【文章內容簡介】 the deep heart of Nature could pity and be kind to him.Apparently, the author makes a contrast between the ugly jailhouse with a tangled grassplot overgrown with burdock and pigweed and something as beautiful as a wild rose. As the story unfolds, he will further suggest that secret sin and a pretty child may go together like a pigweed and wild roses. In this artfully crafted novel, setting is intimately blended with characters, symbolism, and theme.In addition to place, setting may crucially involve the time of the story—century, year, or even specific hour. It may matter greatly that a story takes places in the morning or at noon. The medieval background informs us differently from the twentieth century. Kennedy and Gioia note that in The Scarlet Letter, the nineteenthcentury author Nathaniel Hawthrone, utilizes a long introduction and a vivid description of the scene at a prison door to inform us that the events in the story took place in the Puritan munity of Boston of the earlier seventeenth century. This setting, to which Hawthorne pays so much attention, together with our schemata concerning Puritan practice, helps us understand what happens in the novel. We can understand to some extent the agitation in the town when a woman is accused of adultery, for adultery was a flagrant defiance of church for the Godfearing New England Puritan munity, and an illegitimate child was evidence of sin. Without information about the seventeenthcentury Puritan background, a reader today may be perplexed at the novel. The fact that the story in Hawthorne’s novel took place in a time remote from our own leads us to expect different attitudes and customs of the characters, is strongly suggestive of the whole society, which is crucial to an essential understanding of The Scarlet Letter as a whole.Besides place and time, setting may also include the weather, which, indeed, may be crucial in some stories. 2. Local color writing /regionalism and the writer, a regional writer.When setting dominates, or when a piece of fiction is written largely to present the manners and customs of a locality, the writing is often called local color writing or regionalism and the writer, a regional writer.A regional writer usually sets his/her stories in one geographic area and tries to bring it alive to readers everywhere. Thomas Hardy, in his portrayal of life in Wessex, wrote regional novels. Arnold Bennett’s novels of the “Five Towns” are markedly regional. Willliam Faulkner, known as a distinguished regional writer, almost always set his novels and stories in his native Mississippi.3. The setting of a novel is not always drawn from a reallife locale.The setting of a novel is not always drawn from a reallife locale. Literary artists sometimes prefer to create the totality of their fiction—the setting as well as characters and their actions.……The creation of setting can be a magical fictional gift in a novelist or storyteller. But whatever the setting of his/her work, a true novelist is concerned with making an environment credible for his/ her characters and their actions and in accord with the development of the plot.In some stories, a writer seems to draw a setting mainly to evoke atmosphere. In such a story, setting starts us feeling whatever the storyteller would have us feel. Thus atmosphere is a metaphor for a feeling or an impression which we cannot readily attach to some tangible cause. We say that an old farmhouse set among large maples, on a green lawn, has an atmosphere of peace. Here what we mean is that the house, by reason of the look of quietness and by reason of a number of pleasant associations we have with the kind of life lived there, stirs a certain reaction in us which we do not attach to any single incident or object, but generally to the whole scene. In the same way we may say that the setting of a story contributes to defining its atmosphere. For instance, in “The TellTale Heart,” Poe’s setting the action in an old, dark,廣東省戰(zhàn)略性新興產業(yè)發(fā)展專項資金單個企業(yè)項目申請報告 （生物制藥）項目名稱：原料藥、藥物制劑生產線建設項目承擔單位：廣東星昊藥業(yè)有限公司聯系地址：中山火炬開發(fā)區(qū)國家健康基地內健康路17號聯系人:聯系電話：郵政編碼：2010年11月目 錄一．項目概述項目概述………………………………………………………………4………………………………………………………………5………………………………………………………… 5………………………………………………… 5…………………………………… 5…………………… 5……………… 5 ………………………………………………………5單位基本情況 ……………………………………………………… 5……………………………………………………… 56…………………………………………………………7………………………………………………………78……………………………………………9………………………………………………9………………………………………………………912建設內容 …………………………………………………………13投資規(guī)模 …………………………………………………………13資金來源 …………………………………………………………14申請理由與方向 …………………………………………………14 ………………………………………………………1節(jié)能減排、保護環(huán)境的需要………………1416 ………………17 …………………………………………17…………………1718…………………………1920………………………20…………………21……………………2223……………………2324………………………………25………2526分年度詳細預算（附具體預算方案）……………………………2628各項建設條件落實情況……………………………………………28項目目標與效果……………………………………………………2930…………………2930預計產生的經濟效益和社會效益等情況。……………………3132……………………………………………………31……………………………………………………32二．項目可行性研究報告及專家論證意見、環(huán)境影響評價報告書。三．項目的備案、核準或審批文件。四．申報單位（含合作單位）營業(yè)執(zhí)照、稅務登記證和法定代表人身份證復印件。五．項目資金證明（銀行存款證明或者加蓋單位公章的當前月度會計報表），相應級別銀行出具的項目貸款承諾函（或貸款合同、授信協議）等。，加具企業(yè)法人代表簽字和企業(yè)公章。、證書（高新企業(yè)、工程中心、專利等）一、 項目概述：項目簡介：廣東星昊藥業(yè)有限公司原料藥、藥物制劑生產線建設項目：： 本項目是從國外引進先進的液氮制冷技術來生產凍干粉針/水針，并進行一系列配套建設，以擴大產能，提高藥品生產質量。這項技術低溫高效，同時節(jié)能環(huán)保。生產線簡介如下：從國外引進高效液氮凍干技術應用于藥品生產，是國內首家引進這項先進技術的制藥企業(yè)，該技術填補了國內空白，使制藥生產技術與國際接軌，對國內相關制藥企業(yè)起到示范作用，促進國內制藥技術水平提升。本生產線的特色是無需使用對環(huán)境有害的氟利昂制冷技術，而是利用核電廠或鋼廠制氧的副產品進行制冷，低溫高效，適用范圍廣，即能提高藥品質量，又節(jié)能環(huán)保，還充分利用了核電廠和鋼廠副產品液氮資源。： 本項目新建兩條生產線：中藥提取生產線和化學原料藥生產線，為凍干粉針/水針生產線提供更多的生產原料。：①本公司急需提高產能的產品：目前公司生產的注射用利福霉素鈉、注射用奧曲肽處于供不應求的局面，極大限制了公司的發(fā)展。②亟待產業(yè)化的研發(fā)成果：公司還有許多儲備產品亟待產業(yè)化，如中藥注射劑注射用紅花黃素以及化藥注射用阿扎胞苷、替加環(huán)素、甲磺酸萘莫司他等，這些品種都有良好的市場前景。：：2009年1月2009年 6月；招投標、勘查設計、報建等。：2009年6月2010年8月；建筑工程、凈化工程、配套工程等。：2010年9月2011年2月； 設備進廠、安裝及調試等： 2011年2月 2011年6月、注射用奧曲肽投產及委托加工：2011年7月：2012年7月、替