【正文】 er Majesties, Your Royal Highnesses, Esteemed Nobel Laureates, Ladies and Gentlemen，Mo Yan is a poet who tears down stereotypical propaganda posters, elevating the individual from an anonymous human ridicule and sarcasm Mo Yan attacks history and its falsifications as well as deprivation and political and with illdisguised delight, he reveals the murkiest aspects of human existence, almost inadvertently finding images of strong symbolic Gaomi county embodies China’s folk tales and real journeys can surpass these to a realm where the clamour of donkeys and pigs drowns out the voices of the people’s missars and where both love and evil assume supernatural Yan’s imagination soars across the entire human is a wonderful portrayer of nature。he knows virtually all there is to know about hunger, and the brutality of China’s 20th century has probably never been described so nakedly, with heroes, lovers, torturers, bandits – and especially, strong, indomitable shows us a world without truth, mon sense or passion, a world where people are reckless, helpless and of this misery is the cannibalism that recurs in China’s Mo Yan, it stands for unrestrained consumption, excess, rubbish, carnal pleasures and the indescribable desires that only he can attempt to elucidate beyond all tabooed his novel Republic of Wine, the most exquisite of delicacies is a roasted have bee exclusive girls, neglected, irony is directed at China’s family policy, because of which female foetuses are aborted on an astronomic scale: girls aren’t even good enough to Yan has written an entire novel, Frog, about Yan’s stories have mythical and allegorical pretensions and turn all values on their never meet that ideal citizen who was a standard feature in Mao’s Yan’s characters bubble with vitality and take even the most amoral steps and measures to fulfil their lives and burst the cages they have been confined in by fate and of munism’s posterhappy history, Mo Yan describes a past that, with his exaggerations, parodies and derivations from myths and folk tales, is a convincing and scathing revision of fifty years of his most remarkable novel, Big Breasts and Wide Hips, where a female perspective dominates, Mo Yan describes the Great Leap Forward and the Great Famine of 1960 in stinging mocks the revolutionary pseudoscience that tried to inseminate sheep with rabbit sperm, all the while dismissing doubters as rightwing novel ends with the new capitalism of the ‘90s with fraudsters being rich on beauty products and trying to produce a Phoenix through Mo Yan, a forgotten peasant world arises, alive and well, before our eyes, sensually scented even in its most pungent vapours, startlingly merciless but tinged by joyful a dull author knows everything and can describe everything – all kinds of handicraft, smithery, construction, ditchdigging, animal husbandry, the tricks of guerrilla seems to carry all human life on the tip of his is more hilarious and more appalling than most in the wake of Rabelais and Swift — in our time, in the wake of Garc237。a spice blend is a peppery his broad tapestry of China’s last hundred years, there are neither dancing unicorns nor skipping he paints life in a pigsty in such a way that we feel we have been there far too and reform movements may e and go but human egoism and greed Mo Yan defends small individuals against all injustices – from Japanese occupation to Maoist terror and today’s production those who venture to Mo Yan’s home district, where bountiful virtue battles the vilest cruelty, a staggering literary adventure ever such an epic spring flood engulfed China and the rest of the world? In Mo Yan’s work, world literature speaks with a voice that drowns out most Swedish Academy congratulates call on you to accept the 2012 Nobel Prize for Literature from the hand of His Majesty the King.