淺析王紹波水彩畫-在線瀏覽
2024-09-15 09:17本頁面
【正文】 does not change form is not to change its fundamental under do innovation, use of watercolor is not without reason, Mr. Wang Shaobo advocated the bination of Chinese watercolor painting innovation, he concentrated on painting artistic thought of emotional expression, language and form, in this way the art innovation, seen from his village scenery is not difficult, the the Chinese and Western culture in the watercolor painting ingenious union, which not only has the watercolor water rhyme, but also the performance of China painting watercolor art charm of the road. Chinese and Western integration。 emotional expression引言水彩畫本是西方的繪畫方式，在兩百多年前傳入中國，歷經(jīng)波折終是走向了成熟，被中國的大師們用本民族的繪畫藝術(shù)所包裝，升級，使其達(dá)到了民族的融合，讓中國式的水彩畫加入了山水畫的韻味。自有法入，得無法出。毫無玄虛不用害怕。王紹波先生作為當(dāng)代水彩領(lǐng)導(dǎo)者之一，他以自己讀到的見解，特有的洞察力，將中國山水畫的神韻氣度淋漓盡致的融入到西方藝術(shù)之中，走出了自己獨有的一路。創(chuàng)立有高度技藝水平和藝術(shù)感染力的中國水彩。道出了中西融合下的水彩藝術(shù)之路。不但將中國畫中的元素充分的表現(xiàn)出，水彩畫的韻味也并不缺失韻味與節(jié)奏,欣賞先生之水彩風(fēng)景，不難發(fā)現(xiàn)，尤以山村風(fēng)景畫為主，在其畫中尤以樹最具靈性與韻味，觀其樹之枝干，疏密有度，干枯結(jié)合，有一定的氣韻和力場在其中。不同中有著共性，富有一種
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