【正文】 joy through the sacrifice of herself or her weakness overe 3. (uses flashbacks) 2 。斗爭(zhēng)承認(rèn)她的基本權(quán)利和平等作為一個(gè)女人。 has the natural power of linking visual pictures with musical expression, and these two with the feelings 桂冠詩(shī)人（華茲華斯，騷） 一個(gè)強(qiáng)大的表達(dá)詩(shī)人的哲學(xué)和宗教思想，他的懷疑生命，靈魂的自然力量相聯(lián)系的視覺(jué)畫(huà)面與音樂(lè)表現(xiàn)，以及這兩個(gè)與感情 Break Break Break 沖激，沖激，沖激 Crossing The Bar 過(guò)沙洲 Ulysses 尤利西斯 1. the feeling of sadness are contrasted with the carefree, innocent joys of the children and the unfeeling movement of the ship and sea waves。離開(kāi)這個(gè)世界的手段，并進(jìn)入下一個(gè)世界 3 。關(guān)注婦女的命運(yùn)。 Fitzergerald。喬治艾略特） ，也是很關(guān)鍵的現(xiàn)實(shí)主義作家（狄更斯） 2 。 The Mayor of Casterbridge。苔絲的傳遞物質(zhì)的白她的精神已經(jīng)收獲“ 3 。 The Doctor?s Dilemma(political play)) （ 圣瓊（歷史?。? 。 impartial presentation of the social life in a documentary precision。公正地介紹了社會(huì)生活的紀(jì)錄片精度 。 To Let) （三部曲：男人財(cái)產(chǎn) 。 his style is both simple and rich, colloquial and formal, with a quality of metaphysical wit and symbolic vision。一個(gè)古老的歌曲從一個(gè)老農(nóng)婦 . Eliot (1)presents physical disorder and spiritual decadence in the modern western society (2)reflects disillusion and despair of a whole post war generation. anguish, menace, sterility had been afflicting all sensitive members of the postwar generation (3)concerns with the spiritual breakup of a modern civilization in which human life has lost its meaning (4)reflects the 20th century people?s disillusion and frustration in a The Love Song of J. Alfred Prufrock 普魯弗洛克的情歌 The Waste Land 荒原 1. dramatic monologue in ironic tone content:the meditation of an aging young man over the proposing marriage theme:the speaker?s incapability of facing up to love and to life in a sterile upperclass world 2. a landmark and a model of the 20thcentury English poetry (Lyrical Ballads of Wordsworth) meaningless and boring world （ 1 ）提出身體疾病和精 神頹廢在現(xiàn)代西方社會(huì) （ 2 ）反映了幻滅和絕望的整個(gè)戰(zhàn)后一代。 one of the first novelists to introduce themes of psychology into his work。認(rèn)為，健康的個(gè)人的身心發(fā)展奠定了至高無(wú)上的生命沖動(dòng)，或在另一來(lái)看，性沖動(dòng)，使蓄意利 用“四信”字在他的小說(shuō) 。戀愛(ài)中的女人 。 Women in Love。 make a deliberate use of the ―fourletter‖ words in his novels。具有諷刺意味的戲劇性的獨(dú)白中語(yǔ)氣 內(nèi)容：冥 想老化年輕人結(jié)婚的建議 主題：一位發(fā)言者的無(wú)能的面對(duì)愛(ài)情和生活在無(wú)菌上層階級(jí)的世界 2 。 The Lake Isle of Innisfree 茵尼斯弗利島 Down By The Salley Gardens 在闊葉柳花園旁邊 1. sight to escape into an ideal ―fairyland‖ where he could live calmly as a hermit and enjoy the beauty nature 2. an old song from an old peasant woman 1 。為了讓?zhuān)? the predominant possessive instinct of the Forsytes Soames represents the principle that the accumulation of wealth in the aim of life, for he considers everything in terms of one?s property, he never pays any attention to his wife?s thoughts and feelings, he takes her merely as part of his own property. theme: human relationships of the contemporary English Society are merely an extension of property relationships 索姆斯（丈夫） ，艾琳（妻子） ， Bosinney （妻子的情人） 主要所有格本能的 Forsytes 索姆斯代表的原則，積累財(cái)富的目的是生活，因?yàn)樗J(rèn)為一切都在一個(gè)人的財(cái)產(chǎn)，他從未向任何注意他妻子的思想和感情，他需要她僅僅是他自己的財(cái)產(chǎn)。明確和直截了當(dāng)語(yǔ)言 者 (trilogy: The Man of Property。 