【正文】
前途。s culture and spirit of thousands of years of accumulation, any one of the people who care about Chinese culture, will be interested in Chinese characters. And as a reflection of social phenomena and to convey important information to the public the graphic design, more should be the art of vision and explore the beauty of Chinese characters, very good use of Chinese characters this excellent design elements, make a more artistic work, so that more people realize that we are not just a daily book written symbols, but in the writing of the great art. Catalog The introduction of... 1 of...,... Graphic design and the nature of the nature of Chinese characters More to explore the characteristics of Chinese characters more accurate use of Chinese characters to carry the information.....4 The conclusion is that... 9 of the... References... 10... To...,...,... Lead language In Japan, Mr. White Muzhang designer works, showing a vivid Chinese characters of the world. Is not a simple accumulation of text symbols, each word seems to have been restored from the world of the symbol, with them from the mysterious atmosphere of the ancient times. This form of writing, causing a new understanding of Chinese characters. Chinese characters is the only full of vitality of the ideographic characters, with graphic design drawing record of human philosophy. Using text to carry out graphic design, we should not use the light is its shape, but more importantly, it39。 all descendants of wisdom, from the Chinese character record get further revelation and improve. Therefore, the Chinese character is not only the Chinese nation into the dawn of the century civilization, and civilization can be long ball and continue the inheritance of development tools. 2 characteristics of Chinese characters In many graphic design works, more and more designers begin to use Chinese characters as design elements. This is not only because the form of the Chinese characters themselves, but also because the Chinese characters on behalf of the Chinese traditional culture, more and more people39。s work, with their own experience to confirm, and ultimately understand the ideas expressed by the designer. American designer Pulos said: people always think that the design has three dimensions: aesthetics, technology and economy, but more important is the fourth dimension: human nature. The concept of human nature has been generalized today, how to make our local culture to reflect? To restore the original information of Chinese characters should be said to be a shortcut. In the process of pursuing the origin of Chinese characters, to understand Chinese culture, which is to improve the designer39。s image, meaning the Chinese postal service for this, fast, safe, courteous. It is widely used in modern design to explore the deep cultural accumulation in Chinese characters. In addition to the logo design, whether it is decoration, books, posters, advertising, or environmental art design, should fully explore Chinese characters contained in Chinese philosophy, engaged in design work, we should attach importance to the study and training, make the abstract art of Chinese characters to produce greater charm in modern design. 。s contemporary design is not as good as Japan? We may have too much emphasis on the form of the aspect, and neglect the content and artistic conception of the design work itself. Japanese to Li fiber slender, simple indifferent as the aesthetic charm, forming a Mononoaware and empty, elegant, mysterious aesthetic idea. Chinese characters by Japanese design into the infinite daydream, and has bee a powerful weapon in their works outside the thinking space of the blank. Yu Yu me