【正文】 the narrative of the residence dominates interior design at large. It has bee the catalyst for rethinking a host of spaces once firmly isolated from it, ranging from the secretary39。能干的人，不在情緒上計(jì)較，只在做事上認(rèn)真；無能的人！不在做事上認(rèn)真，只在情緒上計(jì)較。user Verlag AG 2008寧可累死在路上，也不能閑死在家里！寧可去碰壁，也不能面壁。s loft, and in hotels that use the language (and contents) of galleries. Similarly, increasing numbers of grocery stores and bookstores include spaces and furniture for eating and socializing. Likewise, there is a new fort with stylistic convergences in interiors that appropriate and rebine disparate quotations from design history. These are exemplified in spaces such as Rem Koolhaas39。然而，室內(nèi)設(shè)計(jì)人員的教育仍然隨著無標(biāo)準(zhǔn)教育而存在驚人的變數(shù)。這種看法由于特殊行動(dòng)而加劇了，例如，醫(yī)療和盛情款待。在這些情況下，設(shè)計(jì)放棄其潛力改變?nèi)粘Ｉ睿痤~略多于一個(gè)淺顯的重新命名空間。毫無疑問的，這些公共領(lǐng)域以及商業(yè)空間的變化是由20世紀(jì)60年代的解放運(yùn)動(dòng)帶來的。在零售空間堅(jiān)持嚴(yán)格的環(huán)境主題，例如拉爾夫方案收斂的表現(xiàn)能在公共場(chǎng)合以及商業(yè)空間被清晰的發(fā)現(xiàn)，渴望更加界面友好和有消費(fèi)意識(shí)。在一個(gè)更寬容的環(huán)境中，鼓勵(lì)不同文化間的融合，高文化和低文化的區(qū)別被消除。事實(shí)上，這是一個(gè)建筑師采取的防御措施，建筑師們把室內(nèi)裝修或設(shè)計(jì)師的形式上的干預(yù)看作是對(duì)他們完整的藝術(shù)性的一種威脅。在職權(quán)范圍上，室內(nèi)設(shè)計(jì)有別于室內(nèi)裝修工程。裝修關(guān)心的是家具的選擇，然而設(shè)計(jì)者要把離散的裝飾元素整合成方案關(guān)注的空間和使用。如今，除了像理查德同樣，有更頻繁的生產(chǎn)性借貸的事例發(fā)生在建筑，設(shè)計(jì)，裝修等曾經(jīng)被看作是專有領(lǐng)地的領(lǐng)域。越來越多的私立醫(yī)院（競(jìng)爭患者）雇用設(shè)施并形成靈感來自豪華溫泉的語言；同時(shí)，許多體育館以及健身俱樂部采用臨床醫(yī)療設(shè)施以向客戶介紹自己服務(wù)的價(jià)值。勞倫服裝店和像拉斯維加斯的賭場(chǎng)那樣的娛樂場(chǎng)所。這些運(yùn)動(dòng)反對(duì)種族，階級(jí)，性別的障礙，以及作為更大氣候以及好客和住宿基礎(chǔ)的身體能力。另外一種力量正在推動(dòng)室內(nèi)設(shè)計(jì)的演化，擴(kuò)大公眾對(duì)設(shè)計(jì)以及設(shè)計(jì)師的認(rèn)識(shí)。雖然這些企業(yè)了深入了解心理學(xué)，力學(xué)和經(jīng)濟(jì)學(xué)知識(shí)的特殊環(huán)境，但是它們還長期區(qū)別阻礙更有機(jī)結(jié)合的辦法，內(nèi)部的延伸架構(gòu)，甚至外面的風(fēng)景。因此，室內(nèi)設(shè)計(jì)仍然被認(rèn)為是對(duì)專家和業(yè)余人員都開放的領(lǐng)域。 Casa da Musica (2005) in Porto, Portugal (with its inventive use of traditional Portuguese tiles), and Herzog amp。是狼就要練好牙，是羊就要練好腿。不奮斗就是每天都很容易，可一年一年越來越難。s Walker Art Center (2005) in Minneapolis, Minnesota (where stylized acanthusleaf patterns are used to mark gallery entrances). These interiors make an art out of hybridism. They do not simply mix and match period furnishings and styles, but refilter them through a contemporary lens. Another hallmark of the contemporary interior is the overt incorporation of narrative. Tightly themed environments persist in retail spaces such as Ralph Lauren39。原文：Interior DesignSusan YelavichInterior design embraces not only the decoration and furnishing of space, but also considerations of space planning, lighting, and programmatic issues pertaining to user behaviors, ranging from specific issues of accessibility to the nature of the activities to be conducted in the space. The hallmark of interior design today is a new elasticity in typologies, seen most dramatically in the domestication of mercial and public spaces. Interior design enpasses both the programmatic planning and physical treatment of interior space: the projection of its use and the nature of its furnishings and surfaces, that is, walls, floors, and ceilings. Interior design is distinguished from interior decoration in the scope of its purview. Decorators are primarily concerned with the selection of furnishings, while designers integrate the discrete elements of d233。同時(shí)，設(shè)計(jì)公