【正文】 names and figuring out what to do with them for the brief time each week that I stand in front of them. I do not consider the challenges of learning to live here part of a purposeful life. I consider those issues existential in nature. One of the problems with my life in America was that I felt it had no purpose. I went to work every day and even did what I could to make my colleagues39。 he wondered how in the world he came to belong there. Indeed his penning and publishing this essay caused his exmunication from high society and also caused him a lot of legal trouble. The legal trouble came as a result of the fact that he was speaking out against the government. I like to reference such texts from time to time as an example both of the fact that history does repeat itself and that this world is not so big that what applies to one society does not in any way touch another society. On a much smaller scale,Emerson39。s to e and recapping the key points. This device, not used in the original, is culturally understandable but artistically mediocre. What puzzles me is the two new songs for the opening and end credits. They were written in English, but sung by Chinese with an unfortable accent. They were obviously designed to appeal to an Englishspeaking base, but do not jibe with the Chinese dialogue. Speaking of the dialogue, the English translation, picked apart by some Chinese, is too literal for my taste. I can imagine a typical American hit by a flurry of royal ranks, addresses and greetings, even multiple names and titles for the same person. The first half hour must be a swamp to wade through, very much like my experience of getting through a Tolstoy tome with its endless inflections of names transliterated into lengthy Chinese. I see the choice of verbatim translation as an effort for conveying exotica. It is fairly petent, with no error that I could detect, but fails to rise above words or capture the essence of the language. A cultural product usually crosses over to a foreign territory first by an emphasis on the monalities. But whether inside or outside China, the temptation to sell it for the differences is just too great. Sure, the sumptuous sets and costumes are a big attraction, but the narrative technique has bee－h(huán)ow shall I put it?－a bit anglicized, which is necessary for cultural export. Judging by the responses, this legend, which, contrary to the claim of the English trailer, is totally fictitious, has departed from China but not yet landed on American shores. I am a big fan of Ralph Waldo Emerson39。s president, who is also a renowned tenor, tells China Daily. During a tour in 1985, he went to a village and met an elderly local man, who told him a story about his friendship with a solider from Shenyang, capital of Northeast China39。t just about sharing art with nomadic families but also about gaining inspiration for the music and dance. Ulan Muqir literally translates as red burgeon, and today39。