法學(xué)專業(yè)外文翻譯--論我國非物質(zhì)文化遺產(chǎn)保護的法律制度架構(gòu)-wenkub
2023-05-18 22:27:07 本頁面
【正文】 質(zhì)文化遺產(chǎn) ” 。您可能 認為只有 在博物館 才能 發(fā)現(xiàn) 這些文化 的蹤跡 ，但是這些文化在我們身邊，是世世代代流傳下來的優(yōu)秀文化 。在 1950 年，日本 意識到了傳統(tǒng)文化的重要性，開始了一個保護活 國寶的長期項目 。但是， 有些 集體的文化的創(chuàng)造是不成文的或無記錄的 ，所以在保護的時候 依然存在 一些 問題。 直到 2020 年 5 月這個討論 達到了頂峰，當 年的聯(lián)合國 教科文組織總干事松浦晃一郎 首次 宣布了19 個具有代表性的人類 非物質(zhì) 文化 遺產(chǎn)。 雖然 術(shù)語 有些模糊，但全世界保護非物質(zhì)文化遺產(chǎn)的意識日益增強 。一種語言 徹底消失 ， 這對于后人是一個無法彌補的巨大損失 。 如何才能最好地理解和響應(yīng) 被 聯(lián) 合國教科文組織指定為無形 “ 杰作 ” 的 非物質(zhì)文化遺產(chǎn) ，這個問題 引發(fā) 了 陪審團考慮 和 辯論 。 從某種程度上說，每一種語言是 都一個杰作。我們可能會喜歡 有 外觀或聲音的傳統(tǒng)，但 這一想法會使一些人們 的勞動報酬低 和生活條件艱苦 。在 一些 情況下，儀式慶?；顒涌赡軙豢醋魇抢觅Y產(chǎn)促使商業(yè)投資。聯(lián)合國教科文組織必須提名 一 些文化傳統(tǒng)以供審議。 人們可以 放心 ，在全球化的時代，當?shù)氐奈幕?幸存下來了 ，有 的 甚至是蓬勃發(fā)展。S efforts to safeguard endangered masterpieces go to show traditional Kumquat opera of China, Novak theatre of Japan, Kutiyattam dance in India， men39。S World Heritage List, which later came to include natural landscapes, stimulated broader thinking about the need to safeguard intangible cultural heritage. Meetings of experts ensued, remendations were developed and the technical discussions continued until they reached a pinnacle in May 2020, when UNESCO39。s designation as intangible masterpieces. First, there is the question of definition. A staged performance of an ancient play may have many tangible elementswritten scripts, a temple theatre and elaborately crafted costumes. Yet does the fact that it is a performance render the tradition intangible? How long does the cultural practice have to be around before it is called tradition? Does it have to be widely shared among a people? If people alter their practice to respond to changing circumstances, should the tradition be seen as a successful adaptation to be treasured or as a deprived derivative to be shunned? As hard as it may be to define this heritage, the question of its value looms larger. To some extent, every language is a masterpiece. How to weigh the worth of one language against another in determining value and significanceby the number of speakers, its role in history, the beauty of its poetry? But perhaps more difficult is the question of if and how to preserve the wide range of this heritage. Is it more important to safeguard vanishing or fragile traditions than popular, vital ones? To preserve the tradition, it is necessary to preserve the ability of people to practice it
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