陳珊妮的ㄐㄧㄢ視(參考版)
2025-08-04 14:26本頁面
【正文】 Anissa) V. Leading Question General Introduction: (Stacy, Mavis) ? Argument: ? The assertion that women have the autonomy of their own body, and indignation of male voyeurism from female spectatorship in the lyrics and music video of “voyeur.” Introduction (2) ? I. From the growing fashion of voyeurism, pinhole lens and spectator in our society to the issue of male voyeurism and female spectatorship. ? II. The explanation of voyeurism. Introduction (3) ? III. The nude in traditional oil paintings. A. The spectatorowners relationship. B. The nude women looked at the mirror. C. The nude shows sign of submissiveness. ? 1. The nude women were languid, passive and thus available. Introduction to Sandee and her music style. ? 在一般人印象中 ? 臺灣成名歌手 和商業(yè)宣傳包裝 幾乎是同義詞 唯有陳珊妮例外 陳珊妮不是 臺灣流行樂壇的產(chǎn)物 ? 而是一個憑自身才能成為 創(chuàng)作歌手與製作人的 音樂工作者 Introduction to Sandee and her music style. ? 她以新詩形式的歌詞 敏銳的思考邏輯 單純直接的演唱技巧 真實地 記錄 生活中
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