【正文】 此，幼兒園的教育就最好是建立在表象水平的基礎(chǔ)之上。②從另一個(gè)方面來(lái)說(shuō)，教育可 以創(chuàng)造發(fā)展。③教育對(duì)發(fā)展的創(chuàng)造并不是任意的，教育所創(chuàng)造的發(fā)展必然遵循兒童發(fā)展的自然規(guī)律，符合發(fā)展的自然進(jìn)程。 五、應(yīng)用題 ？ 答： （ 1）敏銳地觀(guān)察：可以采用掃描式觀(guān)察、定點(diǎn)觀(guān)察、間隙式觀(guān)察等方法，還要仔細(xì)聽(tīng)。在幼兒的一日活動(dòng)中滲透著幼兒的各種情緒：喜、怒、哀、樂(lè)、悲。如果說(shuō)一位幼兒平時(shí)很調(diào)皮、很愛(ài)講話(huà)，而今天一進(jìn)教室卻一句話(huà)也不說(shuō)，只是乖乖的坐在座位上。所以，這也需要教師及時(shí)的進(jìn)行關(guān)注和關(guān)懷。我就去問(wèn)他：“樂(lè)樂(lè)，你怎么都不穿衣服??？”這時(shí)，他才肯說(shuō)話(huà)：“我，我額頭很疼。了解完情況我就對(duì)他說(shuō)：“那下午就要乖一點(diǎn)了，不要與其他小朋友吵鬧，不然碰到傷口會(huì)很疼的。記得有一次餐前準(zhǔn)備，我發(fā)現(xiàn)很多孩子一直在討論《變形金剛》中的機(jī)器人都是怎么做的，而且討論得津津有味。接下去我問(wèn)他們：“如果讓你們也來(lái)做做機(jī)器人，你們要怎么做呢？”我話(huà)一說(shuō)完，就有很多孩子開(kāi)始想，并一五一十地跟我說(shuō)他的想法。最后，我就跟他們說(shuō)，“下周啊，我們也來(lái)做做萬(wàn)能的機(jī)器人吧，好嗎？”“好”。 通過(guò)這個(gè)小細(xì)節(jié)，讓我更清楚了解到，在日常生活中觀(guān)察可以更好調(diào)動(dòng)孩子的學(xué)習(xí)興趣，并且使他們能夠更主動(dòng)去學(xué)習(xí)，而不是在老師的驅(qū)動(dòng)下才開(kāi)始學(xué)習(xí)。只有在日常生活中仔細(xì)觀(guān)察幼兒，了解幼兒從而幫助幼兒并能真正的走進(jìn)幼兒的內(nèi)心深處，才能去掉隔閡與孩子一起進(jìn)行教學(xué)活動(dòng)。 （ 2）交談：在生活活動(dòng)中，教師不僅要敏銳地觀(guān)察幼兒的活動(dòng)，還應(yīng)與幼兒進(jìn)行平等的對(duì)話(huà)，交談的基本原則是自然、平和和有效。而我們注意傳達(dá)給幼兒理性的信息時(shí)會(huì)著重表達(dá)對(duì)該行為的贊許： 你把桌子擦得很干凈，我很高興你做事情這么認(rèn)真！ 這樣真誠(chéng)肯定幼兒的努力并表示欣賞而不對(duì)幼兒的人格特質(zhì)作價(jià)值判 斷，讓幼兒自己去做評(píng)斷，是一種具有建設(shè)性的贊美，真正起到支持、激勵(lì)與鼓舞的作用。 這樣很容易使幼兒對(duì)自己的知覺(jué)產(chǎn)生沖突，逐步毀掉良好的自我概念，或是產(chǎn)生和教師對(duì)立的情緒。 這樣教師只指出事實(shí)，讓幼兒自己判斷他們的行為是否符合他們的自我形象，同時(shí)適當(dāng)表達(dá)自己的真實(shí)情感，而不是給幼兒帶上 標(biāo)記 ，讓幼兒感覺(jué)到教師是真心的 想幫助自己的。面帶笑容，讓人感到親切，使幼兒與你更貼近。不妨語(yǔ)氣輕柔，語(yǔ)調(diào)緩和，營(yíng)造出良好的交談氛圍。再多的愛(ài)的語(yǔ)言也抵不上一個(gè)擁抱。不吝嗇擁抱與親吻，當(dāng)幼兒獲得成功體驗(yàn)、需要幫助和支持時(shí)，教師都能隨 時(shí)張開(kāi)雙臂，全心全意地將幼兒抱在懷里。當(dāng)幼兒介紹完后，教師要及時(shí)給予幼兒親吻、擁抱、撫摸等身體接觸動(dòng)作，使幼兒獲得心理和情感的滿(mǎn)足 在一日生活的各個(gè)環(huán)節(jié)中，教師要敏銳地觀(guān)察，多與幼兒交談，多與身體接觸，滿(mǎn)足幼兒多方面發(fā)展的需要，教師將尋常一日生活中的每一環(huán)節(jié)可以看作是幼兒學(xué)習(xí)和成長(zhǎng)的機(jī)會(huì)，與幼兒的發(fā)展目標(biāo)有機(jī)聯(lián)系在一起，促進(jìn)幼兒和諧發(fā)展。 共 9 頁(yè) 第 8 頁(yè) 您好，為你提供優(yōu)秀的畢業(yè)論文參考資料，請(qǐng)您刪除以下內(nèi)容， O(∩ _∩ )O謝謝?。?！ A large group of tea merchants on camels and horses from Northwest China39。s Zhangye city during their journey to Kazakhstan, May 5, 2021. The caravan, consisting of more than 100 camels, three horsedrawn carriages and four support vehicles, started the trip from Jingyang county in Shaanxi on Sept 19, 2021. It will pass through Gansu province and Xinjiang Uygur autonomous region, and finally arrive in Almaty, formerly known as AlmaAta, the largest city in Kazakhstan, and Dungan in Zhambyl province. The trip will cover about 15,000 kilometers and take the caravan more than one year to plete. The caravan is expected to return to Jingyang in March 2021. Then they will e back, carrying specialty products from Kazakhstan A small art troupe founded six decades ago has grown into a household name in the Inner Mongolia autonomous region. In the 1950s, Ulan Muqir Art Troupe was created by nine young musicians, who toured remote villages on horses and performed traditional Mongolian music and dances for nomadic families. The 54yearold was born in Tongliao, in eastern Inner Mongolia and joined the troupe in says there are 74 branch troupes across Inner Mongolia and actors give around 100 shows every year to local nomadic people. I can still recall the days when I toured with the troupe in the early 39。