【正文】 names and figuring out what to do with them for the brief time each week that I stand in front of them. I do not consider the challenges of learning to live here part of a purposeful life. I consider those issues existential in nature. One of the problems with my life in America was that I felt it had no purpose. I went to work every day and even did what I could to make my colleagues39。 he wondered how in the world he came to belong there. Indeed his penning and publishing this essay caused his exmunication from high society and also caused him a lot of legal trouble. The legal trouble came as a result of the fact that he was speaking out against the government. I like to reference such texts from time to time as an example both of the fact that history does repeat itself and that this world is not so big that what applies to one society does not in any way touch another society. On a much smaller scale,Emerson39。s to e and recapping the key points. This device, not used in the original, is culturally understandable but artistically mediocre. What puzzles me is the two new songs for the opening and end credits. They were written in Englis h, but sung by Chinese with an unfortable accent. They were obviously designed to appeal to an Englishspeaking base, but do not jibe with the Chinese dialogue. Speaking of the dialogue, the English translation, picked apart by some Chinese, is too literal for my taste. I can imagine a typical American hit by a flurry of royal ranks, addresses and greetings, even multiple names and titles for the same person. The first half hour must be a swamp to wade through, very much like my experience of getting through a Tolstoy tome with its endless inflections of names transliterated into lengthy Chinese. I see the choice of verbatim translation as an effort for conveying exotica. It is fairly petent, with no error that I could detect, but fails to rise above words or capture the essence of the language. A cultural product usually crosses over to a foreign territory first by an emphasis on the monalities. But whether inside or outside China, the temptation to sell it for the differences is just too great. Sure, the sumptuous sets and costumes are a big attraction, but the narrative technique has bee－ how shall I put it?－ a bit anglicized, which is necessary for cultural export. Judging by the responses, this legend, which, contrary to the claim of the English trailer, is totally fictitious, has departed from China but not yet landed on American shores. I am a big fan of Ralph Waldo Emerson39。s president, who is also a renowned tenor, tells China Daily. During a tour in 1985, he went to a village and met an elderly local man, who told him a story about his friendship with a solider from Shenyang, capital of Northeast China39。t just about sharing art with nomadic families but also about gaining inspiration for the music and dance. Ulan Muqir literally translates as red burgeon, and today39。s Zhangye city during their journey to Kazakhstan, May 5, 2021. The caravan, consisting of more than 100 camels, three horsedrawn carriages and four support vehicles, started the trip from Jingyang county in Shaanxi on Sept 19, 2021. It will pass through Gansu province and Xinjiang Uygur autonomous region, and finally arrive in Almaty, formerly known as AlmaAta, the largest city in Kazakhstan, and Dungan in Zhambyl province. The trip will cover about 15,000 kilometers and take the caravan more than one year to plete. The caravan is expected to return to Jingyang in March 2021. Then they will e back, carrying specialty products from Kazakhstan A small art troupe founded six decades ago has grown into a household name in the Inner Mongolia autonomous region. In the 1950s, Ulan Muqir Art Troupe was created by nine young musicians, who toured remote villages on horses and performed traditional Mongolian music and dances for nomadic families. The 54yearold was born in Tongliao, in eastern Inner Mongolia and joined the troupe in says there are 74 branch troupes across Inner Mongolia and actors give around 100 shows every year to local nomadic people. I can still recall the days when I toured with the troupe in the early 39。 我能夠最終完成學(xué)業(yè)，與我的父母物質(zhì)上的幫助和精神上的關(guān)心與鼓勵(lì)分不開的，同時(shí)也為我的論文收集材料提供了方便，正是他 們的理解與支持，使我得以順利度過了四年本科生期間的學(xué)習(xí)與生活。我能順利完成本篇論文和老師的認(rèn)真指導(dǎo)和辛苦的批改是分不開的，在此我由衷論文代寫的向 李剛 老師表示感謝。在今后的工作學(xué)習(xí)中我會繼續(xù)關(guān)注此方面的進(jìn)展。 政府提出大力發(fā)展野生菌產(chǎn)業(yè)，充分體現(xiàn)了對農(nóng)業(yè)農(nóng)村經(jīng)濟(jì)工作的高度重視和殷切期望，大力發(fā)展 野生菌 特色農(nóng)業(yè)是解決“三農(nóng)”問題的有效途徑，是 南華經(jīng)濟(jì) 發(fā)展到新階段的必然需求。 完善投資機(jī)制，加大投資力度 解決發(fā)展南華縣野生菌產(chǎn)業(yè)中投資難的問題，關(guān) 鍵是要建立投資風(fēng)險(xiǎn)共擔(dān)機(jī)制，即建立政府、金融機(jī)構(gòu)、保險(xiǎn)公司、投資主體共同承擔(dān)投資風(fēng)險(xiǎn)的機(jī)制。 加 強(qiáng)科技支撐，培養(yǎng)新型農(nóng)民 科技進(jìn)步是發(fā)展野生菌產(chǎn)業(yè)的內(nèi)在動力 ,農(nóng)業(yè)的發(fā)展本身就是一條依托科技創(chuàng)新發(fā)展 的過程 , 南華縣野生菌產(chǎn)業(yè)的發(fā)展應(yīng)走以提高科技含量謀求 發(fā)展的路子 ,加強(qiáng)農(nóng)業(yè)科技創(chuàng)新能力建設(shè)，把農(nóng)業(yè)科技的重點(diǎn)放在良種培育上，加快野生菌育種創(chuàng)新，鼓勵(lì)發(fā)揮科研院校在產(chǎn)業(yè)技術(shù)體 系中的研發(fā)作用。在投資平臺 上 ，南華縣野生菌產(chǎn)業(yè)發(fā)展投資難成為了進(jìn)一步發(fā)展的最大障礙。如，野生菌食品加工技術(shù)、人工菌養(yǎng)殖技術(shù)、物流裝配等，都獲得了新的突破。具體地，當(dāng)前制約南華縣野生菌產(chǎn)業(yè)的主要因素可以概