建筑專業(yè)設(shè)計(jì)文獻(xiàn)翻譯-建筑結(jié)構(gòu)-全文預(yù)覽
【正文】 on is both a logical and intuitive response to the curve of river and the grid of the city. 泰爾費(fèi)爾藝術(shù)博物館，薩凡納，喬治亞州，美國 建筑設(shè)計(jì)：薩夫迪建筑師事務(wù)所 位于薩凡納的泰爾費(fèi)爾藝術(shù)博物館坐落在歷史悠久 的泰爾費(fèi)爾廣場旁，斜對著泰爾費(fèi)爾藝術(shù)學(xué)院 —— 這座南方最古老的公共藝術(shù)博物館，是由建筑師威廉 泰爾費(fèi)爾藝術(shù)博物館是一座當(dāng)代建筑，但與薩凡納古老的城市肌理相協(xié)調(diào)，體現(xiàn)出對歷史街區(qū)和傳統(tǒng)道路網(wǎng)格的尊重。大廳和樓梯的屋頂為采用玻璃和鋼材構(gòu)成的網(wǎng)格結(jié)構(gòu)，光線透過網(wǎng)格結(jié)構(gòu)投射到墻面和地面上，產(chǎn)生了豐富的陰影圖案。建筑的外墻和主要的內(nèi)墻墻面覆以淺色的葡萄牙石灰石。s exterior and major interior walls are clad with lightcolored Portuguese limestone, and the saddleshaped roof is leaded copper. 古根海姆博物館，東京，日本 建筑設(shè)計(jì)：讓 在日本，人們在各種尺度、或舒緩或高峻的地勢中，都能發(fā)現(xiàn)自然。這里的環(huán)境既包含了差異、區(qū)隔，也有持久的相互關(guān)聯(lián)。透過水平的大窗，人們可以看到港口的水面和海灣，還有無以計(jì)數(shù)的樹木。 GUGGENHEIM MUSEUM, TOKYO, JAPAN ARCHITECTS: Ateliers Jean Nouvel Artifice /Nature The paradigm artifice－ nature is one of the most basic principles of Japanese culture and essence of the Japanese garden, surmising such notions as: the cult of the present... the revelation of the fleeting instant... the consciousness of the passing time... the emotions of the seasons... nature as positive counterpoint to the urbanisation of Tokyo. The gardens are the places of privilege, the nobility of the city (Imperial parks, temple gardens). In Japan nature is to be found in all dimensions and in topographies of low and high relief. In Japan, where it is reputed that it is not possible to build on the hills, artifice and nature are chosen as an alternative strategy:an indispensable alternative because it is so difficult to exist in the urban collage of Tokyo. A perfect example is the Odaiba neighbourhood. For the Temporary Guggenheim of Tokyo an exceptional status is necessary,a particularity in keeping with the world of the Japanese and the world of art. Here the context is constituted through difference, separateness, but also in the permanence of references. Here the Temporary Guggenheim of Tokyo bees architecture－ nature with multiple connotations and evocations, bothJapanese nature and Japanese artifice, ., the topographical relief associated with nature... the tree as the revelation of the ephemeral, cherry, red maple trees... the volcano as an emblem... the mountain as the place of meditation and the sacred, etc. ... Mount Fuji, Kapoor, Pennone, Koons, Simmonds... the pyramid and it’s buried treasures, etc. Beneath an artificial topographical relief－ alluding to natural silhouettes－ the Temporary Guggenheim of Tokyo creates large spaces constructed as a solid steel infrastructure. Through a large horizontal window opening one can see the water of the port and bay and a profuse number of trees. A sinuous walk takes the visitor into a craterrestaurant overtaken by cherry and maple trees. The Temporary Guggenheim of Tokyo is the little hill, the hill of seasons: cherry blossom whitepink in the springtime, tender green in the summer, flamboy
黨政相關(guān)相關(guān)推薦
鄂ICP備17016276號(hào)-1