【正文】 s image, meaning the Chinese postal service for this, fast, safe, courteous. It is widely used in modern design to explore the deep cultural accumulation in Chinese characters. In addition to the logo design, whether it is decoration, books, posters, advertising, or environmental art design, should fully explore Chinese characters contained in Chinese philosophy, engaged in design work, we should attach importance to the study and training, make the abstract art of Chinese characters to produce greater charm in modern design. 。s contemporary design is not as good as Japan? We may have too much emphasis on the form of the aspect, and neglect the content and artistic conception of the design work itself. Japanese to Li fiber slender, simple indifferent as the aesthetic charm, forming a Mononoaware and empty, elegant, mysterious aesthetic idea. Chinese characters by Japanese design into the infinite daydream, and has bee a powerful weapon in their works outside the thinking space of the blank. Yu Yu means to music, and pay attention to the disease. The charm of the Chinese characters as abstract graphics is not like that. Knot theory In the context of world economic integration, how do we use the text to carry out graphic design? Chinese characters are not universal in the world, but the characters themselves represent one or more significance. In the face of the global economic integration process, we will use the Chinese characters directly to the logo is obviously not feasible, so that we can only make our work is corrupt and vulgar. But understanding of Chinese characters meaning and construction method, we put the Chinese character pithy summary of the characteristics of images and the use of graphic design, is not a bad idea. For example, the symbol of China Post, from the middle of the ancient Chinese characters. It means a long spike flags fluttering. Postal markings it gives new meaning. On the one hand, maintain in word of oldfashioned, a symbol of China Postal banner, has been keeping a good image in the public。s work, with their own experience to confirm, and ultimately understand the ideas expressed by the designer. American designer Pulos said: people always think that the design has three dimensions: aesthetics, technology and economy, but more important is the fourth dimension: human nature. The concept of human nature has been generalized today, how to make our local culture to reflect? To restore the original information of Chinese characters should be said to be a shortcut. In the process of pursuing the origin of Chinese characters, to understand Chinese culture, which is to improve the designer39。s symbolic, but the thinking is a kind of choice, bination, conversion and regeneration of the symbols. Therefore it can be said that people are thinking of using symbols, symbols are the subject of thinking. Graphic design is the message for the purpose, in the twodimensional space on the images of the position, scale, mutual relationship planning. No doubt, this is a thinking process. But at the same time, it is not a normal thinking process. This is a thinking process that begins with the design of the designer, and continues to the psychological activity of the audience, and this kind of continuity is dependent on the graphics as the main body of thought. B. Chinese characters are a graphic design. Chinese character is to carry information, and character itself is on behalf of the Chinese people in the twodimensional space of stippling selection, bination, transformation, regeneration, so that a certain amount of information products. From the analysis of the principle of the symbol, the Chinese character is a kind of symbol, which is