【文章內容簡介】 urriculum, physical characteristics, logistical characteristics, and also suggests four guidelines for study materials: First, course book should correspond to learners’ , course book should reflect the uses which learners will make of the , course book should take account of students’ needs as learners and should facilitate their learning processes, without dogmatically imposing a rigid “method”.Last, course book should have a clear role as a support for to the above criteria, this book is pretty reasons are as follows: In this book, the statement of the Principle and Parameter theory and its subtheories is systematic and structure of this book is clear and general, each chapter of this book presents a different theory, and each theory and principle lays a sound foundation for theories of latter stating the content of each chapter, the author does not confined to the statement in a single linear level, but use prehensive method of adopting this method, the author not only constructs the systematiess and integrity of syntactic theory but also leads the students to master theoretical knowledge of syntax more logic of this book is clear and the language used is simple and the principles and theories in this book are summed up on the basis of the analysis of language the process of analyzing language materials, the author uses localized language, take examples, uses contrast and parison method to make the statement easy to understand and master for Chinese short, through the usage of various kinds of statement, localized language, and clear logic, the author makes abstract and obscure syntactic theories and principles easy to understand for Chinese addition, the welldesigned exercises after each chapter can trigger the interest of further reading for students and lead learners to contemplate deeper so as to improve the ability of thinking, analyzing and solving problems.第三篇：書評這個歷經(jīng)百年的家族，從第一代何塞?阿爾卡蒂奧?布恩迪亞開始，直到第八代為止，都生活在仿佛是宿命一般的孤獨之中，而他們每個人的一生都在與孤獨做著至死不休的決斗，卻在終點都與它相依為命。何?阿?布恩迪亞終生都在尋找通向新自由世界的大路，研究煉金術、銀版攝影，而暮年時卻只能被綁在栗樹下喃喃自語；奧雷里亞諾上校不斷地發(fā)動戰(zhàn)爭，年老時的他卻將自己鎖在房間里制作小金魚；阿瑪蘭妲費盡心思得到自己的愛，同時也贏得了許多人的鐘情，然而最終也只能一遍一遍地縫補自己的壽衣，并在壽衣縫好之日魂歸西天；麗貝卡的內心蘊藏著整個家族中最深沉的勇氣，然而仍舊在長滿苔蘚的房間中孤獨終老，逐漸被人遺忘；曾經(jīng)極度好客的梅梅，愛情亦是轟轟烈烈，在花季依舊時卻永遠封住了自己的嘴，至死也未說一句話……直到最后一代子嗣被螞蟻吞噬，整個馬孔多消失在颶風之中，他們都未曾逃脫從出生開始就伴隨他們的命運。博爾赫斯曾評價《百年孤獨》是一部最能體現(xiàn)西班牙浪漫主義色彩的書，通篇幾乎沒有愛情，卻甚為浪漫。細細想來，正是孤獨造就了這種浪漫。孤獨并不是可恥、需要摒棄和踐踏的。書中的每一個人經(jīng)過的掙扎，都最終在孤獨里找到了依靠，對于他們來說，這甚至比愛情更為可親。不管是文明尚未開始的蠻荒時代，還是滾滾車輪帶來的充滿喜悅哀愁的興盛，孤獨讓布恩迪亞家族的命運形成了一圈又一圈的輪回。孤獨讓他們安靜、讓它們了解自己的內心，同時也了解他人的內心、了解自己究竟為何來到這個世界上，在世界的終點與等待自己的宿命終結之前應該完成什么，然后，孤獨讓他們坦然接受自己的命運、讓他們活在自己最絢爛的一刻，永遠不死。如同阿瑪蘭妲在最終得知自己的死期后反而面容安詳一樣：他們的靈魂在此刻得到了永久的安寧。第四篇：書評淺評石云濤所著《安史之亂》石云濤，河南太康人，文學碩士，歷史學博士，北京外國語大學教授。主要從事唐史、唐詩、絲綢之路與文化交流的研究。此書是中華書局出版的大史記書系（《安史之亂》、《靖康之變》、《永樂遷都》、《太后垂簾》、《洪憲帝制》）之一，2007年5月一版，2008年2月再版。本書相較其它史書，在于嚴肅之余，尚有文采，善描繪，營造歷史畫面感，使得人物往往呼之欲出。如書中針對玄宗與貴妃的產(chǎn)纏綿悱惻，不僅引用了白居易著名的《長恨歌》，“在天愿為比翼鳥，在地愿為連埋枝。天長地久有盡時，此恨綿綿無絕期”。同時，自己根據(jù)一定史料，予以創(chuàng)作，生動還原歷史。摘引如下，“玄宗晚年的情感生活，就沉浸在與貴妃的恩恩怨怨溫柔富貴鄉(xiāng)