【正文】 惚，所謂浮云白日、白駒過隙也便是如此這般了罷。 從初入校門到即將離開， 四 年好像什么也沒變，但是已非從前。太多的感悟太多的人與人之間交流心靈的碰撞促進(jìn)了我的成長。人的成長的過程絕非自己放任而成，這一路上包含了太多太多無私的 幫助，熱情的鼓勵，堅定的支持。而在畢業(yè)之際，我還是要向他們一一的表達(dá)感激，盡管或許他們并不圖報什么。 首先應(yīng)該感謝的是我的家人。感謝我的父母，謝謝你們賦予我生命和健康的體格，使我有機會經(jīng)歷這美好而精彩的人生；謝謝你們的無私的愛和奉獻(xiàn)，在我的一步步成長中你們?nèi)找嫔n老，永遠(yuǎn)不變的卻是那關(guān)注的眼神和無論何時都在身后的堅定的支持和鼓勵；謝謝你們的尊重，使我更好的選擇自己人生要走的道路。感謝我的 親朋好友 們，謝謝你們對于我的愛護和照顧，讓我感到人世間最溫情的感動，以及成長最大的動力。 感謝我的老師們，你們的諄諄教誨，是 我這 四 年獲得的最寶貴的知識。更要感謝我的導(dǎo)師 王麗 老師， 王 老師為謙和的為人和嚴(yán)謹(jǐn)?shù)闹螌W(xué)態(tài)度，是我一生都要學(xué)習(xí)的榜樣。這篇論文從選題到結(jié)構(gòu)大綱再到初稿修改最后定稿， 王 老師都給予了我很多寶貴的建議。 還要感謝我的可愛的同學(xué)朋友們，有你們的參與，我的人生才如此的多彩。謝謝你們！ 人生并不是一條寬闊平坦的大道，總是充滿了坎坷與挑戰(zhàn)，總會有崎嶇和荊棘叢生的荒野。然而生命是一個過程，生活是一種態(tài)度，只要我們永懷一顆感恩的心，以一種樂觀的態(tài)度，永遠(yuǎn)對生命充滿希望，那么不論什么境況，慢慢體味細(xì)細(xì)品嘗，總能感悟出其中的美意；只 要我們用一顆豁達(dá)且認(rèn)真的態(tài)度對待，那么就永遠(yuǎn)有一縷曙光在我們的前方，照亮我們前行的路。即將開始新的歷程，對我的后來者們予以祝福，且行且珍惜。 塔里木大學(xué)畢業(yè)設(shè)計 15 參考文獻(xiàn) 1 韓雄南 . 滾動軸承在微機皮帶秤秤架各鉸接處的應(yīng)用 [J].云南冶金 ,2022,(01). 2 陶瑞星 . 電子稱重技術(shù)發(fā)展的若干探討 [J].自動化儀表 ,1998,(01). 3 何立民 . 單片機應(yīng)用系統(tǒng)設(shè)計 [M].北京 :北京航空航天大學(xué)出版社 ,1989. 4《煙機設(shè)備修理工（制絲）專業(yè)知識》編寫組編 . 煙機設(shè)備修理工（制絲）專業(yè)知識 下 . 鄭州：河南科學(xué)技術(shù)出版社 , . 5《膨脹煙絲工專業(yè)知識》編寫組編 . 膨脹煙絲工專業(yè)知識 . 鄭州：河南科學(xué)技術(shù)出版社 , . 6 吳建平編著 . 傳感器原理及應(yīng)用 . 北京：機械工業(yè)出版社 , . 7 邱定藩主編 . 有色金屬工業(yè)低碳發(fā)展 全國有色金屬工業(yè)低碳經(jīng)濟及冶煉廢氣減排學(xué)術(shù)研討會論文集 . 長沙：中南大學(xué)出版社 , . 8 劉亞斌 . 全懸浮式散科電子皮帶秤研究與應(yīng)用 [D].昆明 :昆明理工大學(xué) ,2022. 9 嚴(yán)榮濤 . 電子皮帶秤現(xiàn)場使用中存在若干問題的分析和解決途徑 [J].自動化儀表 ,1997,(03). 10 沈德金 ,陳奧初 . MCS51 系列單片機接口電路與應(yīng)用程序?qū)嵗?[M].北京 :北京航空航天大學(xué)出版社 ,1990. 塔里木大學(xué)畢業(yè)設(shè)計 16 附錄 1 硬件方案設(shè)計 變化電 源 ２６Ｖ６Ｖ力 傳 感 器１力 傳 感 器2力 傳 感 器3力 傳 感 器41 2 Ｖ1 2 Ｖ速度 電 感器（磁 電 式）放大器整形 電路Ｆ２Ｆ３輔助電 源１1 2 V1 2 V5 V 15 V 21242前置 放 大器A D 轉(zhuǎn)換器３０Ｐ３０ＰＰ １ .28 0 3 1 系統(tǒng)I N T O P 3 . 28 位ＳＥＤ顯示器Ｌ２３位ＬＥＤ顯示器Ｌ２　 　 　 　　 　 2 　 　　 5 　 　 7 　　 9 　 　　微型打印機2 3 2 通 信 口（2 線） 塔里木大學(xué)畢業(yè)設(shè)計 17 為你提供優(yōu)秀的畢業(yè)論文參考資料，請您刪除以下內(nèi)容， O(∩ _∩ )O 謝謝！?。?A large group of tea merchants on camels and horses from Northwest China39。s Shaanxi province pass through a stop on the ancient Silk Road, Gansu39。s Zhangye city during their journey to Kazakhstan, May 5, 2022. The caravan, consisting of more than 100 camels, three horsedrawn carriages and four support vehicles, started the trip from Jingyang county in Shaanxi on Sept 19, 2022. It will pass through Gansu province and Xinjiang Uygur autonomous region, and finally arrive in Almaty, formerly known as AlmaAta, the largest city in Kazakhstan, and Dungan in Zhambyl province. The trip will cover about 15,000 kilometers and take the caravan more than one year to plete. The caravan is expected to return to Jingyang in March 2022. Then they will e back, carrying specialty products from Kazakhstan A small art troupe founded six decades ago has grown into a household name in the Inner Mongolia autonomous region. In the 1950s, Ulan Muqir Art Troupe was created by nine young musicians, who toured remote villages on horses and performed traditional Mongolian music and dances for nomadic families. The 54yearold was born in Tongliao, in eastern Inner Mongolia and joined the troupe in says there are 74 branch troupes across Inner Mongolia and actors give around 100 shows every year to local nomadic people. I can still recall the days when I toured with the troupe in the early 39。