高級英語1unit4oxford翻譯(編輯修改稿)
2025-05-04 01:48 本頁面
【文章內容簡介】 房屋，但忙忙碌碌的城里人，使這里多了一份生機勃勃、繁榮興旺的景象，又給人們留下了一副強烈卻美好的反差印象。那四處靜謐的港灣、天井和修道院，可使來客熱切地感受到人們日常生活中的憂慮和愉悅。在這兒過日子的居民，不受世俗的侵擾，他們常常會想著什么東西，靜靜地沉思，又亦或是受到那咫尺間喧囂與繁華的啟發(fā)，可那喧囂和繁華卻不會侵擾他們重溫舊夢。I do not know whether my taste is entirely trustworthy, but I confess that I find the Italianate and classical buildings of Oxford finer than the Gothic buildings. The Gothic buildings are quainter, perhaps, about the classical picturesque, but there is an air of solemn pomp and sober dignity about the classical buildings that harmonises better with the sense of wealth and grave security that is so characteristic of the place.我不知道自己的鑒賞能力是不是完全地可靠，但坦白地說，我覺得牛津城里意大利風格和古典風格的建筑要比哥特式風格的建筑好看。哥特式建筑的樣子看上去更古雅，或許還更別致，可是古典風格的建筑散發(fā)著一番莊重又壯麗的氣質，這種氣質與這片土地上特有的華貴和沉穩(wěn)更好地融為了一體。The Gothic buildings seem a survival, and have thus a more romantic interest, a more poetical kind of association. But the classical porticos and facades seem to possess a nobler dignity, and to provide a more appropriate setting for modern Oxford。 because the spirit of Oxford is more the spirit of the Renaissance than the spirit of the Schoolmen。 and personally I prefer that ecclesiasticism should be more of a flavour than a temper。 Schoolmen I mean that though I rejoice to think that sober ecclesiastical influences contribute a serious grace to the life of Oxford, yet I am glad to feel that the spirit of the place is liberal rather than ecclesiastical.哥特式建筑已所剩無幾，故而透著一股更為傳奇和詩意的色彩，而古典風格建筑的門廊和外立面卻看似更為堂皇，為現(xiàn)代牛津創(chuàng)造了一副更為貼切的布景——因為相較于腐朽、封建的經(jīng)院教條風氣，現(xiàn)代的牛津精神更貼近于強調個人、精巧新奇的文藝復興精神，而且即使是有教條主義，我也希望其對于牛津精神更多地是一種補充，而不是一種支配。我的意思是，盡管經(jīng)院風氣那源于基督教會的神圣影響力能給牛津帶來上帝的恩典——這讓我感到高興，但我更樂意去感受牛津精神變得自由又開明，而不是嚴格恪守于教會。 Such traces as one sees in the chapels of the Oxford Movement, in the shape of paltry stained glass, starred reredoses, modern Gothic woodwork, would be purely deplorable from the artistic point of view, if they did not possess a historical interest. They speak of interrupted development, an attempt to put back the shadow on the dial, to return to a narrower and more rigid tone, to put old wine into new bottles, which betrays a want of confidence in the expansive power of God. I hate with a deepseated hatred all such attempts to bind and confine the rising tide of thought. I want to see religion vital and not formal, elastic and not cramped by precedent and tradition. And thus I love to see worship enshrined in noble classical buildings, which seem to me to speak of a desire to infuse the intellectual spirit of Greece, the dignified imperialism of Rome into the more timid and secluded ecclesiastical life, making it fuller, larger, more free, more deliberate.牛津精神的這種發(fā)展特點，正是
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