版社 , . 5《膨脹煙絲工專(zhuān)業(yè)知識(shí)》編寫(xiě)組編 . 膨脹煙絲工專(zhuān)業(yè)知識(shí) . 鄭州：河南科學(xué)技術(shù)出版社 , . 6 吳建平編著 . 傳感器原理及應(yīng)用 . 北京：機(jī)械工業(yè)出版社 , . 7 邱定藩主編 . 有色金屬工業(yè)低碳發(fā)展 全國(guó)有色金屬工業(yè)低碳經(jīng)濟(jì)及冶煉廢氣減排學(xué)術(shù)研討會(huì)論文集 . 長(zhǎng)沙：中南大學(xué)出版社 , . 8 劉亞斌 . 全懸浮式散科電子皮帶秤研究與應(yīng)用 [D].昆明 :昆明理工大學(xué) ,2022. 9 嚴(yán)榮濤 . 電子皮帶秤現(xiàn)場(chǎng)使用中存在若干問(wèn)題的分析和解決途徑 [J].自動(dòng)化儀表 ,1997,(03). 10 沈德金 ,陳奧初 . MCS51 系列單片機(jī)接口電路與應(yīng)用程序?qū)嵗?[M].北京 :北京航空航天大學(xué)出版社 ,1990. 塔里木大學(xué)畢業(yè)設(shè)計(jì) 16 附錄 1 硬件方案設(shè)計(jì) 變化電 源 ２６Ｖ６Ｖ力 傳 感 器１力 傳 感 器2力 傳 感 器3力 傳 感 器41 2 Ｖ1 2 Ｖ速度 電 感器（磁 電 式）放大器整形 電路Ｆ２Ｆ３輔助電 源１1 2 V1 2 V5 V 15 V 21242前置 放 大器A D 轉(zhuǎn)換器３０Ｐ３０ＰＰ １ .28 0 3 1 系統(tǒng)I N T O P 3 . 28 位ＳＥＤ顯示器Ｌ２３位ＬＥＤ顯示器Ｌ２　 　 　 　　 　 2 　 　　 5 　 　 7 　　 9 　 　　微型打印機(jī)2 3 2 通 信 口（2 線(xiàn)） 塔里木大學(xué)畢業(yè)設(shè)計(jì) 17 為你提供優(yōu)秀的畢業(yè)論文參考資料，請(qǐng)您刪除以下內(nèi)容， O(∩ _∩ )O 謝謝！??！ A large group of tea merchants on camels and horses from Northwest China39。然而生命是一個(gè)過(guò)程，生活是一種態(tài)度，只要我們永懷一顆感恩的心，以一種樂(lè)觀的態(tài)度，永遠(yuǎn)對(duì)生命充滿(mǎn)希望，那么不論什么境況，慢慢體味細(xì)細(xì)品嘗，總能感悟出其中的美意；只 要我們用一顆豁達(dá)且認(rèn)真的態(tài)度對(duì)待，那么就永遠(yuǎn)有一縷曙光在我們的前方，照亮我們前行的路。 還要感謝我的可愛(ài)的同學(xué)朋友們，有你們的參與，我的人生才如此的多彩。更要感謝我的導(dǎo)師 王麗 老師， 王 老師為謙和的為人和嚴(yán)謹(jǐn)?shù)闹螌W(xué)態(tài)度，是我一生都要學(xué)習(xí)的榜樣。感謝我的 親朋好友 們，謝謝你們對(duì)于我的愛(ài)護(hù)和照顧，讓我感到人世間最溫情的感動(dòng)，以及成長(zhǎng)最大的動(dòng)力。 首先應(yīng)該感謝的是我的家人。人的成長(zhǎng)的過(guò)程絕非自己放任而成，這一路上包含了太多太多無(wú)私的 幫助，熱情的鼓勵(lì)，堅(jiān)定的支持。 從初入校門(mén)到即將離開(kāi)， 四 年好像什么也沒(méi)變，但是已非從前。其實(shí)時(shí)