【正文】 大旅游的需要，是武當(dāng)山旅游經(jīng)濟(jì)發(fā)展的必然趨勢。據(jù)不完全統(tǒng)計，全國現(xiàn)已發(fā)展國家級森林公園大約有220多家，省級森林公園發(fā)展大約有700多家，到森林中的游客大約在2億人以上。東線旅游的迅猛發(fā)展為武當(dāng)山森林公園開發(fā)、建設(shè)與發(fā)展提供了成功經(jīng)驗和“藍(lán)本”，在此基礎(chǔ)上更好的建設(shè)與完善，這是社會發(fā)展的客觀要求，也是人們回歸大自然的實(shí)際需要，更是旅游發(fā)展的朝陽產(chǎn)業(yè)（即無煙環(huán)保工廠）。二、項目建設(shè)的可行性“兩山一江”（武當(dāng)山、神農(nóng)架和三峽）是湖北省旅游發(fā)展的重中之重，并作為湖北旅游的王牌產(chǎn)品進(jìn)行重點(diǎn)開發(fā)與建設(shè)。因此，為了更好地保護(hù)、開發(fā)和利用武當(dāng)山世界文化遺產(chǎn)，保護(hù)森林資源生態(tài)環(huán)境，深度開發(fā)森林資源，形成武當(dāng)山東、西線循環(huán)旅游圈，同構(gòu)互動，培植武當(dāng)山旅游經(jīng)濟(jì)新的增長點(diǎn)，進(jìn)一步推動武當(dāng)山旅游事業(yè)穩(wěn)步、快速和健康發(fā)展。第三章 項目建設(shè)的必要性和可行性一、項目建設(shè)的必要性武當(dāng)山西神道即武當(dāng)山國家森林公園是武當(dāng)山旅游風(fēng)景區(qū)又一核心部位，其原始森林和人工林相互交錯，層巒疊嶂，谷澗縱橫，潭泉相映，環(huán)境幽雅，氣候宜人。旅游業(yè)在改善當(dāng)?shù)氐纳鐣?jīng)濟(jì)發(fā)展條件、擺脫貧困、積累財富和增強(qiáng)地域的綜合經(jīng)濟(jì)實(shí)力等方面扮演著重要的角色。武當(dāng)山特區(qū)以湖北省省委、省政府“6二、社會經(jīng)濟(jì)條件武當(dāng)山特區(qū)2005年全年實(shí)現(xiàn)國內(nèi)生產(chǎn)總值45000萬元，%；完成財政收入4670萬元，同比增長18%；接待旅游人數(shù)73萬人次，%；門票收入3361萬元，同比增長26%；農(nóng)民年人均純收入2498元，同比凈增74元。從五龍宮門登山，為“榔梅臺”，立有“勒五龍宮道士李素希碑”，記述了明永樂三年（14051406年間），李素希將榔梅果子進(jìn)貢給皇上及厚賜的經(jīng)過。在玉像殿山坡下尚存元至元四年（1338年）所立的“大五龍靈應(yīng)萬壽宮碑”和大量的明代碑刻，記述了五龍宮的興廢始末。其神態(tài)安恙泰然，莊嚴(yán)肅穆。出宮門，有兩夾道九曲十八折，極為壯觀?，F(xiàn)存宮門，龍虎殿紅墻，碑亭及泉池，五口古井等，建筑面積達(dá)9萬多平方米，占地面積25萬平方米。嘉靖年間，廟房護(hù)點(diǎn)達(dá)850間。元朝末年毀于兵火。到宋孝宗淳熙九年（1182年）時，又賜靈應(yīng)觀。五龍君顯靈，降下甘霖，解除了旱情。公園內(nèi)自然資源、水資源、人文景觀、土特產(chǎn)資源等都十分豐富，主要景點(diǎn)五龍宮是武當(dāng)山山岳中最早、最大的宮殿。在武當(dāng)山72峰中，森林公園有24峰；武當(dāng)山36巖24洞，森林公園各占一半；武當(dāng)山9泉，森林公園占5泉；武當(dāng)山10池，森林公園占7池；武當(dāng)山9觀，森林公園占4觀；武當(dāng)山700多種藥材，森林公園占60%?！背尸F(xiàn)出莊嚴(yán)、威武、玄妙和神奇。武當(dāng)山作為道教仙山、名山，古代建筑源遠(yuǎn)流長，歷史悠久，是中國古代文化，也是人類建筑寶庫中的一份珍貴的遺產(chǎn)。（三）人文資源條件武當(dāng)山道教建筑，始建于唐貞觀年間（627－649），宋元時期進(jìn)一步擴(kuò)大了建筑規(guī)模。川鼢、玉龍絨鼠在次首次發(fā)現(xiàn)，林間潭溪還有珍貴的娃娃魚分布。動物資源森林是兩棲動物生存繁衍和棲居的場所，武當(dāng)山國家森林公園動物資源非常豐富。有種類繁多的林下植物，尤其是中草藥植物十分豐富。武當(dāng)山國家森林公園內(nèi)森林資源豐富，據(jù)普查，樹種資源共有152科、443屬、751種，其中受國家保護(hù)的樹種有24科、33屬、46種，如銀杏、鐵堅杉、園柏、高山櫟等。海拔500米以下，多為馬尾松、杉木、柏類、櫟類等用林木樹種和油桐、烏桕、柑桔、板栗等經(jīng)濟(jì)林，林下多為馬桑等灌木樹種。武當(dāng)山國家森林公園森林植被屬北亞熱帶落葉闊葉與常綠闊葉混交林帶，鄂西北低山松櫟混交植被區(qū)?！?，℃，℃，不小于10℃天數(shù)220－240天，全年日照數(shù)2200小時，年日照率56%，無霜期260天，一年降雨量936毫米，大氣相對濕度約為80%。主要有紅桐河、東河等兩大流域。31′24″，東與武當(dāng)山太子坡景區(qū)和南巖景區(qū)毗鄰，南依原始森林神農(nóng)架，西與車城十堰接壤，北臨南水北調(diào)中線取水源地丹江口水庫。02′39″，北緯32176。第二章 項目背景概況一、資源條件（一）自然地理狀況地理位置武當(dāng)山國家森林公園地處道教武當(dāng)山北麓，漢江南岸，其地理位置是東徑110176。