【正文】 t the robot being so intelligent, and can improvise and listen, and do all these embodied intelligence things that I spent years on really liked that the robot was enjoying the music.(Laughter)And they didn39。t say that the robot was moving to the music, they said that the robot was enjoying the we thought, why don39。t we take this idea, and I designed a new piece of time it wasn39。t a desk lamp。it was a speaker was one of those things you plug your smartphone I thought, what would happen if your speaker dock didn39。t just play the music for you, but it would actually enjoy it too.(Laughter)And so again, here are some animation tests from an early stage.(Laughter)And this is what the final product looked like.(“Drop It Like It39。s Hot”)So, a lot of bobbing head.(Applause)A lot of bobbing heads in the audience, so we can still see robots influence it39。s not just fun and 我們最近在打造的一個機器人。說來也奇怪，我們發(fā)現(xiàn) 到了某個階段，人們不再對那些聰明的、會即興表演、會聆聽、會做那些我花了多年研究的身體智能表演的 機器人感興趣了。他們真的很喜歡那個會享受音樂的機器人。（笑聲）他們沒有說這個機器人是隨著音樂扭動身體，而是說這個機器人在享受音樂。于是我們想，為什么不借用這個想法呢，因此我設(shè)計了一件新的小家具。這次不是一個臺燈，而是一個揚聲器底座，就是你可以把你的智能手機放上去的那種。于是我想，如果這個揚聲器底座 不僅可以為你放音樂，還可以享受音樂，會怎樣？（笑聲）這是早期的一些動畫嘗試。這是早期的一些動畫嘗試。這是最終的成品的樣子。饒舌音樂 不停的點頭……（掌聲）觀眾那里也有很多人在不停點頭，因此我們可以看到機器人可以影響人。當(dāng)然這一切不僅僅只是娛樂和游戲。I think one of the reasons I care so much about robots that use their body to municate and use their body to moveand I39。m going to let you in on a little secret we roboticists are hidingis that every one of you is going to be living with a robot at some point in their in your future there39。s going to be a robot in your if not in yours, then in your children39。s I want these robots to beto be more fluent, more engaging, more graceful than currently they seem to for that I think that maybe robots need to be less like chess players and more like stage actors and more like they should be able to take chances and maybe they should be able to anticipate what you39。re about to maybe they need to be able to make mistakes and correct them, because in the end we are maybe as humans, robots that are a little less than perfect are just perfect for you.(Applause)我覺得自己非常熱衷研究 那些可以用身體溝通、用身體移動的機器人的一個原因是—— 我告訴你一個只有我們機器人專家知道的秘密—— 我們每一個人在生命的某個階段 都會需要機器人，你未來的某個階段會有個機器人。如果不是你的未來，那么你的孩子的未來。我希望這些機器人 比現(xiàn)在 可以更流暢、更吸引人、更優(yōu)雅。比現(xiàn)在 可以更流暢、更吸引人、更優(yōu)雅。因此，我覺得機器人 不應(yīng)該是像一個象棋玩家，而應(yīng)該更像一個舞臺演員或者音樂家。它們應(yīng)該可以冒險，會即興表演，甚至?xí)A(yù)料到你接下來會做什么。它們也應(yīng)該可以犯錯 并且改正，因為到頭來，我們只是人類。也許對人類而言，不完美的機器人 才是完美的。謝謝！第三篇：萊溫斯基TED演講 中英對照The price of shame主講人：莫妮卡 萊溫斯基主題：恥辱的代價You39。re looking at a woman who was publicly silent for a , that39。s changed, but only 。當(dāng)然，現(xiàn)在情況不一樣了，不過這只是最近發(fā)生的事。It was several months ago that I gave my very first major public talk at the Forbes 30 Under 30 summit:1,500 brilliant people, all under the age of meant that in 1998, the oldest among the group were only 14, and the youngest, just joked with them that some might only have heard of me from rap , I39。m in rap 40 rap ，我在《福布斯》雜志舉辦的“30歲以下”峰會（Under 30 Summit）上發(fā)表了首次公開演講?，F(xiàn)場1500位才華橫溢的與會者都不到30歲。這意味著1998年，他們中最年長的是14歲，而最年輕的只有4歲。我跟他們開玩笑道，他們中有些人可能只在說唱歌曲里聽到過我的名字。