80s. We sat on the back of pickup trucks for hours. The sky was blue, and we couldn39。t help but sing the folk songs, Nasun says. The vastness of Inner Mongolia and the lack of entertainment options for people living there, made their lives lonely. The nomadic people were very excited about our visits, Nasun recalls. We didn39。t have a formal stage. The audience just sat on the grass. Usually, the performances became a big party with local people joining in. For him, the rewarding part about touring isn39。t just about sharing art with nomadic families but also about gaining inspiration for the music and dance. Ulan Muqir literally translates as red burgeon, and today39。s performers of the troupe still tour the region39。s villages and entertain nomadic families, but their fame has spread around the world. On May 16 and 17, nearly 100 singers and dancers from the troupe performed at Beijing39。s Poly Theater. Their show, titled Ulan Muqir on the Grassland, depicted the history and development of the art troupe. Being from the region allowed me to embrace the culture of Inner Mongolia and being a member of the troupe showed me where I belonged, Nasun, the art troupe39。s president, who is also a renowned tenor, tells China Daily. During a tour in 1985, he went to a village and met an elderly local man, who told him a story about his friendship with a solider from Shenyang, capital of Northeast China39。s Liaoning province, decades ago. The solider gave the old man a handmade saddle when they bid farewell. The story inspired Nasun to write Carved Saddle, a song that later became one of his most popular numbers. Now, every year, Nasun recruits young singers and dancers for the troupe. The troupe has also designed a new repertoire, which is mostly based on the daily lives of Mongolian people, especially the lives of nomadic families, and has bined contemporary musical elements with folk songs of the region. Haimu, a 25yearold khoomei (a local variant of overtone singing) singer, joined the troupe three years ago. Along with a sixmember band, he performs fast songs and soft ones that he writes－ all while playing the horsehead fiddle.Although I learned the piano since childhood and grew up listening to various kinds of music, to me, the folk music of Inner Mongolia is the root, he says. Performing in remote villages is pleasant. I feel at home on the boundless grasslands, and the warm people there make me feel fulfilled. The first round of spring auction season in Beijing ended last week, but it failed to create much spring in the art market. Although two pieces of Chinese painting fetched more than 100