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de Chelly (Navajo) Piegan Encampment Crater Lake The Oath Sioux Chiefs Heavy Load Vanishing Race Sacred Legacy 神聖的遺產 (Sacred Legacy) ? 一九○七至一九三○年間年,愛德華 ?寇帝斯拍攝的四萬五千幅美國原住民的照片,是至今運用攝影對北美印地安人做人種誌研究的最全面性紀錄。寇帝斯的攝影作品簡單深刻,令人難忘,鏡頭裡日常生活中的男人、女人以及他們的動物,與週遭環(huán)境和大自然絕妙地融會成一體。 神聖的遺產 (Sacred Legacy) ? 愛得華 ?寇帝斯美國印地安人影像特展 ? 國立臺灣史前文化博物館 11/30—12/30 ? 高雄市立歷史博物館 01/05—01/27 ? 《 曙光湧現 》 (Coming to Light) ? 臺北光點之家 12/15, 56pm。 12/16 12pm ? 寇蒂斯與 《 美國印地安人 》 的紀念影片 The Indian Picture Opera (191112) 187。請觀賞影片 Anatomy of Criticism (112) Northrop Frye (1957) Anatomy of Criticism (212) ? The mythical mode, the stories about gods, in which characters have the greatest possible power of action, is the most abstract and conventionalized of all literary modes. . . . (134) ? 是有關神的故事 具備神力 擁有大量動能 Anatomy of Criticism (312) ? We begin our study of archetypes, then, with a world of myth, an abstract or purely literary world of fictional and thematic design, unaffected by canons of plausible adaptation to familiar experience. In terms of narrative, myth is the imitation of action near or at the conceivable limits of desire. (136) (神話與欲望有關 ) Anatomy of Criticism (412) Divine world = society of god = One God(sky) Human world = society of men = One Man Animal world = sheepfold = One Lamb Vegetable world= garden or park = One Tree Mineral world = city = One Building, Temple, Stone (141) Canyon de Chelly (Navajo) Anatomy of Criticism (512) Sioux Chiefs (Anatomy 612) The Oath (Anatomy 712) Navajo Night Chant (Anatomy