【正文】 Sea”andOldBellWhomto“AlostfortheHemingwayAlso②代表作：“Theexposure最大限度地挖掘自己使自己成為一個純粹的人.maximumthroughoforundershowisgreatest(3)“真理的瞬時性”，癡迷于描寫肉體情感方面面臨的威脅和心靈死亡等主題。storiespreoccupationhisreflecteddeathofphysical,threatwithhistruth,”“momentanconcernHisdramaticanimagery,vocabulary,aandsentenceonprosetight,a①寫作特點(diǎn)：(1)he小說家Hemingwaymystery神秘真實(shí)性→reliable可信的，不偏，不評價suspense懸念view有限視角point→Ashdespairfailuresensedisillusion魔法消失，(因階級差異)夢想破滅→selfcentered→《夜色溫柔》the“TenderGreatnovel.Paradise”《人間天堂》，theSidenovelistFitzgeraldF.、情感、體驗(yàn)的融合與集中程度是愛略特判定詩歌好壞的標(biāo)準(zhǔn)。judgingcriterionwaswereandintellect,concentrationfusionto(3)The詩歌的具體元素與藝術(shù)家的想象和經(jīng)歷密切相關(guān)，也與詩歌相一致。towithandartist’softrueelementswhoseinorganicobject,aconceivedreligiouspeoples,oftheperspectiveseencharacterofandtheaspectsconcerns③作品特點(diǎn)：impressivedrama(戲劇)詩歌悲詩,Cathedral”，poeticinQuartets”《四個四重奏》poemmovement.inrelatedorchestration—newUsemodernworkstheLand”《荒原》one“Themoderninstrumentaaesthetics第一次闡釋了自己的審美觀點(diǎn).ofearliestTalent”essay,隨筆《傳統(tǒng)和個人天才》,the“TraditionapoetryoftheplacePrufrock”poems，holdsJ.Song“Thecritic評論家,Stearnsandfact,fictionandobject,subject–outerinneroppositionsserieshisthemearealandtheinterrelationofThehisconfusionswithtotoandtraditionalabandonmentthe(2)heinscrutableanalogies,sounds,imagery,elegance,ofpoeticstyles,ofa③特點(diǎn)：(1)he統(tǒng)一體藝術(shù)到自然的秩序，theorder/meaningjar–art,made–the“Anecdoteonoccasionalof“NecessaryBluewith②代表作：“Thecorrespondence.discovermankindindividualsprivilegetheitandandininnatewithideas,isorder,”“ideasbeliefbyprimarilyworkStevensEvening”向往大自然，想逃避社會；死亡、迷惑aWoodsTaken”、“StoppingRoadPulitzerwinnationalbeeandalone,menuniverseanlandscapesandtheirrationalitydarknessmysteriesoftenapparentallpoetry,andmoralreflectedwith(3Hisandofanature(2)HeandoftraditionaltheandNewofplainemployednew.”tooldfashionedinsteadcontemporaries,ofpoeticthe自然主義詩人FrostCantos”calledlongisof②majorinstrument.anreferenceofthetoinearlybecameand意象派的代表人物。Poundpleasures.indamned”,beautifulofaAgetheFitzgeraldthesymbolbeethatthepulsedYork’softheChicago,river”“upmusiciansNewJazzHairyJones”《瓊斯國王》、“Anna“ThePlaywrights戲劇、劇作家：EugeneFury”and“TheFaulknerto“AAlso“ThenovelErnest《了不起的蓋茨比》GreatFitzgerald,典型的迷惘一代：F.allusivelearningrichofmodernestablishhelpedtwentiethofAmericanmostLand”,“TheS.one.thetimetheattentionpaybase.itspsychoanalysistheoryand19ththebegancriticism,inStrictly,anythingsynonymlooselychanginganlivingawarenessanlandtheirreturnedAmericansdescribessemipoverty.livedHemingwaywritersdescribesexiles.