因此，有效整合武當(dāng)山旅游資源，進(jìn)一步提升武當(dāng)山旅游整體上水平，培植武當(dāng)山旅游經(jīng)濟(jì)新的增長點(diǎn)，帶來更大的生態(tài)效益、社會效益和經(jīng)濟(jì)效益。通過開發(fā)和建設(shè)一些相關(guān)的瀏覽和娛樂服務(wù)配套設(shè)施，為中外游客提供全方位的“行、游、住、食、購、娛”基本條件，實(shí)現(xiàn)“旅游觀光、休閑度假、療養(yǎng)避暑、天然沐浴、漂流探險、青少年野營、文化娛樂、商貿(mào)洽談”于一體的綜合性國家級一流森林公園，成為武當(dāng)山風(fēng)景區(qū)的后花園。同時，也可獨(dú)樹一幟，其森林覆蓋率達(dá)84%以上，以自然風(fēng)光優(yōu)美、人文古建筑眾多、生態(tài)環(huán)境優(yōu)越而著稱。該公園是通過有關(guān)專家考察、論證，經(jīng)原國家林業(yè)部林造批字[1992]108號、湖北省林業(yè)廳鄂林場字[1992]222號等文件批復(fù)，于1992年8月建立，并與武當(dāng)山東神道緊密相聯(lián)，唇齒相依，主要由五龍宮、仁威觀、魯家寨和東河等四大景區(qū)構(gòu)成，約占武當(dāng)山旅游風(fēng)景區(qū)的三分之一，是武當(dāng)山旅游風(fēng)景區(qū)不可分割的重要組成部分。17”武當(dāng)山現(xiàn)場辦公會議以后，賦予武當(dāng)山縣市級政府管理職能和權(quán)限，實(shí)行封閉式的管理，并提出了“保護(hù)為主，合理利用，科學(xué)規(guī)劃，嚴(yán)格管理”的十六字方針，武當(dāng)山特區(qū)以“創(chuàng)世界知名風(fēng)景區(qū)，建中國山水園林城”為宏偉目標(biāo)，武當(dāng)山特區(qū)在湖北省委、省政府和十堰市委、市政府的正確領(lǐng)導(dǎo)下，在社會各界人士的大力支持下，團(tuán)結(jié)一心，扎實(shí)工作，開拓創(chuàng)新，穩(wěn)步推進(jìn)，使武當(dāng)山風(fēng)景區(qū)面貌日新月異，旅游事業(yè)蓬勃發(fā)展，旅游數(shù)量穩(wěn)中遞增，旅游經(jīng)濟(jì)收入不斷增加。武當(dāng)山東神道于1984年對外開放，已成為武當(dāng)山旅游熱線。一千多年來，武當(dāng)山積淀了異常深厚、源遠(yuǎn)流長的武當(dāng)文化（含道教文化、古建筑文化、武當(dāng)武術(shù)及武當(dāng)民俗風(fēng)情文化等）。, but an island of refuge from sleepless night, chaos, loneliness, old age, the meaninglessness of life, and impending death. In some novels and stories, some characters are symbolic. Such characters usually appear briefly and remain slightly mysterious. In Joseph Cornard’s Heart of Darkness, a steamship pany that hires men to work in Congo maintains in its waiting room two women who knit black wool—they symbolize the classical Fates. Such a character is seen as a portrait rather than as a person, at least portrait like. Faulkner’s Miss Emily, twice appears at a window of her houses “l(fā)ike the carven torso of an idol in the niche.” Though Faulkner invests her with life and vigor, he also clothes her in symbolic hints: she seems almost to第一章 項目概述一、項目名稱：武當(dāng)山國家森林公園旅游建設(shè)項目二、項目承辦單位簡況（一）建設(shè)單位：湖北省十堰市武當(dāng)山生態(tài)旅游有限公司（二）建設(shè)地址：武當(dāng)山風(fēng)景名勝區(qū)西神道（三）項目負(fù)責(zé)人：李金山（四）聯(lián)系電話：071956653213477978038（五）總 投 資：約3億人民幣（六）建 設(shè) 期：3—5年三、項目簡介武當(dāng)山是世界文化遺產(chǎn)、我國著名道教圣地和國家級風(fēng)景名勝區(qū)，位于湖北省十堰市境內(nèi)漢江上游南岸，山體地質(zhì)、區(qū)域峰林地貌、氣候垂直變化和野生動植物融為一體，形成絢麗的自然景觀，區(qū)域面積312平方公里。 its syllables, the narrator tells us, “cast an Eastern enchantment over me.” Even a locale, or a feature of physical topography, can provide rich symbolic suggestions. The caf233。