【正文】 ” That is why there are 10 languages in the world, with so many different sounds and writings, all of which 11 more or less the same is symbolic, because words(writings/pictogram)are associated 12 objects, concepts, actions, by nothing more than other words, language users 14 the sounds or vocal forms to symbolize 15 they wish to is vocal, because sound or speech is the primary 16 for all human systems developed much later than the spoken recognition can be proved by the fact 18 every normal human can 19 in a certain language but not 20 is able to write。its routes link him to____________(17)fellows。it is so erratic and dangerous___________(12)in a single flood it has caused a million harassed the great civilisation of the Indus River valley, and inadequate drainage ruined much__________(13)its (14)dominates man as it always has___________(15).Its presence continues to govern the location of his homes and cities。所見即所信。Mr Marr s sober conclusion feels adapt the queen s oneliner: for all that thespectacle and unattainable glamour of royalty still fascinates , forBritain s jubilee monarch the show is a means to an seen is about being 。女王應(yīng)有的使命感賦予了她意義。然而喜好無關(guān)緊要。Mr Marr palpably likes the queen, whether for touring the country to greet and thank peoplemostly ignored by “London power brokers”, or for relaxing when her work is done with “aglass of something cheerful”.Yet liking is not really the Mr Marr s words, there isonly a little space, though “an interesting space”, between the queen and the woman wholives her calling gives her “is what she does”.能感覺的出來，馬爾是欣賞女王的。在現(xiàn)代英國—處于一個焦躁不安，要出風(fēng)頭的位置—馬爾筆下的伊麗莎白二世以她的謹慎而名，也深知作為標志性的人物“最好保持沉默”。這個想法非常明智，但是這過度夸大了大多數(shù)英國人對現(xiàn)行體制的擔(dān)心。In perhaps a claim too far, Mr Marr emphasises the fort offered by the queen as asymbol of the continuing British representing those who did not vote for thecurrent government or did not vote at all, she strengthens democracy, he is aclever thought, but may overstate the degree to which most Britons suffer fromconstitutional ，這一點可能說的有些過頭了。在書中，馬爾描述了女王和她強烈的使命感：女王是“受到了上帝召喚”，要將自己的生命獻給民眾。這是一本令人欽佩的傳記，它記述了一位守舊、盡職的女王每周會見首相時提供的 “高級療法”—用馬爾的話來說—這是首相和女王分擔(dān)焦慮、共謀計策的時刻，這些談話的內(nèi)容永遠不會泄露出去。Mr Marr, a former political editor of the BBC and author of some shrewd books on modernBritain, sets himself a more ambitious task: to explain what the queen s role and positiontell us about her is an admiring portrait, of an unfashionably dutiful monarchwho in her weekly audiences offers prime ministers what he calls “a kind of highertherapy”—a chance to share anxieties or explanations which will never leak, with someonewho has read almost every state secret of the past 60 describes the queen and her strong sense of vocation, as a monarch “Godcalled” togive her life to her people as a by understanding that calling, he writes, canthe queen be 馬爾以前是英國廣播公司的一位政治編輯，曾寫過幾本關(guān)于現(xiàn)代英國的書，很有見地。這些無足輕重的事情一點都不有趣，僅僅因為它們和女王有關(guān)。里根回憶：有一次和女王，菲利普親王以及查爾斯王子在溫莎城堡里共進早餐，當(dāng)她看到在座的每個人都自己從一個大盒子里倒出吃的食物，她很驚訝。一個目擊者描述，在女王去肯塔基州一戶養(yǎng)馬人家時，一只小狗當(dāng)著女王的大便，這打破了沉默的氣氛。