【導(dǎo)讀】的是波旁復(fù)辟王朝和七月王朝兩時(shí)期一個(gè)報(bào)恩復(fù)仇的故事。作為一部以情節(jié)取。勝、在全世界廣為流傳的通俗小說(shuō)，其中與佛學(xué)思想有很多共同之處。思潮是法國(guó)大革命催生的社會(huì)思潮產(chǎn)物。法國(guó)浪漫主義文學(xué)強(qiáng)調(diào)創(chuàng)作絕對(duì)自由，要求文學(xué)描繪突破現(xiàn)實(shí)范圍。大仲馬在《基督山伯爵》中塑造的愛(ài)德蒙?這一人物形象，正是浪漫主義文學(xué)所追求的超凡人物。小說(shuō)中幾個(gè)典型的人物形

　　

【正文】 who the Count really is – so pletely has he transformed into a new person and a new identity (make that several new identities). How does he keep track of all of the many roles he plays? And what does it say about him that he is able to change personas so easily? Young Edmond 10 On the day of his betrothal, Edmond tells Caderousse,I cannot think that man is meant to find happiness so happily! Happiness is like one of those palaces on an enchanted island, its gates guarded by dragons. One must fight to gain it。 and, in truth, I do not know what I have done to deserve the good fortune of being Merc233。d232。s39。 husband. Young Edmond doesn39。t usually have insights like these. He39。s innocent, na239。ve, and fiving, maybe not quite so na239。ve as his father, but close. Every time he tells someone – whether Villefort or Faria – that he can39。t think why someone would want to hurt him, the more obvious his innocence, his ignorance of human nature, bees. This exchange between Faria and Edmond is a good example: Hence the maxim: if you wish to find the guilty party, first discover whose interests the crime serves! Whose interests might be served by your disappearance? No one39。s for heaven39。s sake! I was so insignificant. Faria goes on to make the point that, in the scheme of things, no one is insignificant, and before you can say revenge Edmond has finally realized how he ended up in prison. That realization marks the beginning of Edmond39。s transformation into the Count, for even before he has the title, the treasure, and the tools, he has the thirst for revenge。 and that thirst for revenge is awakened by the recognition of his enemies. As Abb233。 Faria says – in case you haven39。t noticed, the abb233。 is usually right about most things – I have insinuated a feeling into your heart that was not previously there: the desire for revenge. It39。s that desire that gives him the resolve to escape prison and find the treasure. It39。s what you might call the moment of the Count of Monte Cristo39。s conception. The Count of Monte Cristo Edmond is the Count of Monte Cristo, Sinbad the Sailor, the Chief Clerk of Thomson and French, Abb233。 Busoni, Lord Wilmore, and M. Zaccone. Sometimes he 11 assumes a different role within a matter of minutes. These names may bear testament to Edmond39。s imagination and resourcefulness. All these names are masks, though, mirages meant to distract others – and us – from the human being within. There are so many facets to Edmond39。s personality, and so many parts to his plan that it39。s all too easy to get overwhelmed in the particulars. Oh man, you say, you remember the telegraph ploy? How about that dinner party where he brought the exotic fish out in the tanks of water? These anecdotes are entertaining and, frankly, amazing, but they39。re distracting too. We have to try and look at the big picture – we say try, because the picture is massive. The plan itself – separate from the planner – is like the world39。s largest, longest Rube Goldberg machine, an amazing contraption filled with bizarre twists and turns, strange levers, bells and whistles, maybe an explosion or two, a few kidnappings, an assassination attempt, executions…oh, sorry, we39。re los ing track of our metaphors now. This may be a little counterintuitive, but we might be able to get some insight by looking at some small bits of texts, by looking for the ways in which Edmond is defined by others and by himself. Now, we have it from the Count himself that this is a good description, but we39。re left to puzzle out why. It is true that Monte Cristo doesn39。t use his unlimited resources in the way many people – Danglars and Fernand for instance – would use theirs. He doesn39。t buy himself a government position or a title. He calls himself the Count of Monte Cristo, sure, but he39。s just as interested in securing other people, like Benedetto, titles. He turns business as usual on its side. He has everything that a person could ever want, but he doesn39。t use it for the things of this world. His is a more intangible, almost ethereal goal, something priceless and unquantifiable and fleeting. He39。s constantly on the move – hence the passport remark – because he39。s always moving forward, trying to put everything in the correct position. Now, to move on from Albert39。s remarks to the Edmond39。s own reflections, we39。re going to follow that whole ethereal thread. Remember how we told you the picture was massive? 12 By the end of his hardships, Edmond has grown a serious God plex. He39。s built himself up so high that he can39。t help but picture himself in the most grandiose terms. Throughout the book, he talks of himself as being God39。s messenger, but here, finally, he acts as though he is a god, and his plan for revenge is his own personal Creation. In this case, he39。s actually given a reprieve – he doesn39。t have to destroy his work. But it39。s the moment he realizes that he39。s more of a destroyer than a creator or lifegiver, when he kills the innocent Edward, that his world es crumbling down. Everyday people seem change themselves in one way or another, but sometimes people change their appearance and personality to the point where those who were close to them, can not even recognize them in a crowd. The Count of Monte Cristo, by Alexandre Dumas, is a story of a sailor, Edmond Dantes, who was betrayed during his prime time of his life by the jealousy of his friends. Dantes is sent to prison where he spends countless years planning an escape with the help of a fellow prisoner. The prisoner informs Dantes that he knows where a treasure is that one man can not even dream about. Dantes friend then happens to die, leaving Dantes with the information of where the treasure is. After escaping, and cheating death, Dantes strikes it rich when he discovers the treasure of which his friend talked about. From here on, the Count of Monte Cristo is born, and he sets off to seek revenge at those who put him in prison. Many people believe that Edmond abandoned his former self and tried to became the Count of Monte Cristo however, there are still some traces of Edmond Dantes locked up inside the Count. Edmond Dantes easily changed his name to the Count of Monte Cristo, but at times he also changed his personality for this new title. As soon as Edmond Dantes was reborn as the Count of Monte Cristo, he gained his wealth and power and soon invested some money into servants to pamper him from head to foot everyday. One day while Albert de Morcerf is over, he remarks to the Count, ―what I admire i