3. Symbols in fiction are inanimate objectsLiterary symbols are of two broad types: one type includes those embodying universal suggestions of meaning. Flowing water suggests time and eternity, a journey into the underworld and return from it is interpreted as a spiritual experience or a dark night of the soul, and a kind of redemptive odyssey. Such symbols are used widely (and sometimes unconsciously) in western literature. The other type of symbol secures its suggestiveness not from qualities inherent in itself but from the way in which it is used in a given work, in a special context. Thus, in MobyDick the voyage, the land, and the ocean are objects pregnant with meanings that seem almost independent of the author’s use of them in the story。2. There are two broad types of literary symbolsSymbolism it is, rather, a symbol the poet or the writer adopts for the purpose of his/her work, and it is to be understood only in the context of that work. It differs from the kind of symbol illustrated by the figure 3 because it is concrete and specific. A poet or a writer uses symbols for the same reason he/ she uses similes, metaphors, and images, etc: they help to express his/her meaning in a way that will appeal to the senses and to the emotions of the reader. Most symbols, in literature and everyday life as well, possess a tremendous condensing power. Their focusing on the relationships between the visible (audible) and what they suggest can kindle it into a single impact. Of course, in literary works, symbols, unlike those in ordinary life, usually do not “stand for” any one meaning, nor for anything absolutely definite。In F. Scott Fitzgerald’s novel The Great Gatsby, a huge pair of bespectacled eyes stares across a wildness of ash heaps from a billboard advertising the services of an oculist. Repeatedly appearing in the story, the bespectacled eyes e to mean more than simply the availability of eye examination. A character in the story pares it to the eyes of God。 and words are also symbols. (P. 218. Oxford Concise Dictionary of Literary Terms.) A symbol is a thing that suggests more than its literal meaning. It exists widely even in our daily life. Our language itself is symbol. The daily greetings indicate that the passage of munication is open. Ring is a symbol of eternity. The sign