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that he liked. With Emmy, the opera took only two weeks to finish. It was called Cradle Falling, and it was a great success! Cope received some of the best reviews of his career, but no one knew exactly how he had posed the work. 幾年后,科普的軟件 “艾米 ”已 經(jīng)能夠幫助他創(chuàng)作歌劇了。他進一步完善他的軟件,不久它就能夠?qū)懗龈鼜碗s的音樂了。它們并不完美,但這只是個開始??破盏能浖⑦@些數(shù)據(jù)進行分析:首先它講音樂拆解成小的片段,從中找出固定模式,然后將片段合成新的模式。 According to Cope, only the great posers are able to create the database accurately, remember it, and form new musical patterns from 普認為,只有偉大的作曲家才能 建立好的數(shù)據(jù)庫,并且能熟記于心,從而創(chuàng)造出新的音樂??破帐窃趺醋龅哪?? He began to rethink how human beings pose music. 他開始重新考慮人們作曲的方式。 all started in 1980 in the United States, when Cope was try