【正文】 d under the premise of clear the present situation and the existing problems in the development of Chinese women, exploring the root of the problem is, in reality on the basis of exploring the way of further development for “Equality” is a western feminist movement, the banner of a dagger also is the core of the Chinese women39。s rights of the People39。s social participation has not all been plain pared with men in terms of education, employment and politics is a large gap, truly, truly, the characterization of the contemporary Chinese women to participate in society to ”hard“.Contemporary Chinese women39。s development。s social participation ”marginalized“。s liberation must be on the premise of the development of productive forces。s development problem direct economic: labor gender division of labor is a mon phenomenon in human history。s development, first of all, the gender division of labor of curing created insurmountable boundaries, full of female development lag, has created the pattern of the rule of male and female attachment。s development in contemporary the basis of in the development of Chinese women have good, how to seek the female39。Three, the construction of advanced gender culture is the key to the development of and women development is a development, human development closely linked culture lead humanity out of the woods, doesn39。Two, the equality of gender division of labor is a prerequisite for women development, which are embodied in the three links of mutual connection, first, the women to the society in an allround way, male appropriate to return , the female fertility society value recognition and pensation。s reproductive personal, housework grossly underestimated the value of , the feudal patriarchy culture is the soil for problem to the development of contemporary Chinese women: the feudal society, ”roles“ patriarchal culture from the material, body and soul at all levels to carry on the omnidirectional control women。The present China, the traditional gender division of labor have changed, but has not been pletely broken, but reappear in the form of a plicated and diversified。China39。Women39。s women equality is not equal to the fact of equality。s liberation and development has never been isolated, from beginning to end with social support。s rights to promote equality between men and women business realization of ”equality“ in the legislation is the : one hundred women widely and difficult social the world and China, ”out of the family, to society“, from the traditional role of a family slave and fertility tools, to widely participate in social economic, political, and cultural activities of rights is the core target of the women39。s “equality between men and women” thought gradually formed, the deepening and actively the founding of new China, countries pay more attention to in the form of legislation to establish and protet the rights of women39。s specific social and history to know in the first , on the basis of predecessors39。④雖然其結(jié)果并未是想象中的好。老子要求道教尊重女性，提升女性意識(shí)，這是起了理論上的先導(dǎo)作用。納妾制又是一個(gè)很好的體現(xiàn)。也就意味著婦女從此不再受田，也不再為國家承擔(dān)賦役，也就是占人口半數(shù)的婦女從此退出了國家經(jīng)濟(jì)領(lǐng)域。而第二個(gè)原因是中國古代婦女在社會(huì)生產(chǎn)中的從屬地位及政治經(jīng)濟(jì)權(quán)利被剝奪的社會(huì)根源。其中“四德”是為“三從”而存在，日后更成為中國婦女的道德、行為、能力和修養(yǎng)的標(biāo)準(zhǔn)。但是隨著生產(chǎn)工具的發(fā)展，經(jīng)濟(jì)生產(chǎn)能力逐漸開始掌握在男性手中，并且隨著歷史的進(jìn)一步向前發(fā)展,男性逐漸在生產(chǎn)中占據(jù)了主導(dǎo)地位，女性的地位在總體上一落千丈，雖然女性也有過不屈的抗?fàn)帲诳傮w上來說在往后的幾千里都未曾改變。關(guān)鍵字詞：中國古代女性地位 思想，經(jīng)濟(jì)政治及內(nèi)在原因 覺醒男性和女性是歷史文明的共同締造者,在社會(huì)地位上應(yīng)是平等的?！叭龔乃牡隆币恢眽涸谂陨砩?，從出生時(shí)就被教育要有女德。然而在文章也會(huì)略微的說說中國女性的發(fā)展來進(jìn)行對(duì)比研究?！叭龔乃牡隆币恢眽涸谂陨砩希瑥某錾鷷r(shí)就被教育要有女德。當(dāng)西方的發(fā)展進(jìn)行到死胡同的時(shí)候，他們開始向這個(gè)東方，東方的中國尋求解決的道路。我認(rèn)為該課程的設(shè)置并不是只在文學(xué)專業(yè)開設(shè)，應(yīng)該讓更多的院校專業(yè)設(shè)置，讓更多的大學(xué)生認(rèn)識(shí)了解中國傳統(tǒng)文化，培養(yǎng)我們的文化素質(zhì)?？傊袊鴤鹘y(tǒng)文化博大精深，源遠(yuǎn)流長，豐富多姿，斑斕多彩。這和以為那個(gè)我所認(rèn)識(shí)的中國傳統(tǒng)文化不同，以前知識(shí)認(rèn)為精神方面的就是中國傳統(tǒng)文化。首先《中國文化概論》在卞老師的講解下，講的非常棒，非常有趣，非常生動(dòng)。特征：哀而不傷，樂而不淫 中國古代的藝術(shù)（1）青銅器A、特點(diǎn)：饕餮紋，人獸共生B、美學(xué)風(fēng)格：李澤厚稱之為“獰厲的美”（2）雕塑特點(diǎn)：與繪畫有關(guān)：一是平面性，二是彩繪（3）書法最偉大的書法家：王羲之，顏真卿（4）繪畫特點(diǎn)：一是散點(diǎn)透視，二是遺貌取神 文人山水畫以宋元時(shí)期水平最高（5）音樂中國音樂的主流是無音節(jié)體系（6）戲曲中國古代戲曲最有代表性的劇種是京劇和昆曲特點(diǎn)：程式化，虛擬性程式化：程式指的是前人戲曲藝術(shù)經(jīng)驗(yàn)的凝固形態(tài)、程式化就是在戲曲表演中以故常為法度的一種普遍傾向，是對(duì)前人戲曲經(jīng)驗(yàn)和已有格局的蹈襲和俯就。中國文化實(shí)用理性的文化傳統(tǒng)產(chǎn)生的原因：與商周巫術(shù)文化傳統(tǒng)的沒落有關(guān)；長期的小農(nóng)生產(chǎn)的經(jīng)驗(yàn)論導(dǎo)致了實(shí)用理論的頑強(qiáng)保存；宗法血緣導(dǎo)致了人際關(guān)系異常突出，阻礙了純粹理性的發(fā)展；先秦時(shí)代的社會(huì)大變動(dòng)決定了當(dāng)時(shí)中國人執(zhí)著于人間世道的實(shí)用探求。是文化整體的核心部分。在中國，仰韶文化時(shí)代是森林休耕，龍山文化 史灌木休耕；春節(jié)在中國已經(jīng)有至少三千年的歷程。它以民風(fēng)民俗形態(tài)出現(xiàn)，見之于日常起居動(dòng)作之中，具有鮮明的民族地域特色。D君主在立法和司法中具有決定作用；E重刑輕民，民事、經(jīng)濟(jì)法律未能得到應(yīng)有的發(fā)展。二、特點(diǎn)：時(shí)代性客觀性3.、強(qiáng)制性三、中國制度文化元素概述科舉制度（1）定義：科舉制是中國古代選拔官員的一種考試制度，并由分科取士而得名。中國文化早熟（優(yōu)缺點(diǎn)）的表現(xiàn)（如何理解）第一、思維方式上，直覺發(fā)達(dá)，理解滯后；第二，世界觀上以天人合一代替天人相分；第三，社會(huì)關(guān)系上以血緣代替業(yè)緣；第四，文化人格發(fā)展