是的，大約有40首說唱歌曲唱過我。But the night of my speech, a surprising thing the age of 41, I was hit on by a 27yearold know, right? He was charming and I was flattered, and I know what his unsuccessful pickup line was? He could make me feel 22 realized later that night, I39。m probably the only person over 40 who does not want to be 22 ，在我演講當(dāng)晚，發(fā)生了一件令人吃驚的事——我作為一個41歲的女人，被一個27歲的男孩示愛。我知道，這聽上去不太可能對吧？他很迷人，說了很多恭維我的話，然后我拒絕了他。你知道他為何搭訕失敗嗎？他說，他可以讓我感到又回到了22歲。后來，那晚我意識到，也許我是年過40歲的女人中唯一一個不想重返22歲的人。At the age of 22, I fell in love with my boss, and at the age of 24, I learned the devastating I see a show of hands of anyone here who didn39。t make a mistake or do something they regretted at 22? 39。s what I like me, at 22, a few of you may have also taken wrong turns and fallen in love with the wrong person, maybe even your me, though, your boss probably wasn39。t the president of the United States of course, life is full of a day goes by that I39。m not reminded of my mistake, and I regret that mistake ，我愛上了我的老板；24歲的時，我飽受了這場戀愛帶來的災(zāi)難性的后果?，F(xiàn)場的觀眾們，如果你們在22歲的時候沒有犯過錯，或者沒有做過讓自己后悔的事，請舉起手好嗎？是的，和我想的一樣。與我一樣，22歲時，你們中有一些人也曾走過彎路，愛上了不該愛的人，也許是你們的老板。但與我不同的是，你們的老板可能不會是美國總統(tǒng)。當(dāng)然，人生充滿驚奇。之后的每一天，我都會想起自己所犯的錯誤，并為之深深感到后悔。In 1998, after having been swept up into an improbable romance, I was then swept up into the eye of a political, legal and media maelstrom like we had never seen , just a few years earlier,news was consumed from just three places: reading a newspaper or magazine, listening to the radio, or watching was that wasn39。t my , this scandal was brought to you by the digital meant we could access all the information we wanted, when we wanted it, anytime, anywhere, and when the story broke in January 1998, it broke was the first time the traditional news was usurped by the Internet for a major news story, a click that reverberated around the 1998年，在卷入一場不可思議的戀情后，我又被卷入了一場前所未有的政治、法律和輿論漩渦的中心。記得嗎？幾年前，新聞一般通過三個途徑傳播：讀報紙雜志、聽廣播、和看電視，僅此而已。但我的命運并不是僅此而已。這樁丑聞是通過數(shù)字革命傳播的。這意味著我們可以獲取任何我們需要的信息，不論何時何地。這則新聞在1998年1月爆發(fā)時，它也在互聯(lián)網(wǎng)上火了。這是互聯(lián)網(wǎng)第一次在重大新聞事件報道中超越了傳統(tǒng)媒體。只要輕點一下鼠標(biāo)，就會在全世界引起反響。What that meant for me personally was that overnight I went from being a pletely private figure to a publicly humiliated one was patient zero of losing a personal reputation on a global scale almost rush to judgment, enabled by technology, led to mobs of virtual , it was before social media, but people could still ment online, stories, and, of course, cruel sources plastered photos of me all over to sell newspapers, banner ads online, and to keep people tuned to the you recall a particular image of me, say, wearing a beret? 對我個人而言，這則新聞讓我一夜之間從一個無名小卒變成了全世界人民公開羞辱的對象。我成了第一個經(jīng)歷在全世界范圍內(nèi)名譽掃地的“零號病人”。科技是這場草率審判的始作俑者，無數(shù)暴民向我投擲石塊。當(dāng)然，那時還沒有社交媒體，但人們依然可以在網(wǎng)上發(fā)表評論，通過電子郵件傳播新聞和殘酷的玩笑。新聞媒體貼滿了我的照片，借此來兜售報紙，為網(wǎng)頁吸引廣告商，提高電視收視率。記得當(dāng)時的那張照片嗎？我戴著貝雷帽的照片。Now, I admit I made mistakes, especially wearing that the attention and judgment that I received, not the story, but that I personally received, was was branded as a tramp, tart, slut, whore, bimbo, and,