a clear and straightforward language 傳統(tǒng)的作家，在繼承優(yōu)良傳統(tǒng)的偉大的維多利亞時(shí)代小說(shuō)家的批判現(xiàn)實(shí)主義 。醫(yī)生的困境（政治發(fā)揮） ） a play about the economic oppression of woman 話(huà)劇的經(jīng)濟(jì)壓迫的女人 John A conventional writer, having inherited the fine traditions of the The Man of Property有 產(chǎn) Soames(husband),Irene(wife),Bosinney(wife‘s lover) Galsworthy 約翰 .高爾斯華瑞 great Victorian novelists of the critical realism。的主要議題是扭曲，疏遠(yuǎn)和虐待的關(guān)系 現(xiàn)代主義和現(xiàn)實(shí)主義之間 現(xiàn)代主義是對(duì)現(xiàn)實(shí)的一種反應(yīng)在許多方面 （ 1 ）現(xiàn)代主義反對(duì)理性主義，這是現(xiàn)實(shí)主義的理論基礎(chǔ) （ 2 ）反映現(xiàn)代現(xiàn)實(shí)主義的源頭，一 Gee Bernard Shaw 蕭伯納 :against art for art?s sake, art should serve social purposes by reflecting human life, revealing social contradictions and educating mon people features: problem plays, only one passion: indignation (1)showing one‘s character by the expense of another‘s (2)inversion, Shaw‘s characters are the representatives of ideas, points of view, that shift and alter during the play the forward motion consists not in the unrolling of plot but in the operation of the spirit of discourse ：對(duì)“藝術(shù)為藝術(shù)的緣故” ，藝術(shù)應(yīng)該服務(wù)于社會(huì)的宗旨，反映人類(lèi)生活，揭示社會(huì)矛盾和教育普通民眾 特點(diǎn)：?jiǎn)栴}發(fā)揮，只有一個(gè)激情：憤慨 （ 1 ）顯示一個(gè)人的性格的犧牲他人的 （ 2 ）反演， Shaw 的字符代表的思想，觀點(diǎn)，這一轉(zhuǎn)變和改變的過(guò)程中發(fā)揮 向前運(yùn)動(dòng)的組成中沒(méi)有展開(kāi)的陰謀，但運(yùn)作中的精神話(huà)語(yǔ) Mrs. Warren?s Profession 華倫 夫人的 職業(yè) (St. Joan(historical play)。市長(zhǎng)卡斯特 。斯科特 Fitzergerald 。評(píng)價(jià)：自然（ DHLawrance 。 Theodore Dreiser。 在英勇的楹聯(lián)，戲劇獨(dú)白 聽(tīng)起來(lái)像是韻詩(shī) Gee Eliot 喬治 .艾略特 Pseudonym: Mary Ann Evans founder of stream of consciousness, focus on inner struggle. hereditary influences govern human action. concern for the destiny of woman. the tragedy of women lies in their very birth(hereditary influences) naturalistic and psychological novel 筆名：瑪麗安埃文斯 創(chuàng)始人的“意識(shí)流” ，側(cè)重于內(nèi)心的斗爭(zhēng)。悲傷的感覺(jué)是對(duì)照的是無(wú)憂(yōu)無(wú)慮，天真快樂(lè)的兒童和冷酷運(yùn)動(dòng)船舶和海浪 。她越興奮喜悅通過(guò)犧牲自己或她的弱點(diǎn)克服 3 。在她看來(lái)，人的生命是由永久爭(zhēng)罪和美德，善和惡 Nelly: Catherine‘s old nurse, narrator, told Mr. Lockwood, a temporary tenant the story 和簡(jiǎn)愛(ài)。遠(yuǎn)大前程） the cruelty and hypocrisy of the workhouse system and the dark criminal underworld life 的殘酷和虛偽的濟(jì)貧制度和黑暗的黑社會(huì)生活 The Bronte Sisters 夏治特 .布郎帝 : vast, rough, untouched moorland wilderness 2. Charlotte‘s works are all about the struggle of an individual consciousness towards selfrealization, about some lonely and neglected young women with a fierce longing for love, understanding and a full, happylife. In her mind, man‘s life is posed of perpetual battle between sin and virtue, good and evil ：巨大的，粗糙，原始荒野荒野 Jane Eyre /Charlotte Bronte 簡(jiǎn)愛(ài) Wuthering Heights/Emily Bronte 呼嘯山莊 and Jane Eyre. Rochester: a grimlooking, energetic, quicktempered, but an understanding middleaged man。雙城記 。 Hard Times。 Domeby and Son。下降曼震撼了理論基礎(chǔ)的傳統(tǒng)信仰 （ 2 ）功利主義：它是否能促進(jìn)物質(zhì)幸福 （ 3 ）社會(huì)意識(shí)的作家批評(píng)（ 2 ）的貶值，文化 價(jià)值，漠視人權(quán)冷的感覺(jué) （ 4 ）文學(xué)：規(guī)模和多樣性，浪漫和現(xiàn)實(shí) 現(xiàn)實(shí)主義作家：批評(píng)的社會(huì)，關(guān)注共同的命運(yùn)的人 Charles Di