【正文】 此外，還有一些其他顯現(xiàn)出來的趨勢(shì)： 動(dòng)畫：正如開頭指出的，這些標(biāo)志生來就是處于運(yùn)動(dòng)中的，而不是先做出不動(dòng)的，再讓它動(dòng)。一旦標(biāo)志設(shè)計(jì)開始認(rèn)真的考慮三維的道路，就有一系列問題接踵而來：如果我把這個(gè)標(biāo)志旋轉(zhuǎn) 90 度，還是我的標(biāo)識(shí)嗎？如果我從一個(gè)模糊的角度向這個(gè)標(biāo)志慢慢推進(jìn)，看到的還是我的標(biāo)識(shí)嗎？如果我把標(biāo)志上的光去掉，還是原來的標(biāo)識(shí)嗎？ 而對(duì)于那些有意用三維標(biāo)志的公司來 說，挑戰(zhàn)在于，是否有合適的媒體來完整的展示這個(gè)標(biāo)志的各個(gè)角度。雖不微妙，但是奏效。 消逝的圓點(diǎn) 當(dāng)你開始詢問這種設(shè)計(jì)的概念，你會(huì)發(fā)現(xiàn)它無所不在 這份報(bào)告的其他類別中也有。光芒萬丈本源自太陽(yáng)，然而它也可以從水波、珍珠、書頁(yè)、甚至異化的 Xbox 中來。 同樣，你也會(huì)注意有些趨勢(shì)是跨界的。s time to purge. Fortunately, there are designers who have stepped in to offer CPR to this flagging icon. Many of the best logos that base themselves on the ribbon were created at the early end of this trend. There are still novel opportunities and unique application to be found with the ribbons, but they will be fewer and farther between. It will be interesting to see if the sustainability trend crosses paths with this trend. Then we39。d never expect to find in Camelot. This is a youth anthem。 1 Logo design development We all know, makes the design is basic is the creativity, the creativity is basic is the characteristic, the characteristic is basic is original, must think the unique creativity certainly is not good which everybody does, must achieve each person all accepts, I think such is not too possible. I think, the design certainly does not have the success, similarly does not have the defeat, because design is live, the very many things are contradictory, certainly may not depend on personally makes the accurate appraisal. For instance, we have seen many more 3D logos that are designed to be in motion, never still or flat. These designs have pletely shaken the earthly bonds of CMYK and exist only in ethereal RGB: The old logo design rules just don39。 and designers have identified this as a source language for fashion culture and the music industry. In fact, this is a modern trend you will see everywhere, despite its roots in heraldry and even other intricate patterning like Victorian wallpaper. Firm: Office Client: Independent Studies/Target Firm: Reaves Design Client: JCPenny Nation Firm: Miles Design Client: 12 Gauge Wakeskates Firm: Launchpad Creative Client: Astonish Entertainment Urban Vinyl Charlie the Tuna and the Jolly Green Giant, these are not. Advertising characters have danced the line between logos and mascot for years. Even the Cingular Jack was a bit of a hybrid with a personality that animation played out beyond the printed page. Urban vinyl is a subculture that is starting to cross over into logo design. These small vinyl characters are ubiquitous shelf clutter, enshrined in nearly every designer237。ll figure out a great recycling plan for the ribbons so our landfills aren39。比如，雙螺旋以及彩帶之間有很多相似之處。放射狀的應(yīng)用也十分廣泛，覆蓋物，傾角，折射衍射，聚焦，動(dòng)畫，無一不可。除去極少的例外，這些標(biāo)志都是一系列的圓點(diǎn)組成，按照一定軌跡不斷消逝或聚起，絕大多數(shù)這種標(biāo)志通過活動(dòng)中的韻律感來提升自我的表達(dá)。 于是閃爍著華美的光輝，一個(gè)個(gè)標(biāo)志款款走來，情 形與鎂光燈下登臺(tái)的演員沒有什么區(qū)別，正是 “ 人靠衣裝，標(biāo)靠燈光 ” 。然而越來越多的公司在尋求三維標(biāo)志，只是因?yàn)椋@很時(shí)髦。 花環(huán)：名目繁多，美侖美奐，以至于人們有時(shí)候不會(huì)把它看作標(biāo)志而是圖案。如果確實(shí)如此，我們就可以給這些彩帶們制定出一個(gè)偉大的再利用計(jì)劃，我們的廢渣處理場(chǎng)就不用再對(duì)這些意義非凡的垃圾帶子費(fèi)力氣了。但是總的來說，這只是在做表面文章而已，并沒有真正轉(zhuǎn)過身去，給別人一個(gè)后視圖。這樣的立體感使得標(biāo)志突破了干癟的外形而有了一些起伏。所以無論這些標(biāo)志是不是表達(dá)的交流工具，從中心向四方傳送是這個(gè)概念的核心。光明從來都讓人激情澎湃，而今天的光線已經(jīng)找到了新的表達(dá)自我的途徑。百姓取委員會(huì)而代之的呼聲甚囂塵上。re smarter that way. Initials delivered through this magical context seem to be a natural application. Because of the dimensional nature of these marks, it is not unmon to see them in use with architects or products that define an environment through a new perspective. Firm: MINE Client: Paradox Firm: Face Client: Institute of Cancer Therapeutics Firm: JDK Design Client: Zune Firm: Elixer Design Client: Perspecta, Inc. Ribbons There are surely entire cities in China that owe their existence to the export of magic cause ribbons. When did cause ribbon bee a punch line? Yes, we want to show we care, but the literal rainbow of causes have bee so diluted with this icon that its soul is on the verge of extinction. There is not a lack of concern for these causes as much as a recognition that we have been ging ourselves at the ribbon trough too long and maybe it39。ve been lifted from a heraldry 101 style book, until you scrutinize the position elements. Only at this point are you likely to see wrenches, guitars, penguins, shoes, cell phones and anything else you39。t apply to them. Another development: Today, for many trends there is now a countertrend – and this is not only the case for logo design. The public and its likes and dislikes have bee fragmented across the spectrum. Companies who need logos and designer who create logos are forced to respond accordingly. It has bee increasingly difficult to simply look in one direction or the other. It is also being disturbingly clear that logo design has bee a public sport. As the public controls their own media more and more–Tivoing this, blogging that, YouTubeing and Googling everything else–people are no longer satisfied to simply consume what is placed before them: They have opinions they want to share. So when a large corporation reveals its new identity, there are hundreds of inter sites flinging their opinions back at it. Even when the village board of Remote votes on a new logo for its two police cars, citizens take to the streets waving pitchforks and copies of their own designs. Committeecide seems to be rampant. The full 2021 trend report follows. Whether we are noting social, conceptual or aesthetic trends, remember that none of them exist in a