史密斯女士生動地記敘了她在華盛頓一個花園派對和在倫敦的一次招待會上同女王簡短的談話，也寫到了一些遇見女王的人的輕率之舉動。史密斯向讀者描述了女王作為朋友的一面。she was surprised that everyone poured their own cereal fromthe is reported that the queen likes a travel rug round her knees and used to wear ahard hat when watching stallions cover her footling stuff is only of any interest because it is aboutthe —fatally—those same domestic details have nothing to do with why ElizabethII, as queen, is 一些次要人物在接受采訪中大都表示生正逢時的幸運。但是與皇室成員的接觸也是有其限制之處。哈德曼是《每日郵報》的一名王室事務(wù)記者，他模仿電視真人秀的紀實特點，展現(xiàn)了英國女王的生活中很重要的部分。拉西博學(xué)多才，對女王懷有偏見，他似乎有些反感這些皇室成員，在他書中一些沒有提及姓名的官員和圈內(nèi)人也此表示了同感。布拉德福德女士引入一部分歷史事實，以輕松的筆調(diào)帶領(lǐng)讀者信步于這兩派熟知的情節(jié)之間。啊，她解釋道，一旦公眾看到了皇家的畫室，他們會好奇臥室是什么樣子。布拉德福德女士坦白她是支持皇室的，她曾經(jīng)將幾種關(guān)注皇室的不同行為進行了分類。布拉德福德和羅伯特In the process, all five biographers wrestle with the question neatly framed by their subjectherself: if to see the queen is to believe in her, what vantage point allows the mostauthentic experience of faith? Which queen is the most “real”, the private woman or thepublic figure? Each offers a different ，五本傳記都在試圖回答一個問題，這個問題都和女王有關(guān)：如果要信任我們所看到的女王，那么我們應(yīng)站在什么角度來獲得這些最為真實的信任?哪一個女王是最“真實”的?那個低調(diào)的女子還是那個公共人物?每個人心中都有不同的答案。作者們吹噓曾看過女王辦公的樣子，采訪了皇室家族的成員們，翻閱無數(shù)文獻資料。The double nature of the queen—an unusually private woman with extraordinary publicduties—poses a test for all who try to write about Mr Marr s book, five newbiographies have been prepared for 2012, the queen s diamond jubilee authorsboast of watching the queen at work, interviewing officials from the royal household and 可銳教育官網(wǎng)oftrawling through quote family members, friends and people with a claim toknow the ——一個非常低調(diào)的女子肩負著重大的公共責(zé)任——對于所有想描寫她的人都是一個難題。在當(dāng)時新上任的年輕的首相托尼因為公眾也有發(fā)言權(quán)。Yet as a constitutional monarch, ruling with the tacit consent of the majority, she is notthe only judge of the tradeoff between necessary display and indispensable public have a say as of the queen s closest brushes with disaster haveinvolved a lack of visibility, most painfully in 1997 when she remained in Scotland with theroyal family after the death of Diana, Princess of only returned to London afterpleas from her new, young prime minister, Tony ，女王和大眾保持著一致?！八龔膩矶疾皇悄阒赖牟皇桥酢币晃徊辉竿嘎┬彰呐笥颜f道，這句話被BBC資深政治記者安德魯Over the years, various aristocrats, cousins and horseracing grandees have been more orless plausibly identified as her among such intimates, boundaries areobserved, for fear of crossing an unseen line and triggering a stare of blank, silent rebuke.“She is never—you know—not the Queen,” advises an unnamed friend, quoted in the openinglines of a new biography by the BBC s senior political interviewer, Andrew ，各種貴族，皇親國戚，參加賽馬的顯貴們都或多或少地證實了哪些為女王的朋友。但是女王自己從來都不接受任何采訪。然而，對于八十五歲的女王來說，信仰也是需要距離的。On several occasions she has been urged to retreat behind more obtrusive layers time she has refused with something between a joke and a motto for her sixdecades on the 可銳教育官網(wǎng)throne, telling aides: “I have to be seen to be believed.”有許多次，女王被勸說退居二線，每一次，她都以一個介于玩笑和座右銘似的話來描述她在位的六十年，她如此告訴副官：“我是如此與眾不同”。在參加皇室的出訪和視察時,她小心翼翼地選擇明亮色調(diào)的衣服和窄檐禮帽，優(yōu)雅地