【正文】 rds and qualifications was often incorporated into other professional organizations that involved design. Organizations such as the Chartered Society of Designers, established in the UK in 1986, and the American Designers Institute, founded in 1938, were established as organizations that governed various areas of design. It was not until later that specific representation for the interior design profession was developed. The US National Society of Interior Designers was established in 1957, while in the UK the Interior Decorators and Designers Association was established in 1966. Across Europe, other organizations such as The Finnish Association of Interior Architects 1949 were being established and in 1994 the International Interior Design Association was founded Ellen Mazur Thomson, author of Origins of Graphic Design in America 1997, determined that professional status is achieved through education, selfimposed standards and professional gatekeeping organizations. Having achieved this, interior design became an accepted profession. There are various paths that one can take to bee a professional interior designer. All of these paths involve some form of training. Working with a successful professional designer is an informal method of training and has previously been the most mon method of education. Reallife experience can gradually build skills that professional design work demands. Training through an institution such as a college, art or design school or university is a more formal route to professional practice. A formal education program, particularly one accredited by or developed with a professional organization of interior designers, can provide training that is associated meets a minimum standard of excellence and therefore gives a student an education of a high standard. Supervised practical experience in a design firm after formal training produces develops skills further and results in one being a highly skilled designer. While one can bee an interior designer without formal training, the knowledge and skills attained through structured education allows a designer to be better prepared in a petitive job market Working conditions in the US There are a wide range of working conditions and employment opportunities within interior design. Large and tiny corporations often hire interior designers as employees on regular working hours. Designers for smaller firms usually work on a contract or perjob basis. Selfemployed designers, which make up 26% of interior designers, usually work the most hours. Interior designers often work under stress to meet deadlines, stay on budget, and meet clients39。 應(yīng)該說,自然?簡約的室內(nèi)設(shè)計(jì)展現(xiàn)的是一種生活方式,它讓我們更接近自然,更強(qiáng)調(diào)功能,更關(guān)注生活本身 對簡潔的理解因人而異,由于人們的年齡?見識?素養(yǎng)?生活背景的不同,所產(chǎn)生的品味要求也就不同?社會的發(fā)展,時代的進(jìn)步,新思維?新結(jié)構(gòu)?新材料的出現(xiàn)必定會產(chǎn)生與此適應(yīng)的裝飾新概念?新形式?新空間?簡潔這一現(xiàn)代的裝飾表現(xiàn)形式已經(jīng)深入影響到建筑產(chǎn)品?工業(yè)產(chǎn)品?生活產(chǎn)品等諸多領(lǐng)域?幾根鋼管,一個木樁,一個布堆就能做出不同形式的現(xiàn)代家具?它已悄然讓人們的生活方式和思想觀念產(chǎn)生質(zhì)的變化?有人認(rèn)為簡潔的設(shè)計(jì)風(fēng)格必然會一枝獨(dú)秀,成為21世紀(jì)人們生活追求的時尚 以簡潔的表現(xiàn)形式來滿足人們對空間環(huán)境那種感性的?本能的和理性的需求,這也是當(dāng)今國際社會流行的設(shè)計(jì)風(fēng)格?而現(xiàn)代人快節(jié)奏?高頻率?滿負(fù)荷,已讓人到了無可復(fù)加的接受地步?人們在這日趨繁忙的生活中,渴望得到一種能徹底放松?以簡潔和純凈來調(diào)節(jié)轉(zhuǎn)換精神的空間,這是人們在互補(bǔ)意識支配下,所產(chǎn)生的亟欲擺脫繁瑣?復(fù)雜?追求簡單和自然的心理?在印尼巴里島旅館系列設(shè)計(jì)中,靈感來自巴里島上的民俗風(fēng)格,但在空間架構(gòu)及動線安排上是延伸簡約設(shè)計(jì)的精神?在材料表現(xiàn)上,出現(xiàn)了自然原始的當(dāng)?shù)卦?草席及石板?設(shè)計(jì)師將這些具有自然民俗的元素用精確及簡潔的細(xì)部來處理以加強(qiáng)主題,同時也將裝飾的部分簡單化,所呈現(xiàn)的空間可以說是現(xiàn)代巴里島風(fēng)格 縱觀世界建筑設(shè)計(jì)大師們無論是德國密斯?凡德羅?還是美國的理查德?邁耶?日本的安藤忠雄?美籍華人貝聿銘,他們都以最純凈的形式,用相當(dāng)普通的材料,使用最精簡的手法,表現(xiàn)出非常深度的內(nèi)涵和崇高的空間氣質(zhì)?他們一件件充滿靈性的作品有著無窮的生命力,他們的設(shè)計(jì)思想震撼著當(dāng)今時代?也引領(lǐng)著時代潮流的發(fā)展?附件2:外文原文Natural simplicity on interior design Analysis Ancient times, Chinese wooden framework architecture of ancient India, the Orient, Europe, building caves in ancient