“expatriates”colonyasinwhotheItaalienatedfaithdevoid“LostwerethatselfconsciouslypostwartheGeneration：迷惘的一代，Writersconcentration.poetry,hard,imagesevocationmatter,speech,oftheuseincludedImagistincredo,19091917.flourishedUnitedandofpoetic意象派：is舊道德體系破碎codeold（汽車/收音機(jī)）radio)(automobilein②great第一次世界大戰(zhàn)，AmericaWar①20thnovel,德萊塞最恢宏、最成功的小說，表達(dá)了金錢萬能的主題。mostgreatestoftheiswithofTragedy”《美國悲劇》，The②“An欲望三部曲ofTitan”、“The“TheW.oftragicandCarrierisethewhichfirstCarrie”《嘉莉妹妹》Dreisernovel.patentlyinvividlyisThisstrongestofthebelievedLondonofthe②whilenovel自傳體小說)“MartinSeatheCallthePeopleLondonfinesse.masterlypresentedwoman’sofintimatenovels,ofmostsenseinculturewithinthethemethetreatmentsenseininterrelationshipsandofintricatefather.ofthepennilessbeenwhoAmericanaIsabelcharacterofandcourtship,concernsThematureoftherepresentativenovelAcher.isaPortrait“inthenameGoldenDove”、“Theof==“ThefulllengthLady”(早期最好的作品)oftheMiller”、“⑥代表作：“Theexperience.fromthedefinedJamesperceptionsthechroniclesconfrontingofpenetratingfromanstorytellingandwithitsnoveltransformhelpingfictionarttomajorhecritical⑤貢獻(xiàn)contribution：inofthelife,artof④創(chuàng)作原則：Thephilosopher心理學(xué)家,哲學(xué)家；philosopher哲學(xué)家,富有；brother:全視角是不真實(shí)的。personand(2)1st用深厚、復(fù)雜的寫作方式對復(fù)雜的個人經(jīng)歷進(jìn)行揣摩plexscrutinyhisthatintricaterichincharacters,ofindividualintoMajorastohavewhichliteraryastyleandtheinternationalinteresttookperiods,theperiods,intogenerallyhimcareerThepsychologicalfoundertheoretician★HenryMagi”《麥琪的禮物》of、“TheMillion”《四百萬》②代表作：“Theexpressions使用大量的俚語和口語.andofgreatcontainsurprising結(jié)尾意外。istheabounds情節(jié)極度聰明有趣并富于幽默。andexceedinglyplotsshort簡單。Newpeopleofthe①特點(diǎn)：tell短篇小說shortO.the“LifeTomAdventuresGildedliteraryaccepted③contribution貢獻(xiàn)：colloquialregion.oflocalaboutparticulartoitliteraryofuniquecoloristHuckleberry①美國現(xiàn)實(shí)主義文學(xué)的代表作“AdventuresTwainsystemserf39。attentionTom’scenturyinproseone小說家Beecherlines.theirquotedaretitles,haveHerowninandin②特點(diǎn)：herDeath”我不能等候死神Theme：死亡是實(shí)現(xiàn)永恒Immortality的途徑stopcould“Becausesameultimate(終極)GoodnessTruthBeauty我為美而死（詩歌）for“IEmily引導(dǎo)社會發(fā)展。ofbythewhoprophet,andaapoetenvisionedruggedofandmonofthehehisandaboutofinthe特點(diǎn)：mostpoem.genuinetheGrass”草葉集②“Leaves無固定節(jié)奏，無有規(guī)律的韻腳rhymeorfixedwithoutverseWhitmanviewpoint③中央視角：an不加一分，不減一分，百分之百描寫現(xiàn)實(shí)。oftruthfulthannothingmorerealism:②HisAmerica。realismcenturyof①TheDeanevolution.forcesthedominatedbesuggestman,animalitystressonevident.Darwinism:Theodore,LondonNorris,決定論，宿命的，代表作家：Stephendeath.oblivionlifemiseryhumanitydestinythatwerereligiousenvironment,andbyw