s Zhangye city during their journey to Kazakhstan, May 5, 2015. The caravan, consisting of more than 100 camels, three horsedrawn carriages and four support vehicles, started the trip from Jingyang county in Shaanxi on Sept 19, 2014. It will pass through Gansu province and Xinjiang Uygur autonomous region, and finally arrive in Almaty, formerly known as AlmaAta, the largest city in Kazakhstan, and Dungan in Zhambyl province. The trip will cover about 15,000 kilometers and take the caravan more than one year to plete. The caravan is expected to return to Jingyang in March 2016. Then they will e back, carrying specialty products from Kazakhstan A small art troupe founded six decades ago has grown into a household name in the Inner Mongolia autonomous region. In the 1950s, Ulan Muqir Art Troupe was created by nine young musicians, who toured remote villages on horses and performed traditional Mongolian music and dances for nomadic families. The 54yearold was born in Tongliao, in eastern Inner Mongolia and joined the troupe in says there are 74 branch troupes across Inner Mongolia and actors give around 100 shows every year to local nomadic people. I can still recall the days when I toured with the troupe in the early 39。再次，感謝我的父母和家人對(duì)我的悉心栽培及無時(shí)不在的關(guān)懷和支持。這最后的一年是是我學(xué)到的最多，懂得的最多的一年。結(jié)論物流配送是電子商務(wù)企業(yè)發(fā)展的核心競(jìng)爭(zhēng)力，在追逐業(yè)務(wù)量、銷售額的同時(shí)，也要保證物流配送的質(zhì)量。在企業(yè)的內(nèi)部整合達(dá)到一定程度后，京東可以與核心供應(yīng)商構(gòu)建統(tǒng)一的供應(yīng)鏈管理平臺(tái)，加強(qiáng)對(duì)供應(yīng)商的管理，以控制產(chǎn)品質(zhì)量、優(yōu)化資源配置、提高采購績(jī)效等，從而實(shí)現(xiàn)產(chǎn)品供應(yīng)鏈的外部整合。此時(shí)京東商城可以將其手上暫時(shí)的閑置土地適當(dāng)用于出租，通過收取租金的方式來吸收營(yíng)運(yùn)資金。京東由于是以自營(yíng)物流為主，所以在第三方物流上重視不夠，缺少像淘寶那樣方便快捷的投訴維權(quán)流程，這給消費(fèi)者在一定程度上造成了不便。此時(shí)，京東就必須加強(qiáng)管理，嚴(yán)格要求員工按照公司制度為客服提供優(yōu)秀的服務(wù)，不偷工減料。其物流成本急劇上升的根本原因是其非專業(yè)化的服務(wù)體系和單線物流模式造成的物流低效率，相比專業(yè)的物流公司形成了大量的跑空行為。自建物流不僅解決了退貨成本的問題需要，亦解決了退換貨率太高，會(huì)帶來積壓的庫存、貨品折扣、資金占?jí)?，帶來的損失會(huì)更大。2010年，從北京發(fā)到西安的大家電，平均成本是每件400多元。電商企業(yè)物流需求是物流成本低，強(qiáng)調(diào)配送態(tài)度、個(gè)性化服務(wù)，速度，并要考慮退換貨率。如果選擇質(zhì)量較高的第三方物流則因?yàn)槲锪魈F無法負(fù)擔(dān)。電商的那點(diǎn)毛利都全貢獻(xiàn)給物流公司。這種物流發(fā)展思路是跟隨著互聯(lián)網(wǎng)普及的腳步，同樣的由發(fā)達(dá)地區(qū)向西部過渡，城市向農(nóng)村過渡。. 物流成本控制策略. 京東物流結(jié)構(gòu)優(yōu)化目前京東在全國(guó)的省會(huì)城市和一些較發(fā)達(dá)的地級(jí)城市都分布有城市配送站和自提點(diǎn)。2010年開始，京東的顧客所購買的貨品遇到任何需要退換，京東商城都提供免費(fèi)上門取件服務(wù)。而廠商擁有自己的合作伙伴，并都建有自己的服務(wù)網(wǎng)點(diǎn)。. 第三方物流京東商城在自營(yíng)配送到達(dá)不了的區(qū)域內(nèi)，選擇與當(dāng)?shù)氐目爝f公司合作，來完成貨物的配送任務(wù)，偏遠(yuǎn)地區(qū)基本都是和郵政合作。針對(duì)以上兩點(diǎn)，京東商城便在各個(gè)高校設(shè)立了“高校代理”。也正是有了京東自營(yíng)配送模式的支持，京東在2010年4月正式推出了“211限時(shí)達(dá)”服務(wù)，即指每天11點(diǎn)前下訂單，下午到達(dá)；23點(diǎn)前下訂單，次日上午送達(dá)。與此同時(shí)，還在蘇州、杭州、天津、深圳、南京、無錫、寧波這七個(gè)城市開通配送站。京東商城在北京、上海、廣州、成都這四座城市都建設(shè)了自己的物流體系，因?yàn)檫@些城市的顧客是京東的主要顧客，因此在這四座城市建設(shè)大型物流中心。這些存貨由6000家供應(yīng)商提供。租賃也罷，但連產(chǎn)權(quán)證都沒有拿到看到，就太不嚴(yán)謹(jǐn)了。”2011?2012?2013年，京東折舊和攤銷分別為7395萬元、。拿物流體系做招牌，去撐起1500億市值，35億太勉強(qiáng)了。按劉強(qiáng)東的說法，京東物流投資應(yīng)在70億元以上。到2014年1季度末。表31 京東物流體系概況Table31 Jingdong Logistics System Overview從人員構(gòu)成看（保管員、投遞員、），京東屬于勞動(dòng)密集型企業(yè)。與物流有關(guān)的幾組