【正文】 ign figures of the drooping willows, here and there, lank like paintings on the lotus moonlight is not spread evenly over the pond, but rather in a harmonious rhythm of light and shade, like a famous melody played on a ，遠(yuǎn)遠(yuǎn)近近，高高低低都是樹(shù)，幾而楊柳最多。這些樹(shù)將一片荷塘重重圍??；只在小路一旁，漏著幾段空隙，像是特為月光留下的。樹(shù)色一例是陰陰的，乍看像一團(tuán)煙霧。但楊柳的豐姿，便在煙霧里也辨得出。樹(shù)梢上隱隱約約的是一帶遠(yuǎn)山，只有些大意罷了。樹(shù)縫里也漏著一兩點(diǎn)路燈光，沒(méi)精打采的，是渴睡人的眼。這時(shí)候最熱鬧的，要數(shù)樹(shù)上的蟬聲與水里的蛙聲；但熱鬧是它們的，我什么也沒(méi)有。Around the pond, far anti near, high and low, are of them are on the path side, can taro or three gap。he seen through the heavy fringe, as if specially reserved for the shadowy shapes of the leafage at first sight seem diffused into a mass of mist, against which, however, the charm of those willow trees is still the trees appear some distant mountains, but merely in sketchy the branches are also a couple of lamps, as listless as sleepy most lively creatures here, for the moment, must he the cicadas in the trees and the frogs in the the liveliness is theirs, I have 。采蓮是江南的舊俗。似乎很早就有，而六朝時(shí)為盛；從詩(shī)歌里可以約略知道。采蓮的是少年的女子，她們是蕩著小船，唱著艷歌去的。采蓮人不用說(shuō)很多，還有看采蓮的人。那是一個(gè)熱鬧。的季節(jié)，也是一個(gè)風(fēng)流的季節(jié)。梁元帝《采蓮斌》里說(shuō)得好：Suddenly, something like lotusgathering crosses my used to he celebrated as a folk festival in the South, probably dating very far hack in history, mast popular in the period of Six can pick up some outlines of this activity in the was young girls who went gathering lotuses, in sampans and singing love to say, there were a great number of them doing the gathering, apart from those who were was a lively season, brimming with vitality, and brilliant description can be found in lotus Gathering written by the Yuan Emperor of the liang Dynasty:于是妖童破女，蕩舟心許：鶴首徐回，兼?zhèn)饔鸨?；掉將移而藻掛，船欲?dòng)而萍開(kāi)。爾其纖腰束素，遷延顧步；夏始春余，葉嫩花初，恐沾裘而淺笑，畏傾船而斂裾。So those charming youngsters rote their sampans, heart buoyant with tacit lone, pass on to each other cups of wire while their birdshaped prows drift throe to time their oars are caught in dangling alga, and duckweed flow apart the moment their boats are about to mote slender figures, girdled with plain silk, tread watchfully on is the time when spring is grating into summer, the leaves a tender green and the flowers bloomingamong which the girls are giggling when evading an outreaching stem, their skirts tucked in for fear that the sampan might 。這真是有趣的事，可惜我們現(xiàn)在早已無(wú)福消受了。That is a glimpse of those merrymaking must have been fascinating: but unfortunately we have long been denied such a 《西州曲》里的句子：Then I recall those lines in Ballad of Xizhou Island:采蓮南塘秋，蓮花過(guò)人頭尹低頭弄蓮子，蓮子清如水。Gathering the lotus, I ant in the South Pond, / The lilies in autumn reach over my head。/ Lowering my head I toy with the laws seeds./ Look, they are as fresh as the waster ，這兒的蓮花也算得“過(guò)人頭”了；只不見(jiàn)一些流水的影子，是不行的；這令我到底惦著江南了——這樣想著，猛一抬頭，不覺(jué)已是自己的門前；輕輕地推門進(jìn)去，什么聲息也沒(méi)有，妻已睡熟好久了。If there were somebody gathering lotuses tonight, she could tell that the lilies here are high enough to “reach over her head”。but, one would certainly miss the sight of the my memories drift back to the South after in my thoughts, I looked up, just to find myself at the door of my own I pushed the door open and walked a sound inside, my wife had been fast asleep for quite a ，北京清華園Qinghua Campus, BeijingJuly, ：滬江網(wǎng)高度重視知識(shí)產(chǎn)權(quán)保護(hù)，發(fā)現(xiàn)本網(wǎng)站發(fā)布的信息包含有侵犯其著作權(quán)的鏈接內(nèi)容時(shí)，請(qǐng)聯(lián)系我們，我們將做相應(yīng)處理。第二篇：朱自清《荷塘月色》賞析朱自清《荷塘月色》賞析立真言、寫真景、抒真情——朱自清《荷塘月色》賞析孫恒星中學(xué)教材散文單元所選的文章都是些借景抒情，托物言志之類的作品，即所謂的狹義的散文，文史亦稱美文。在這些美文中，朱自清的《荷塘月色》更顯美得純潔，美得成熟?！逗伞肺闹悦?，就在于作品營(yíng)造出了一個(gè)深邃清幽的意境。散文的意境有三個(gè)必備的要素，即語(yǔ)言的真切，景物的真實(shí)，情感的真摯。本文正是以真切的語(yǔ)言描繪一幅真實(shí)的景物，抒發(fā)出了長(zhǎng)期郁積于內(nèi)心深處的真摯的情感。賞析本文也就必須從這“三真”入手，而在這“三真”中，對(duì)語(yǔ)言的真切的分析又當(dāng)為揭示其他“二真”的必由門徑。一 以真言寫真景《荷塘月色》描寫了哪些景物呢？文題標(biāo)得明白：一是荷塘，一是月色。在歷代詩(shī)文中寫荷塘的不少，寫月色的更多。但本文的“荷塘”、“月色”絕對(duì)區(qū)別于其他的“荷塘”、“月色”。這里的荷塘不會(huì)是“接天蓮葉無(wú)窮碧，映日荷花別樣紅”；這里的月色也不能是“玉戶簾中卷不去，搗衣砧上拂還來(lái)”。這里的荷塘是“月下的荷塘”，這里的月色是“荷塘的月色