【正文】 差的斑駁的黑影，峭愣愣如鬼一般；彎彎的楊柳的稀疏的倩影，卻又像是畫在荷葉上。All over this winding stretch of water, what meets the eye is a silken field of leaves, reaching rather high above the surface, like the skirts of dancing girls in all their and there, layers of leaves are dotted with white lotus blossoms, some in demure bloom, others in shy bud, like scattering pearls, or twinkling stars, or beauties just out of the breeze stirs, sending over breaths of fragrance, like faint singing drifting from a distant this moment, a tinythrill shoots through the leaves and lilies, like, a streak of lightning, straight across the forest of leaves, which have been standing shoulder to shoulder, are caught shimmering in an emerald heave of the , the exquisite water is covered from view, and none can tell its colour。這時(shí)候葉子與花也有一絲的頗動(dòng)。I like being in solitude, as much as in it is tonight, basking in a misty moonshine all by myself, I feel I am a free man, free to think of anything, or of that one is obliged to do, or to say, in the daytime, can be very well cast aside is the beauty of being the moment, just let me indulge in this profusion of moonlight and lotus ，彌望的是田田的葉子。白天里一定要做的事，一定要說的話，現(xiàn)在都可不理。now at night, it looks mare solitary, in a lush, shady ambience of trees all around the the side where the path is, there are willows, interlaced with some others whose names I do not foliage, which, in a moonless night, would loom somewhat frighteningly dark, looks very nice tonight, although the moonlight is not more than a thin, grayish ，背著手踱著。路的一旁，是些楊柳，和一些不知道名字的樹。the laughter of children playing outside had died away。今晚在院子里坐著乘涼，忽然想起日日走過的荷塘，在這滿月的光里，總該另有一番樣子吧。月亮漸漸地升高了，墻外馬路上孩子們的歡笑，已經(jīng)聽不見了；妻在屋里拍著閏兒，迷迷糊糊地哼著眠歌。in the morn, my wife was patting the son, Runer, sleepily humming a cradle on an overcoat, quietly, 1 made my way out, closing the door behind 。沒有月光的晚上，這路上陰森森的，有些怕人。這一片天地好像是我的；我也像超出了平常的自己，到了另一世界里。這是獨(dú)處的妙處；我且受用這無邊的荷香月色好了。葉子出水很高，像亭亭的舞女的裙。葉子本是肩并肩密密地挨著，這便宛然有了一道凝碧的波痕。yet the leaves on top project themselves all the more ，靜靜地瀉在這一片葉子和花上。塘中的月色并不均勻；但光與影有著和諧的旋律，如梵炯鈴上奏著的名曲。這些樹將一片荷塘重重圍住；只在小路一旁，漏著幾段空隙，像是特為月光留下的。樹縫里也漏著一兩點(diǎn)路燈光，沒精打采的，是渴睡人的眼。采蓮是江南的舊俗。那是一個(gè)熱鬧。So those charming youngsters rote their sampans, heart buoyant with tacit lone, pass on to each other cups of wire while their birdshaped prows drift throe to time their oars are caught in dangling alga, and duckweed flow apart the moment their boats are about to mote slender figures, girdled with plain silk, tread watchfully on is the time when spring is grating into summer, the leaves a tender green and the flowers bloomingamong which the girls are giggling when evading an outreaching stem, their skirts tucked in for fear that the sampan might 。/ Lowering my head I toy with the laws seeds./ Look, they are as fresh as the waster ，這兒的蓮花也算得“過人頭”了；只不見一些流水的影子，是不行的；這令我到底惦著江南了——這樣想著，猛一抬頭，不覺已是自己的門前；輕輕地推門進(jìn)去，什么聲息也沒有，妻已睡熟好久了。在這些美文中，朱自清的《荷塘月色》更顯美得純潔，美得成熟。賞析本文也就必須從這“三真”入手，而在這“三真”中，對(duì)語言的真切的分析又當(dāng)為揭示其他“二真”的必由門徑。這里的荷塘不會(huì)是“接天蓮葉無窮碧，映日荷花別樣紅”；這里的月色也不能是“玉戶簾中卷不去，搗衣砧上拂還來”?！比绻覀儝侀_特定的環(huán)境，用“青翠的玉盤”來比喻荷葉行嗎？當(dāng)然行，而且表現(xiàn)力還相當(dāng)強(qiáng)。寫荷花，原文連用了三個(gè)比喻：“層層的葉子中間，零星地點(diǎn)綴著些白花，有裊娜地開著的，有羞澀地打著朵兒的；正如一粒粒明珠，又如碧天里的星星，又如剛出浴的美人。但在這里不行?！边@種斷斷續(xù)續(xù)，似有似無的感覺絕不會(huì)產(chǎn)生于書聲瑯瑯的清晨，也不會(huì)產(chǎn)生于陽光刺目的中午，只能產(chǎn)生于“墻外馬路上孩子們的歡笑，已經(jīng)聽不見了”的寂靜的月夜?！案咛巺采墓嗄?，落下參差的斑駁的黑影；彎彎的楊柳的倩影，卻又象是畫在荷葉上。荷塘里“微風(fēng)過處??葉子與花也有一絲的顫動(dòng)，象閃電般，霎時(shí)傳過荷塘那邊去了，葉子本是肩并肩密密地挨著，這便宛然有了一道凝碧的波痕。二 以真言抒真情文壇許多作家為了寫出不朽之作，都刻意追求作品能反映自己的真情實(shí)感，但文章寫出來，又往往給人矯揉造作之嫌。本文少有直接抒情的句子，但透過寫景的詞語便不難體察作者當(dāng)時(shí)喜悅的心情。試想，面前立一群“剛出水的美人”，表現(xiàn)出的喜悅還能是“淡淡的”嗎？在整個(gè)寫景過程中一直充溢著這種“淡淡的喜悅”，但原文在“落下參差的斑駁的黑影”后還有一句“峭楞楞如鬼一般”；僅此一句，就足以攪擾了溫馨的美景，破壞了喜悅的心情?！闭Z中置一“覺”字，文章便增添了無窮意味；少這一字，則真成了自由的人，那就只有喜悅，沒了哀愁?！泵鑼懧窡?，盡選消極的詞語和事物，而且句式舒緩，語調(diào)低沉，讀者從字里行間似乎能聽到作者無可奈何的嘆息聲。當(dāng)然，課堂教學(xué)不同于單純的文學(xué)欣賞，它不能僅僅局限于評(píng)價(jià)某篇文章的美學(xué)意義，而是重在激發(fā)學(xué)生學(xué)習(xí)散文的興趣，傳授賞析這類散文的方法：即自覺地運(yùn)用比較的方法認(rèn)識(shí)散文的語言美，并在分析語