t help but sing the folk songs, Nasun says. The vastness of Inner Mongolia and the lack of entertainment options for people living there, made their lives lonely. The nomadic people were very excited about our visits, Nasun recalls. We didn39。t just about sharing art with nomadic families but also about gaining inspiration for the music and dance. Ulan Muqir literally translates as red burgeon, and today39。s villages and entertain nomadic families, but their fame has spread around the world. On May 16 and 17, nearly 100 singers and dancers from the troupe performed at Beijing39。s president, who is also a renowned tenor, tells China Daily. During a tour in 1985, he went to a village and met an elderly local man, who told him a story about his friendship with a solider from Shenyang, capital of Northeast China39。s cultural foray overseas, has been widely panned by its home audience. Retitled Empresses in the Palace, the American version has been shortened from its original 76 episodes at 45 minutes each, to six 90minute episodes. The quick pacing threw off many native viewers, who are accustomed to a more leisurely daytimesoapstyle narrative rhythm. (Chinese TV stations would run two or three episodes every day.) I did not finish the fulllength version and found the truncated one not difficult to follow. What39。s to e and recapping the key points. This device, not used in the original, is culturally understandable but artistically mediocre. What puzzles me is the two new songs for the opening and end credits. They were written in English, but sung by Chinese with an unfortable accent. They were obviously designed to appeal to an Englishspeaking base, but do not jibe with the Chinese dialogue. Speaking of the dialogue, the English translation, picked apart by some Chinese, is too literal for my taste. I can imagine a typical American hit by a flurry of royal ranks, addresses and greetings, even multiple names and titles for the same person. The first half hour must be a swamp to wade through, very much like my experience of getting through a Tolstoy tome with its endless inflections of names transliterated into lengthy Chinese. I see the choice of verbatim translation as an effort for conveying exotica. It is fairly petent, with no error that I could detect, but fails to rise above words or capture the essence of the language. A cultural product usually crosses over to a foreign territory first by an emphasis on the monalities. But whether inside or outside China, the temptation to sell it for the differences is just too great. Sure, the sumptuous sets and costumes are a big attraction, but the narrative technique has bee－h(huán)ow shall I put it?－ a bit anglicized, which is necessary for cultural export. Judging by the responses, this legend, which, contrary to the claim of the English trailer, is totally fictitious, has departed from China but not yet landed on American shores. I am a big fan of Ralph Waldo Emerson39。ve not yet read it, I strongly encourage you to do so. In this essay, the venerable Emerson talks about eschewing the trappings of society and finding o