【文章內(nèi)容簡介】 pl e for bandages, but when nobody coul d put thei r hands on any, hi s father got som e tea towels and tape from thei r house. John used these to treat the most severe i njuri es to Ms Sl ade’s hands. H e sl owed the bl eedi ng by appl yi ng pressure to the wounds until the pol i ce and am bulance arrived. “I’m proud of what I di d but I was just doi ng what I’d been taught, ” John sai d. John had taken parti ng in the Young Lifesaver Schem e at hi s hi gh school. When congratul ati ng John, Mr Al an Southerton, Di rector of the Young Li fesaver Schem e sai d, “There i s no doubt that John’s qui ck thi nki ng and the fi rst ai d skil ls he l earned at school saved Ms Sl ade’s l ife. It shows that a knowl edge of first ai d can m ake a real di fference.” Before receivi ng thei r awards l ast ni ght, John and the ni ne other Li fe Savers attended a speci al reception yesterday hosted by the Prim e Mi nister. 選修六 Uni t 1 A SH O RT H ISTO RY O F WESTERN PAIN TIN G Art i s infl uenced by the customs and fai th of a peopl e. Styl es i n Western art have changed m any tim es. As there are so m any different styl es of Western art, it woul d be im possi bl e to descri be al l of them i n such a short text. Consequentl y, thi s text wi l describe onl y the m ost i m portant ones, starti ng from the si xth century AD. The Mi ddl e Ages (5th to the 15th century AD) Duri ng the Mi ddl e Ages, the m ai n ai m of painters was to represent rel igi ous them es. A conventi onal arti st of thi s peri od was not i nterested i n showing nature and peopl e as they real l y were. A typical picture at this tim e was ful l of reli gi ous sym bol s, whi ch created a feeli ng of respect and l ove for God. But i t was evi dent that i deas were changi ng i n the 13th century when pai nters l i ke Giotto di Bondone began to paint reli gi ous scenes i n a m ore real istic way. The Renaissance (15th to 16th century) Duri ng the Renai ssance, new i deas and val ues gradual y replaced those hel d i n the Mi ddl e Ages. Peopl e began to concentrate l ess on rel igi ous them es and adopt a m ore hum ani sti c attitude to l i fe. At the sam e tim e pai nters returned to cl assi cal Rom an and Greek i deas about art. They tried to pai nt peopl e and nature as they real y were. Ri ch peopl e wanted to possess thei r own pai nti ngs. so they coul d decorate thei r superb pal aces and great houses. They pai d fam ous arti sts to pai nt pi ctures of them sel ves, their houses and possessi ons as wel as thei r acti vi ti es and achievem ents. O ne of the m ost i m portant discoveri es duri ng thi s peri od was how to draw thi ngs in perspecti ve. Thi s technique was fi rst used by Masacci o in 1428. When peopl e fi rst saw hi s painti ngs, they were convi nced that they were l ooki ng through a hol e in a wal at a real scene. If the rul es of perspecti ve had not been di scovered, on one woul d have been abl e to pai nt such reali stic pi ctures. By coi nci dence, oil pai nts were also devel oped at thi s tim e, which m ade the col ors used i n pai nti ngs lo ok ri cher and deeper. Without the new pai nts and the new techni que, we woul d not be able to see the m any great m asterpi eces for whi ch thi s peri od is fam ous. Im pressi onism (l ate 19th to earl y 20th century) In the l ate 19th century, Europe changed a great deal, from a m ostl y agri cul tural soci ety to a m ostl y i ndustri al one. Many peopl e m oved from the countrysi de to the new citi es. There were m any new i nventi ons and soci al changes. Natural ly, these changes al so l ed to new pai nti ng styl es. Among the pai nters who broke away from the tradi ti onal styl e of pai nti ng were the Im pressi oni sts, who li ved and worked i n Pari s. The Im pressi onists were the fi rst pai nters to work outdoors. They were eager to show how l ight and shadow fel l on objects at di fferent tim es of day. H owever, because natural l ight changes so quickl y, the Im pressioni sts had to paint qui ckl y. Their painti ngs were not as detail ed as those of earli er painters. At first, m any peopl e di sl iked thi s style of pai nting and became very angry about i t. They said that the pai nters were carel es and thei r painti ngs were ridi cul ous. Modern Art (20th century to today) At the ti me they were created, the Impresi oni st paintings were controversial , but today they are accepted as the begi nning of what we cal l “modern art”. Thi s i s because the Impressi onists encouraged artists to l ook at their environment i n new ways. There are scores of m odern art styles, 1 100萬瓶 /年工業(yè)氣體、醫(yī)用氧氣充裝項目 可行性研究報告 目 錄 第一章 總論 ......................................................... 1 項目概況 ........................................................... 1 編制依據(jù)和原則 ..................................................... 1 項目提出的理由與過程 ............................................... 2 可行性研究的工作范圍 ............................................... 3 項目建設主要內(nèi)容 ................................................... 3 項目總投資及資金來源 ............................................... 3 研究的簡要結論 ..................................................... 3 主要技術經(jīng)濟指標表 ................................................. 4 第二章 項目背景和發(fā)展概況 ................................................. 5 項目建設背景 ....................................................... 5 項目發(fā)展概況 ....................................................... 6 投資的必要性 ....................................................... 7 第三章 市場分析與建設規(guī)模 ................................................. 7 市場分析 ........................................................... 7 市場預測及價格確定 ................................................. 8 建設規(guī)模 ........................................................... 9 第四章 建設條件與選址 ...................................................... 9 廠址位置 ..........................................................