post-colonialisms(ii)-資料下載頁
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【正文】 : with gaps and fissures in need of constant negotiation. ? ―Culture as a strategy of survival is both transnational and translational. ‖ (Homi Bhabha) Postcolonial Identities — III. Hybridity –different kinds (textbook4: 202) Conscious Mimicry ? Yong Soon Min Make Me, 1989 Conscious Mimicry/Parody ? Ken Chu ? I Need some More Hair Products (1988) ?Identity Politics‘ : “ My Man Bonvanne” ? Toni Cade Bambara (1939 1995), author of ―The Lesson‖ ? the narrator, Miss Hazel Peoples ? her language: Black English (ebonics) ? her style: wig, cornroll (25) “ My Man Bonvanne” ? The setting? ? Why does Miss Hazel dance so closely with Bonvanne? What role does she play in her relationship with Bonvanne? (p. 23 Wasn39。t about tits.‖。 p. 26) ? Her children‘s disagreement and Ms. Hazel‘s response (Task, Elo, and Joe Lee) ? What does the last bathing ritual mean? “ My Man Bonvanne” ? the Activists or intellectuals. vs. ―Grass Roots‖ People ? Identity politics ? 1. Focus too much on their cause and ignore a real contact with the ?people‘ they should care about. 2. In the children‘s criticism of their mother, they assume the need of proper dress, proper ―Black‖ appearance and proper things to do for the elderly, ignoring their really needs (emotional and material). You have learned . . . A. Colonialism 1. More examples of race and Racism (. Containment and Appropriation) 2. Colonial Types (Prospero plex and Caliban plex) in The Tempest 3. Mimicry and the Subaltern 2. PostColonial Identities A. Revisions of The Tempest . Caliban, Miranda B. Language and Identity C. Different ways of constructing Colonial History D. Identity Construction – positions (Separatism/Nativism Active participation, Assimilation), and strategies (ReCreation, Cultural Syncreticism, Mimicry) You will talk more about . . . ? Nation and Narration ? Essentialism vs. Constructionism ? Globalization amp。 Multiculturalism—its different forms. Reference ? Tempests After Shakespeare. Chantal Zabus. Palgrave Macmillan, 2022.
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