【正文】 這首詩描寫了一群在田野里采芣苢的農(nóng)家姑娘，作者并未對正在勞動的女性外貌體態(tài)如何做具體詳盡的描寫，而是從側(cè)面，在一副真切動人的勞動場景中，給我們無限的想象空間，將那群勞動女性的音容笑貌乃至神韻體態(tài)自然而然的呈現(xiàn)在我們讀者眼前。周南 嗟我懷人，寘彼 周行 。 我姑酌彼 金罍 ， 維以不永懷 。 我姑酌彼兕觥 ， 維以不永傷 。 ” 《 卷耳 》是一篇抒寫懷人情感的名作 ，歷來被人們所稱頌。作者并未對思婦的外貌以及裝扮做詳細的介紹，但當我們讀完全詩，我們眼前仿佛浮現(xiàn)出那位思婦的樣子：消瘦的身形， 緊皺的眉頭、 哀傷 的神情，縈繞著 久久不散的嘆息，女子的體態(tài)神韻等等自然而然的展現(xiàn)出來。作者對思婦的外貌并不做詳細的介紹，而是將其置身于采摘卷耳這一普通勞作場景中，一采三嘆，一采三思，故而終究是“ 不盈頃筐”。 因此 ，我們說 《詩經(jīng)》中的女性外貌 描寫大多是采用側(cè)面烘托的方式，呈給讀者 一種真實 和諧 感，這種在具體場景中的女性形象也顯得清新自然，即“天然去雕飾”⑤之美?！对娊?jīng)》中有許多以物來形容女子外貌的句子，比喻形式多樣。如 “ 桃之夭夭 ,灼灼其華。 桃之夭夭 ,有蕡其實。 桃之夭夭 ,其葉蓁蓁。 ” （《周南 “有女同車 ,顏如舜華 (英 )。有女同車》）用木槿花的嬌艷美麗比喻展現(xiàn)同車女美妙的容顏?！保?《鄭風(fēng) 以草木比喻女子 ,在《詩經(jīng)》中也很常見，下面略句幾例 “ 靜女其孌 ,貽我彤管。自牧歸荑 ,洵美目異。靜女》） “ 手如柔荑 ”（《衛(wèi)風(fēng) “彼澤之陂，有蒲與荷。 又如 對女子身體部位或者氣質(zhì)神韻 的比喻 : “ 自伯之東，首如飛蓬 ”（《衛(wèi)風(fēng) 3 “鬢發(fā)如云? ?胡然而天也 ,胡然而帝也 ! （《鄘風(fēng) “月出皎兮 ,佼人僚兮? ?月出皓兮 ,佼人 兮? ?月出照兮 ,佼人燎兮。月出》）以月亮比喻女子的純潔淡雅的神韻氣質(zhì)。正是因為這些比喻的出現(xiàn)， 才 使 得《詩經(jīng)》中女子外貌特征更加突出，女子形象更加的鮮明， 對后世人們刻畫人物形象提供了優(yōu)秀的典范，對后世文學(xué)產(chǎn)生了巨大的影響。 有時是直接的外貌描摹， 如對女性形態(tài)的評述，對女子膚色、頭發(fā)、五官等的描寫；有時是間接描寫，如用具體現(xiàn)實環(huán)境烘托，或者比興的手法； 甚至于二者相互結(jié)合； 無論是直接描寫、間接描寫或者二者相結(jié)合，都表現(xiàn)出了自己獨特高超 的寫作技巧， 展現(xiàn)出了自身獨特的特點， 對后世 文學(xué)的發(fā)展 產(chǎn)生了巨大的影響。s Shaanxi province pass through a stop on the ancient Silk Road, Gansu39。80s. We sat on the back of pickup trucks for hours. The sky was blue, and we couldn39。t have a formal stage. The audience just sat on the grass. Usually, the performances became a big party with local people joining in. For him, the rewarding part about touring isn39。s performers of the troupe still tour the region39。s Poly Theater. Their show, titled Ulan Muqir on the Grassland, depicted the history and development of the art troupe. Being from the region allowed me to embrace the culture of Inner Mongolia and being a member of the troupe showed me where I belonged, Nasun, the art troupe39。s Liaoning province, decades ago. The solider gave the old man a handmade saddle when they bid farewell. The story inspired Nasun to write Carved Saddle, a song that later became one of his most popular numbers. Now, every year, Nasun recruits young singers and dancers for the troupe. The troupe has also designed a new repertoire, which is mostly based on the daily lives of Mongolian people, especially the lives of nomadic families, and has bined contemporary musical elements with folk songs of the region. Haimu, a 25yearold khoomei (a local variant of overtone singing) singer, joined the troupe three years ago. Along with a sixmember band, he performs fast songs and soft ones that he writes－ all while playing the horsehead fiddle.Although I learned the piano since childhood and grew up listening to various kinds of music, to me, the folk music of Inner Mongolia is the root, he says. Performing in remote villages is pleasant. I feel at home on the boundless grasslands, and the warm people there make me feel fulfilled. The first round of spring auction season in Beijing ended last week, but it failed to create much spring in the art market. Although two pieces of Chinese painting fetched more than 100 million yuan, the decline in trading volume and sale rate showed a downturn this year. In the ―Grand View: Chinese Painting Highlight‖ session at China Guardian 2022 spring auctions, Pan Tianshou’s representative work Eagle, Rock and Flora hit a record auction price of 279 million yuan, while Li Keran’s masterwork Jinggang Mountain fetched million yuan, an unexpected high in recent years. However, the trading volume fells to billion yuan from billion yuan in the same period the year before. The Huangchen 2022 Spring Auctions, which recorded million yuan in total sales, experienced the same. The section number went down to 5 from 12 pared to last year. According to expert Shao Jianwu, the art market did not attract much excitement this year due to the booming stock market and the persistent problems of fery and fake deals. The two pieces of Chinese painting notched up high price this spring due to their own value not due to a revival in the market. The successful transaction of two works w