【文章內(nèi)容簡(jiǎn)介】 egend, often of divine ancestry, who is endowed with great courage and strength, celebrated for his hold exploits, and favored by the gods. In the novel, the word “hero” is freed of such noble requirements and any central characters can be labeled as heroes. Jonathan Wild is the hero in the novel of the same name by Henry Fielding, though he is a notorious highwayman. Some critics, annoyed by the connotation of “hero,” prefer the word “protagonist,” which sounds neutral. The enemy or rival of the protagonist is called “antagonist.”The main or major characters are those in close and dynamic relation with the hero or heroine. Close relation does not mean good relation. Pablo in For Whom the Bell Tolls is constantly finding大連星海高爾夫項(xiàng)目可行性研究報(bào)告目 錄第一章 總 論 4第一節(jié) 項(xiàng)目概述 4第二節(jié) 項(xiàng)目主要技術(shù)經(jīng)濟(jì)指標(biāo) 5第三節(jié) 編制依據(jù) 8第二章 市場(chǎng)分析與預(yù)測(cè) 9第一節(jié) 大連市宏觀情況分析 9第二節(jié) 大連市房地產(chǎn)發(fā)展特征 12第三節(jié) 大連市高新園區(qū)區(qū)域總體分析 20第三章 市場(chǎng)調(diào)查及項(xiàng)目分析 35第一節(jié) 高新園區(qū)房地產(chǎn)市場(chǎng)調(diào)查 35第二節(jié) 項(xiàng)目SWOT分析 38第三節(jié) 項(xiàng)目定位及目標(biāo)消費(fèi)群體分析 40第四章 項(xiàng)目戶型產(chǎn)品定位 43第五章 建設(shè)規(guī)模及方案 45第六章 相關(guān)單位簡(jiǎn)介 52第七章 銷售價(jià)格與銷售收入估算 53第八章 投資估算 55第九章 投資計(jì)劃與資金籌措 60第十章 風(fēng)險(xiǎn)分析與防范對(duì)策 61第十一章 綜合評(píng)價(jià)與建議 63IntroductionI. Why do we have such course?English literature is one of the pulsory and most important courses. However, the English literature courses offered are merely taught at the level of learning general information and developing literal understanding. Admittedly, such courses help them/you a lot in their/your acquisition of the English language. But the function of English literature reaches far beyond that. In reading English literature, a student should have the power to discern how human beings translate their experience into artistic expression and representation。 how writers, through their creative impulses, convey to us their insights into human destiny and human life。 and how social concern is involved in a specific form of human imagination. In addition, students should elevate to the level of cultivating a curiosity for the unknown, thinking cogently and logically, expressing themselves clearly and concisely, and observing the world around them critically and objectively. But most students are still at a loss as to how they can effectively analyze a literary work by themselves in any of these respects, even though they have read plenty of excerpts from representative works in the British and American literary canon. And they tend to have little idea what role the beginning part plays in the whole story, how the plot develops and es to resolution, in what way point of view determines a reader’s understanding of the story, and how the images and symbols are related to the theme. Upon consideration of these factors, we have such course with the intention of cultivating both students’ literary sensibilities and their /your critical power when reading English short stories and novels.II. Introduction about reading a story1. What is Story? “Yes –oh, dear, yes—the novel tells a story.” This is Forster’s remark, which is worth special attention, for he is someone in the trade and with rich experience. In his Aspects of the Novel he lists “story” as the first aspect. People reading novels for stories usually ask questions like “what happened next?” and “and” what would he do next?” These questions attest to the two basic elements of a story. The one is the event and the other the time. A story is a series of happenings arranged in the natural temporal order as they occur. Story is the basis of the novel, and indeed the basis of narrative works of all kinds. 2. The structure and functions of a storyPlot。 character。 point of view。 theme。 style3. What is Fiction?Fiction, the general term for invented stories, now usually applied to novels, short stories, novella, romances, fables, and other narrative works in prose, even though most plays and narrative poems are also fictional. (P. 83. Concise Dictionary of Literary Terms)4. The Story and the NovelTo read novels for story is nothing wrong, but nothing professional either. “One mark of a secondrate mind is to be always telling stories.” The remark by the French writer jean de La Bruyere (1645~1696) is also true of the reader. If the purpose of the novel is only to tell stories, it could as well remain unborn, for newspapers and history books are sufficient to satisfy people’s desire for stories about both present and past, and even about future. In fact, many newapapermen have been dissatisfied with their job of reporting and e into the field of novel writing. Defoe, Dickens, Joyce, Hemingway and Camus were among the most famous and the most successful converts. Even historians may feel obliged to do more than mere stories or facts. Edward Gibborn’s Decline and Fall of the Roman Empire is praised not only for its multitudinous facts and rationalistic analysis, but more for its beauty of narrative style. In telling stories, the novelist aims at something higher or he intends to add something to the mere “facts.” As indicated in the definition of the novel, what makes a novel is the novelist’s style (personalized presentation of the story) and interpretation of the story.Chapter One PlotI. What is Plot? 1. According to Aristotle what are the six elements of the structure of tragedy?Tragedy as a whole has just six constituent elements… and they are plot, characters, verbal expression, thought, visual adornment, and song—position. For the elements by which they imitate are two (verbal expression and song—position), the manner in which they imitate is one (visual adornment), the things they imitate are three (plot, characters, thought), and there is nothing more beyond these. 2. What is Plot under the pens of modern novelists and storytellers? And how to understand “Plot” in a story? (“”ppt: ‘The queen died, no one knew why, until it was discovered that it was through grief at the death of the king.’…P. 6 It suspends the timesequence, it moves as far away from the story as its limitations will allow.)The story and the character alone can not