【正文】 ights into human destiny and human life。II. Introduction about reading a story“Yes –oh, dear, yes—the novel tells a story.” This is Forster’s remark, which is worth special attention, for he is someone in the trade and with rich experience. In his Aspects of the Novel he lists “story” as the first aspect. People reading novels for stories usually ask questions like “what happened next?” and “and” what would he do next?” These questions attest to the two basic elements of a story. The one is the event and the other the time. A story is a series of happenings arranged in the natural temporal order as they occur. Story is the basis of the novel, and indeed the basis of narrative works of all kinds. Plot。 point of view。 styleFiction, the general term for invented stories, now usually applied to novels, short stories, novella, romances, fables, and other narrative works in prose, even though most plays and narrative poems are also fictional. (P. 83. Concise Dictionary of Literary Terms)To read novels for story is nothing wrong, but nothing professional either. “One mark of a secondrate mind is to be always telling stories.” The remark by the French writer jean de La Bruyere (1645~1696) is also true of the reader. If the purpose of the novel is only to tell stories, it could as well remain unborn, for newspapers and history books are sufficient to satisfy people’s desire for stories about both present and past, and even about future. In fact, many newapapermen have been dissatisfied with their job of reporting and e into the field of novel writing. Defoe, Dickens, Joyce, Hemingway and Camus were among the most famous and the most successful converts. Even historians may feel obliged to do more than mere stories or facts. Edward Gibborn’s Decline and Fall of the Roman Empire is praised not only for its multitudinous facts and rationalistic analysis, but more for its beauty of narrative style. In telling stories, the novelist aims at something higher or he intends to add something to the mere “facts.” As indicated in the definition of the novel, what makes a novel is the novelist’s style (personalized presentation of the story) and interpretation of the story.I. What is Plot? Tragedy as a whole has just six constituent elements… and they are plot, characters, verbal expression, thought, visual adornment, and song—position. For the elements by which they imitate are two (verbal expression and song—position), the manner in which they imitate is one (visual adornment), the things they imitate are three (plot, characters, thought), and there is nothing more beyond these. The story and the character alone can not make a novel ye. To make a novel, a plot is prerequisite. A look at the example suggested by . Forster will help to distinguish between the story and the plot. “The king died and then the queen died” is not a plot, but a story. If we make it “The king died and then the queen died of grief,’ we have a plot. This causal phrase “of grief” indicates our interpretation and thus arrangement of the happenings.3. The dramatic situation in a story.Plot a beginning a middle an end (suspense, a series of suspense, of greatest tension,action, resolution or denouement)III. Questions: (Finish reading the two stories and point out the plots of the two stories, the descriptive details, the exposition, characters)1. Descriptive details: the plot of the story?3. Where does the dramatic conflict? David Swan6. How fully does the author draw the characters in the story? (Character traits are the qualities of a character’s personality. They are revealed through a character’s actions and words and through description).Chapter Two Character P,” and the motivation of a character in a story—one of the answers to the question “why”—is of fundamental importance.Closely related with the story is the character. Henry James said, “What is character but the Orwell does not intend to convince the reader that animals can speak human language or that It is not difficult to see that characters in novels resemble people in real life in many ways. But we must bear in mind that the characters are not real persons, but merely inventions, II. Kinds of Charactersstory. But they are not equally important or have the same function to the novelist. By their roles in the novel, the characters can be grouped as heroes, main characters and minor characters, and foils.character. The word “hero” originally refers to a man, in mythology and legend, often of divine ancestry, who is endowed with great courage and strength, celebrated for his hold exploits, and favored by the gods. In the novel, the word “hero” is freed of such noble requirements and any central characters can be labeled as heroes. Jonathan Wild is the hero in the novel of the same name by Henry Fielding, though he is a notorious highwayman. Some critics, annoyed by the connotation of “hero,” prefer the word “protagonist,” which sounds neutral. The enemy or rival of the protagonist is called “antagonist.”Foil characters are ones that help enhance the intensity of the hero by strengthening or By the degree of their development, characters can be grouped as round characters and Chapter Three Theme目前，國內(nèi)婚慶市場上涌現(xiàn)出眾多婚慶品牌，形象變化可以吸引人們的眼光，但大多數(shù)店沒有實質(zhì)性的改變，提供的也只是普通的慶典服務，沒有接觸過最新最潮流的度婚慶典禮策劃。皇家禮炮在不斷吸收國外先進婚禮文化的同時，結(jié)合我國國情出發(fā)，制定了公司的發(fā)展戰(zhàn)略?；诨閼c道具租賃市場的發(fā)達，公司初期共需資本6萬元，用于拓展業(yè)務。五年打造婚慶行業(yè)品牌。關鍵詞：婚慶 創(chuàng)業(yè)計劃 皇家禮炮AbstractThe wedding industry is an old and new industries, from birth to development experience for thousands of years, and the change of modern significance on the wedding industry in China is less than 15 years, domestic and international wedding industry is only 5 year time, but the consumption environment and mature consumer pursue personalized service, gives the wedding industry new vitality. At present, the domestic market shows numerous wedding wedding fell brand, image can attract people39