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從女性主義角度分析名利場(chǎng)中的兩位女性形象畢業(yè)論文-資料下載頁(yè)

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【正文】 eventeen. Rebecca worked while studying with no dependence and receiving great discrimination and coldshoulder. Personnel changes and the desolate life made her profoundly noticed the importance of wealth and status in that false, snobbish and cold society. She vowed to herself to be rich when she was only a little girl. Later, she did not miss any chance of entering into the upper society, just as “Rebecca’s wit, cleverness, and flippancy made her speedily the vogue in London among a certain class” [6]. But in the society of British that time, there is no better access to the upper class than the means of marriage. She tries all tricks and means, and plays the coquette and gets married with Rawdon Crawley at the end. However, Rawdon who is from the nobility is inpetent and idles away his time. Hierarchy and the entrance of upper class are strict and impassable, so Rawdon Crawley loses the right of inheriting the property due to his unwise marriage with Rebecca who is only an orphan ing from a poor family of the lower social class. Rebecca’s early life is all about this to improve her social economic condition. In order to win the man who dominates the society, she flirts with them. In such a man dominated society, if Rebecca wants to establish her high class status, she has to do something adventurous. Living is the most important thing for a woman, so she has to survive by hook or by crook. Just as Rebecca says, “I think I could be a good woman if I had five thousand a year. I could dawdle about in the nursery, and count the apricots on the wall. I could water plants in a greenhouse, and pick off dead leaves from the geraniums.” [6] In a man dominated society, women have no economic independence and they have to depend on their men only. If this way is infeasible, they have to depend on themselves. In many people’s eyes, Rebecca is an independent woman. She is an intelligent woman who insists on pursuing independence and insists on her own judgment. In order to make advancement in the world, she dares to challenge the world. In a sense, she is a new woman. She is praised by the author. Her evil tricks reflect all her feminist thoughts and behaviors. From these it can be seen her ambitious and adventurous features. Rebecca Sharp is a new and modern female. Her ambition, willpower, wisdom, spirit of independence and fighting surpasses all the men in that maleoriented world, which makes those gentlemen feel ashamed. We can find the feminism features from her. The author actually admires Rebecca’s spirit and makes her dream e true at last. Therefore Rebecca is a heroine in this novel.4. ConclusionVanity Fair is the famous work of British writer Thackeray in the 19th century and also one of his works in his life standing the test of time with noticeable realism. In the work, the author shapes two different and typical female adventure images that pursue their happiness in their own way. In this paper, it mainly discusses the two female images Rebecca and Amelia from the perspective of feminism. From these two images’ pletely characters and outes, we can see that both of them have the features of feminism. Amelia and Becky are strong, courageous, and rebellious pioneers in an old and traditional society. The purpose of the creation of Rebecca and Amelia, the two female images is to make readers know more about the different females with feminism characters. The modern women can learn more from these two female characters and their feminism features. References[1] 張巖冰. 女權(quán)主義論[M]. 濟(jì)南: 山東教育出版社, 1998. [2] Harden, amp。 Edgar, F. A William Makepeace Thackeray Chronology[M]. New York: Palgrave Macmillan, 2003.[3] Melville, amp。 Lewis. The Life of William Makepeace Thackeray[M]. London: Routledge / Thoemmes Press, 1996.[4] Ferris, I. W. M. Thackeray [M]. Boston: Twayne Publishers, 1983.[5] Collins, Philip. Thackeray: Interviews and Recollections vol. I&II. [M]. New York: St. Martin’s Press, 1983.[6] Thackeray, amp。 William Makepeace. Vanity Fair[M]. London: Wordsworth Editions Limited, 2001. [7] Thackeray, amp。 William. Vanity Fair [M].Beijing: Foreign Language Teaching amp。 Research Press, 1997.[8] Gordon N. Ray. The Letters and Private Papers of William Makepeace Thackeray[M]. Harvard University Press, 1946.[9] Tillotson, amp。 Geoffrey. William Makepeace: The Critical Heritage [M]. London: Routledge, 1995.[10] 陳蔚. 從《名利場(chǎng)》看薩克雷的女性觀[J]. 作家, 2010.[11] 陳友書. 外國(guó)文學(xué)人物畫廊[M]. 天津: 南開大學(xué)出版社, 1987.[12] 戴雪紅. 性別與階級(jí)—當(dāng)代西方女權(quán)主義詮釋女性解放的兩種角度[J]. 婦女研究論叢, 1999(4).[13] 高麗萍. 夏潑與愛米麗兩個(gè)女性形象比較—重讀《名利場(chǎng)》[J]. 濟(jì)寧師范??茖W(xué)校學(xué)報(bào), 2002(5).[14] 西蒙波伏娃. 第二性[M]. 北京: 西苑出版社, 2004.[15] 楊必. 名利場(chǎng)譯本序[M] . 北京: 人民出版社, 1995. AcknowledgementsThis paper has been finished, and I have to say that without these generous assistances, I could not plete this thesis. First I would like to show my gratitude to my honorable tutor, Lecturer Wang Danhong. Thanks very much for her guidance and suggestions from the selection of the subject to the whole outline and the detail context of the whole paper. During the whole process, I have learnt many useful things from her, both on the knowledge of literature and on the rigorous attitude toward the research. My special thanks also give to all my dear teachers in our faculty, their intelligence and spirit toward study give me great motivation through the whole writing. Also, my thanks go to my classmates and my roommates who have shared their opinions and their real teaching experiences with me, all these things have provided invaluable materials for my graduation paper. Last but not least, thanks very much to my parents who have given me great encouragement and do their best to eliminate my frustration. In a word, I hope all these people can make their dreams e true in the future. Best wishes to all of them!
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